Días de Santiago

Dias de Santiago is the opera prima of a Peruvian director that with very low budget managed to tell the stressful story of Santiago. It is a strong movie... I think that people that like independent movies will love this one.

The plot: Santiago is a 23 year old retire marine that returns to Lima after 3 years from fighting in the Peruvian jungle against drug traffic, terrorism and a conflict with neighbor country, Ecuador. Although Santiago was constantly attacked by guilty feelings of the abuses committed by the Peruvian Armed Forces while he was in service (women, children and old people were assassinated with no apparent cause; young women were rapped by members of the armed force; under-the-table negotiations were made with drug mobs, etc.) he was proud of who he was back then. Back in Lima, Peru's centralized capital, things are very different. This chaotic concrete jungle has its own rules, mostly unwritten ones. Santiago is obsessed in trying to decipher the codes, but he fails because his family and friends don't live the structured way of the army.

Recommended by a journalist from a communist country during a film festival I had some initial hesitation regarding watching this film. However after having seen this highly artistic film,I am ready to say that it is one of the most original films made in recent times.I find it difficult to swallow the comparison made with US film "Taxi Driver". By making such a weird comparison people are belittling this film.My favorite moments from this film are the confrontation scenes. They bear testimony to the fact that a person besieged with problems has to fight ferociously to overcome all troubles. Some of the sequences had a dream like air to them.To a layman the title of the film "Days of Santiago" suggests how he passes his days.But to a serious film goer it denotes the entire past,present and future life of Santiago. Peruvian actor Pietro Sibylle is a great attraction of this film. The troublesome feelings of anger,hopelessness, frustration, anxiety and despair are much too visible on his woebegone face.A truly valid reason to watch this film.

I visited the world premiere of this film at the Rotterdam Film Festival in The Netherlands, and I was pleasantly surprised. I didn't know anything about the film, except that it was from Peru. It turned out to be a very striking, powerful movie; mixing beautiful visuals with a simple story.

The film's about a young man, Santiago. He has served his time in the military, and the violence he has seen and experienced has affected him deeply. His whole generation has the same problem: they are veterans (but they're only 20-something years old) and have no work. Many of his friends turn to crime, but not Santiago. He starts to work as a taxidriver in Lima, and the camera follows him several days. (the movie translates as 'Days of Santiago') We see how he deals with the world. Santiago is extremely paranoid and doesn't know how to interact with people. He meets a lot of girls, but doesn't know what to do or say. His experiences in the army, although they are never shown in flashback, have left marks.

The film is visually original; color mixes with black-and-white. But this is no gimmick, it helps to illustrate the inner struggle of Santiago.

The acting is superb, especially from Pietro Sibille as Santiago.

The story is based on real life experiences from a veteran, and many things really happened. The director, Josue Mendez, who was present at the Rotterdam Film Festival, explained that there are lots of guys like Santiago in Peru, a whole 'lost generation', forced in joining the military at a young age, and having a hard time dealing with society when they return. However, a large part of the film focuses on Santiago's family, and that part is entirely fictional. Of course, you can't help but thinking about 'Taxi driver', Scorsese's famous movie, which also centers around a taxi driver who has emotional problems and can't deal with the world. However, the films are incomparable, because the style and substance are very different. 'Dias de santiago' will probably never be as well-known as 'Taxi driver', but it certainly deserves to be. See it, when you have the chance.

I just saw this on HBO in the US tonight. this film grabs you and pulls you along. the cinematography is competent and in no way flashy. but you feel like you are there. you can really empathize with the main character Santiago. this film simply rings true in all its aspects. this is one of the best movies I have seen in years. I don't know much about the actor who portrays Santiago (whether is very brilliant or brilliantly typecast) because I have not seen him in anything else. his performance in this movie was just excellent. frankly there were no weak performances from my perspective. Sounds like I really loved this movie doesn't it? I did.

PS: this will quickly be dated but if you are hooked up to adelphia/comcast cable in the US they are listing this movie inexplicably/erroneously as "a day without Mexicans"

Dias de Santiago (2004)

A total slice of life movie showing a lower class (and probably very common) family in a poor section of Lima, Peru. The main character has come back from three years in the military (fighting guerrillas and Ecuadorians, he explains) and he can't get a job, can't fit in. This is the plight of soldiers world round, and the core of the whole film noir content in American post-WWII films. So it matters, it's powerful, and it's believable.

It also doesn't especially rise above its daily horrors--Santiago trying to keep in control, seeing his violent brother beat his girlfriend, having the same girlfriend seduce him as she asks him to kill the brother, finding the father having sex with Santiago's little sister, and lashing out against his own girlfriend, who is pretty decent overall, wanting an ordinary life.

But an ordinary life can't seem to be found, or not easily, as he looks for a job. There is no one blamed in particular, just a spotlight on how hard it is for people to readjust to life after years away doing the military's bidding. And it's in that navy, for Santiago, that he felt needed and powerful and capable. Other ex-soldiers meet up with him and try to get him to rob a bank with them, but Santiago is a paradigm of the good man, trying to be kind to women, defend the innocent, and get a job. Life is just not always cooperating.

For a U.S. citizen living well and aware of my luck, and some education and hard work but mostly being in the right country in the right century, and really felt for the dilemma of this man. And I made it relate to the similar plight of my own countrymen and women, here, as well as in countries everywhere. Is there something more that can be accomplished to make things more open and helpful? Does the military have a role to play in the transition to civilian life?

To some extent that is the point of the film. It doesn't go anywhere in particular, just paints a horrible situation and a humble, determined man pushed to the edge by circumstances. Shot in a cinema verite style so common now, it might even pass for a slight documentary at times, except for some unnecessary flipping between black and white and color. This film won't be for everyone, but it's a strong example of its type, and important for its origin in South America.