Nanny McPhee
- 2005
- Tous publics
- 1h 37min
Une gouvernante utilise la magie pour contrôler le comportement des sept enfants dont elle a la charge.Une gouvernante utilise la magie pour contrôler le comportement des sept enfants dont elle a la charge.Une gouvernante utilise la magie pour contrôler le comportement des sept enfants dont elle a la charge.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 4 nominations au total
Thomas Brodie-Sangster
- Simon
- (as Thomas Sangster)
Avis à la une
Seven children, seventeen nannies. Poor dad Cedric Brown (Colin Firth) has all but given up. Suddenly, enter Nanny McPhee (Emma Thompson) using her magical powers (both emotionally and literally) to kick them into shape. Remind you of something? I'd be concerned if it didn't. But thankfully, as Nanny McPhee progresses, it twists and turns in such a pleasant fashion that by the end, you'll be wondering 'Mary who?' Adapted for the screen by Thompson herself, this is a fun and inventive kids film that is guaranteed to make you smile. Firth does his usually stuttering British man shtick, but given he has little to do, makes the most of it. Imedla Staunton, Angela Lansbury and Celia Imrie ham it up shamelessly and are loads of fun. But most of the attention should be directed towards Thompson, an ugly but constantly entertaining lead.
The art direction, visual effects and Patrick Doyle's fabulous score all soar in a confident over-the-top direction, as is the tone of the film. The score, by-the-books though it may be, is perfect and bodes well for Doyle's work on the new Harry Potter movie.
Rather than basing its entirety on the naughty kids storyline, McPhee jumps from plot point to plot point, stuffing a whole lotta characters and twists into it's 97 minute running time. Thanks to this, Thompson's endearing loveliness and a cute array of kids (lead by Thomas Sangster, the kid from Love Actually), Nanny McPhee emerges triumphant as one of the better kids movies in recent memory, mostly because the adults will love it too. And anyone who isn't enchanted by the magical ending has to have a stone for a heart.
The art direction, visual effects and Patrick Doyle's fabulous score all soar in a confident over-the-top direction, as is the tone of the film. The score, by-the-books though it may be, is perfect and bodes well for Doyle's work on the new Harry Potter movie.
Rather than basing its entirety on the naughty kids storyline, McPhee jumps from plot point to plot point, stuffing a whole lotta characters and twists into it's 97 minute running time. Thanks to this, Thompson's endearing loveliness and a cute array of kids (lead by Thomas Sangster, the kid from Love Actually), Nanny McPhee emerges triumphant as one of the better kids movies in recent memory, mostly because the adults will love it too. And anyone who isn't enchanted by the magical ending has to have a stone for a heart.
I almost missed this one because I was turned off by the commercials and previews, with their emphasis on the silliest parts (the dancing donkey, etc.). What a mistake that would have been -- I'd have missed one of the driest, archest, loveliest scripts in years. Emma Thompson can do more with a slightly quirked eyebrow and a quiet "Hm" than most actresses can with an entire Shakespearean soliloquy. The whole cast, children and adults alike, is pretty near perfect, some of the best of the British theater even in the tiniest roles (Derek Jacobi, Imelda Staunton et al). The kids are tough and tart, without a simper in the lot, unlike most US child stars.
Don't let the trailers keep you away -- this is well worth seeing, sort of what Lemony Snicket should have been but wasn't.
Don't let the trailers keep you away -- this is well worth seeing, sort of what Lemony Snicket should have been but wasn't.
This was a pleasant surprise, much better than I anticipated. I figured Emma Thompson would be good in the title role because you can usually count on her to be entertaining in form or another, cerebrally, emotionally or comically. What I didn't figure on was the fun, extremely colorful story, overall. This was like a banana split for your senses - all kinds of wild treats for the eyes and ears.....to taste, so to speak.
This film features outrageous color schemes from the word "go," from the interior of the "Brown's" house, to everyone's apparel to the scenery outside. It almost reminded me "The Cat In The Hat" with its crazy colors.
All the characters are as exaggerated as the colors, too. The kids may be brats but they aren't bad once they get some needed discipline and love from Nanny McPhee. They are still fun to watch, and all are quite different in appearance and mannerisms. Thompson is a howl as Mary Poppins-like McPhee and so are the supporting characters. There were no sappy songs, either. This is not a musical.
The only character annoying to me was the kids' dad, played by Colin Firth. The actor was fine but his character was so wishy-washy, so wussy, he was barely tolerable for much of the film. By the way, you might not recognize the famous Angela Lansbury in here. Everyone, including her, must have had a great time filming this movie.
Only the final wedding segment got carried away with juvenile silliness; the rest was fun for adults and well as the kids, who must have loved this all the way through.
This is simply good entertainment and highly recommended.
This film features outrageous color schemes from the word "go," from the interior of the "Brown's" house, to everyone's apparel to the scenery outside. It almost reminded me "The Cat In The Hat" with its crazy colors.
All the characters are as exaggerated as the colors, too. The kids may be brats but they aren't bad once they get some needed discipline and love from Nanny McPhee. They are still fun to watch, and all are quite different in appearance and mannerisms. Thompson is a howl as Mary Poppins-like McPhee and so are the supporting characters. There were no sappy songs, either. This is not a musical.
The only character annoying to me was the kids' dad, played by Colin Firth. The actor was fine but his character was so wishy-washy, so wussy, he was barely tolerable for much of the film. By the way, you might not recognize the famous Angela Lansbury in here. Everyone, including her, must have had a great time filming this movie.
Only the final wedding segment got carried away with juvenile silliness; the rest was fun for adults and well as the kids, who must have loved this all the way through.
This is simply good entertainment and highly recommended.
Emma Thompson fearlessly works with seven children and a barnyard of animals -- not to mention ugly-face make-up -- and she never once is upstaged.
My only complaint is about Colin Firth, who has a thankless role, but I've never found him all that interesting anyway.
My 9-year-old daughter, an avid Harry Potter fan, enjoyed the magic of the story and its rich layers of morality. At a key moment, creative obedience to an adult instruction leads to a slapstick showdown that delighted every kid in the theater, including me.
There are moments of peril and cruelty, a villain worthy of Dickens, even corpses in the father's place of business, but nothing presented here is worse than everyday life that all children endure. One of the most poetic understatements in any kid film occurs with the first shot: an empty chair, once occupied by a loving mother.
Nanny McPhee arrives to teach the unruly children, but the grown-ups have the most to learn about loss, honesty, and true love.
My only complaint is about Colin Firth, who has a thankless role, but I've never found him all that interesting anyway.
My 9-year-old daughter, an avid Harry Potter fan, enjoyed the magic of the story and its rich layers of morality. At a key moment, creative obedience to an adult instruction leads to a slapstick showdown that delighted every kid in the theater, including me.
There are moments of peril and cruelty, a villain worthy of Dickens, even corpses in the father's place of business, but nothing presented here is worse than everyday life that all children endure. One of the most poetic understatements in any kid film occurs with the first shot: an empty chair, once occupied by a loving mother.
Nanny McPhee arrives to teach the unruly children, but the grown-ups have the most to learn about loss, honesty, and true love.
Saw the film this morning at a Sunday Times preview and I'd like to think that more than a few of you will be eating your words when you see the finished product. It's beautifully put together, with lots of humour, the attractive Colin Firth and many superb performances. Celia Imrie creates a colourful character in Mrs Quickly, Imelda Staunton is fantastic as the cook (Mrs Blatherwick) and Angela Lansbury is expertly cast as Aunt Adelaide (despite the feathered dress making her look like a turkey!) As guessed at on another thread, Nanny McPhee does teach the children - that manners matter, you should be responsible for your actions, and that actions have consequences. It isn't dumbed down, there's certainly no 'dopey dialogue' - and there's also no annoying Americanisms as beset Charlie & the Chocolate Factory.
At first glance, you could imagine Emma Thompson giving a very over the top performance, given the warts, over-sized nose and tooth. Instead she gives a careful and considered performance - everything in the right measure.
Enjoy Nanny McPhee for what it is - a large dose of magical escapism with plenty of laughs for good measure. A few rude words and food fights to keep the kids (and parents) happy, oh and a dancing donkey, but overall a film that is lots of fun. Can't wait for the DVD.
At first glance, you could imagine Emma Thompson giving a very over the top performance, given the warts, over-sized nose and tooth. Instead she gives a careful and considered performance - everything in the right measure.
Enjoy Nanny McPhee for what it is - a large dose of magical escapism with plenty of laughs for good measure. A few rude words and food fights to keep the kids (and parents) happy, oh and a dancing donkey, but overall a film that is lots of fun. Can't wait for the DVD.
Le saviez-vous
- AnecdotesDame Emma Thompson said that it took her nine years to write this screenplay, while it took her only five years to write Raison et sentiments (1995), for which she won an Oscar.
- GaffesWhen Nanny McPhee seems to suddenly "appear" to Cook, after the children have gotten sick, you can see Nanny stand up from behind the counter, if you watch closely through the red bottle as the camera passes.
- Citations
Nanny McPhee: There is something you should understand about the way I work. When you need me but do not want me, then I must stay. When you want me but no longer need me, then I have to go. It's rather sad, really, but there it is.
[Nanny McPhee turns around to walk out of the room, but stops once she hears Simon]
Simon Brown: We will never want you!
Nanny McPhee: Then I will never go.
- Crédits fous"This film is dedicated only to the truly naughty - and their children."
- ConnexionsFeatured in Today: Épisode datant du 30 janvier 2006 (2006)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- La nana mágica
- Lieux de tournage
- Dorset, Angleterre, Royaume-Uni(Exterior)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 25 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 47 144 110 $US
- Week-end de sortie aux États-Unis et au Canada
- 14 503 650 $US
- 29 janv. 2006
- Montant brut mondial
- 123 276 807 $US
- Durée
- 1h 37min(97 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
- 2.39 : 1
- 2.35 : 1
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