Le Parfum, histoire d'un meurtrier
Jean-Baptiste Grenouille, né avec un sens olfactif supérieur, crée le meilleur parfum du monde. Son travail, cependant, prend une direction sombre alors qu'il cherche l'ultime odeur.Jean-Baptiste Grenouille, né avec un sens olfactif supérieur, crée le meilleur parfum du monde. Son travail, cependant, prend une direction sombre alors qu'il cherche l'ultime odeur.Jean-Baptiste Grenouille, né avec un sens olfactif supérieur, crée le meilleur parfum du monde. Son travail, cependant, prend une direction sombre alors qu'il cherche l'ultime odeur.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 15 victoires et 20 nominations au total
- Driver
- (as Walter Cots Wangüemert)
Avis à la une
Unfortunately, much of the book had to be skipped in the interest of time much of Grenouille's childhood is glossed over and the bit after the cave visit is completely omitted.
Despite this, the atmospheric sets and brilliant acting (with the exception of a disappointing Mr. Hoffman, who really does not have the stature of a master Parisian perfumer) kept me completely enthralled.
As in the original book, there is quite a bit of nudity, which is tastefully done, but I will be interested to see how this is swallowed in America it will probably get an 18 rating or be cut down, which is a shame, it was given a 12 rating in Germany.
In summary, a really great film, but probably best if you have read the book beforehand..
A must see. Or, should I say, a must "smell"!
Putting scent into images, however, is even more difficult than putting them into words, in my opinion, and this is where the movie lacked. It just did not grip me the way the book had, did not pull me into this world of smells, and after 2 hours I started getting impatient for the story to finally move on and wrap up. All in all I think the movie could have been better, but it was definitely better than I'd feared and is well worth a look.
People who are used to fast Hollywood Movies certainly won't be satisfied with this movie. It's really unusual, as the novel is. It's generally difficult to convey something like a SMELL in a book or a movie, and it's also difficult to create a satisfying adaption of a novel. So my personal opinion is that The Parfume Movie is one of the few good adaptations, because it eagerly tries to convey the complicated world of smells and the world of Grenouille and also achieves it in many ways. There are of course some parts missing or changed if you compare novel and movie, but that is always the case with adaptations.
I saw the movie one hour ago and have just read some comments. Some of them are "disappointed" or "boooring", but most of these opinions are really not well founded, so I couldn't make out what EXACTLY was so boring and disappointing... However, I'll keep on dwelling in the magic of the movie, looking forward to other more positive comments...
I haven't read the novel, so I don't know how accurate the depictions are, but it seems like Tom T. is not afraid to pull punches. That's not to say, that this overly violent in the explicit sense. But one would argue that the real horror, always plays in ones mind. Seems like you will be able to judge if you're backing this theory or if you're against it. And although we never really get the man behind all this madness, it's a great work of art (the movie that is ... if you want you can call something else also a "work of art" ... You'll get it, after watching the movie, if you don't already know the novel!)
Le saviez-vous
- AnecdotesThe production team scouted eight different countries in Europe looking for the best place to represent eighteenth century Paris, before settling on Barcelona, Spain.
- GaffesThe method of enfleurage that Grenouille is first seen practicing is called cold enfleurage - placing live botanicals in a layer of lard or tallow set in a frame. However, this method of enfleurage was not developed until the 1800's. The movie is set in the mid 1700's.
- Citations
Narrator: He still had enough perfume left to enslave the whole world if he so chose. He could walk to Versailles and have the king kiss his feet. He could write the pope a perfumed letter and reveal himself as the new Messiah. He could do all this, and more, if he wanted to. He possessed a power stronger than the power of money, or terror, or death - the invincible power to command the love of man kind. There was only one thing the perfume could not do. It could not turn him into a person who could love and be loved like everyone else. So, to hell with it he thought. To hell with the world. With the perfume. With himself.
- Bandes originalesTarentelle
(Traditional)
Performed by Saboï and its Members
Asta Coulomb, Christian Coulomb, Sebastien Coulomb, François Hecquet, Bertrand Mercier, Nicolas Pillard,
Edo Pols, Jocelyn Raulet, Simon Staelens, Remi Tran-No
By arrangement: Christian Coulomb
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- El perfume: historia de un asesino
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 60 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 2 223 293 $US
- Week-end de sortie aux États-Unis et au Canada
- 37 079 $US
- 31 déc. 2006
- Montant brut mondial
- 135 039 924 $US
- Durée
- 2h 27min(147 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1