Prends-moi

First I will say that the movie was a nicely done piece of art. For an Indi film, it was all the better.

However, I didn't like its message of 'straight people and cops are evil', when that just isn't the case.

Also, I didn't like Destiny. I enjoyed his/her character and such, however it is because of flamboyant people such as him/her homosexuals are incapable of getting the respect we wish for.

Yeah, I'm a lesbian. As such, I didn't like the movies portrayal of lesbians either. It seemed to me that the movie felt they were all dykes, and male-hating.

Now, I agree that gay-bashers suck. I hate them as much as the next gay person. I've been the victim of them more than enough.

But not all straight people are like that, regardless of what the movie's characters seemed to believe.

I know they've been given the short end of the stick, and their lives have been less that happy... but still. They movie seemed like nothing more than an overdone 'straight-bash-fest'. There wasn't a single decent thing to say about straight people. Not even 'well, you'll meet the occasional one who doesn't suck'.

Even with all that, I enjoyed the movie. So it gets 5/10.

-Tay

Knowing that director Everett Lewis equated his characters with gay superheros goes a long way toward enjoying this quirky but extremely well-done film. Even when the acting is awkward, there is an honesty about the portrayals that is extremely watchable. Allan Louis is terrific as Destiny, the drag queen "avenger" who is part mother, part Dirty Harry. The cinematography is surprisingly good and the guys look terrific obeying Desiny's '2 hours of nudity a day' rule. Last minute cast substitution Minerva Vier seems incredulous at first as a tough street dyke, but her spunky reality won me over quickly. I cracked up at Destiny's line "Child, I feel just like Mrs. Brady. So white. So suburban. I'm gonna have to get me a pert blonde wig, honey. 'Cause I just feel pert. Pert, pert, pert." Classic. There are some lapses of credibility in the plot, but this is a superhero world, not real life, so go with it and you'll enjoy getting the FAQ's.

Had a free movie rental coupon, was in a hurry, and picked this movie out. Sounded like a good story and, over all, it was. But it took soooo much to get through this movie because of the acting.

The two key characters, India and Destiny, were the strongest performances and thats not saying a whole lot. When India first meets Destiny I thought I was watching "Jackie Brown" or "Christie Love", come to someone's rescue. It was so retro and amateurish, something, I feel, a few more takes could have solved. Clearly, from watching other scenes, these actors were able to deliver convincing performances, but for whatever reason the director settled.

The same can be said for the sex scenes. Some were great while others were mediocre at best. Yes, there was a good deal of flesh and as someone else commented the guys looked like your everyday "joe" hot guy and not some groomed, tanned, perfectly figured porn guy. This gave the movie a reality feel, which also kept me watching. I felt like these were people I could relate to, touch, walk with (be apart of my life).

But the thing that held me the most was the message of the movie. Now, of course, I can't tell you what that is, but suffice it to say that as the movie unfolds the message, like a painting out of a cylinder container, is layed out. Even though its done in an idealist, and somewhat corny, way.

In a nutshell, worthy material, with some good, and some bad scenes. Good amount of nudity, if you're into that.

I'll keep an eye out for future movies by this director/writer. Hopefully with a bigger budget and maybe more time another good story, with better performances, will go to theatre.

"FAQs" has a daring concept, but it is almost irretrievably lost by its amateurish execution. The film is about the construction of a family of throw-away teens rescued and mentored by a flamboyant drag queen/pornographer named Destiny (Allan Lewis). It boldly portrays the grittiness one would imagine such a situation would entail. The characters' resentment of their past abuses is palpable in every scene, and the film never compromises its heroes or its message. It's not a wimpy film.

The major strength of the film is Lewis's deft performance as Destiny. His portrayal brings out both Destiny's power and her vulnerability. The viewer can sympathize with her while disagreeing with some of her judgments and admire her without adopting her attitudes wholesale.

The other outstanding element of the film was the music. It supported the action of the film beautifully without intruding and calling attention to itself.

Virtually everything else about the film was lacking. The dialog was uneven, sententious, and often artificial. The pace was ponderous, all the more so because of the long, dead silence between many of the lines. I suspect some of these silences could have been corrected by editing, but in many of the running takes, the actors simply didn't pick up their lines. Apart from Lewis, the actors were uneven at best in their performances.

Finally, the film looks awful and sounds worse. I finally gave up trying to find an appropriate volume and turned on the subtitles.

If one is looking for an angry gay film well-made on a low budget, one might settle on "The Living End." Because "FAQs" has a more promising premise, I couldn't abandon it. I really wanted to like it, but ultimately it was a huge disappointment.

Everett Lewis is a writer/director who continues to look at the various aspects of gay life and the way it is influencing young people. His work is a bit raw and unpolished as yet, but his sentiments are strong and translate well in the films he has created thus far.FAQS is a strong conceptual film and one with a new take on gay activism.

India (a talented natural actor Joe Lia) is a young runaway from Colorado who has come to Hollywood where he can be the gay person he accepts he is. Living homeless under a bridge he is obliged to make his living as a hustler, and as we meet him he is participating in a demeaning pornography film at the smarmy hands of a cheating pornographer. After the shoot he is ambushed by two gay bashers and is saved only by the intervention of a tall, flamboyant black drag queen Destiny (Allan Louis) who gains India's respect and is invited to live with Destiny in her small apartment, a place she shares with other gay people in need such as the lesbian cross dresser Lester (Minerva Vier). Destiny sets down rules of the house: no drugs, be careful of straights, spend two hours a day naked in respect for your body, always use condoms, etc. and India settles in, feeling 'home' for the first time. Soon he meets another hustler Spencer (Lance Lee Davis) who is bent on killing his bigoted parents (just as India is bent on revenge for his pornography adventure), but who falls for India's loving attention and the two become lovers.

At the time of India's encounter with the gay bashers Destiny takes the coat of one of them for India's warmth, a coat which bears the basher's name Guy (Adam Larson) and address. India and Spencer decide to find them and take retribution, but when they confront Guy, India senses Guy's sexual proclivities and the three return to Destiny's ever growing 'family'. The manner in which the other basher intervenes and the changes that occur among the tenants of Destiny's home supply the predictable but satisfying end.

So why with all this praise does this film only rate 3 stars? There are production problems that prevent a higher rating: the sound is poor, the dialogue is often buried in ambient noise, the editing is choppy, etc. But the actors are surprisingly good given the fact that most are inexperienced. Allan Louis as Destiny gives a bravura performance, one of the finest roles of a drag queen ever filmed. There are some well managed sexual encounters and some frontal nudity (but only with Joe Lia and that is so in character that it works well): the chemistry between India and Spencer is palpable and credible.

But despite these minor flaws (each of which is imminently forgivable) this is a well-made film that shows the power of 'extended family' in the lives of gay youths at risk in a homophobic society. There is tenderness, there is comedy, and there is a solid amount of political statement! Recommended. Grady Harp