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The Devil's Rejects

  • 2005
  • 16
  • 1h 47min
NOTE IMDb
6,7/10
109 k
MA NOTE
POPULARITÉ
4 120
923
The Devil's Rejects (2005)
Trailer
Lire trailer1:17
1 Video
99+ photos
CriminalitéDrameHorreurOccidentalHorreur Splatter

La famille meurtrière Firefly prend la route pour échapper aux policiers à leurs trousses, lesquels n'hésitent pas à être aussi impitoyables que leurs proies.La famille meurtrière Firefly prend la route pour échapper aux policiers à leurs trousses, lesquels n'hésitent pas à être aussi impitoyables que leurs proies.La famille meurtrière Firefly prend la route pour échapper aux policiers à leurs trousses, lesquels n'hésitent pas à être aussi impitoyables que leurs proies.

  • Réalisation
    • Rob Zombie
  • Scénario
    • Rob Zombie
  • Casting principal
    • Sid Haig
    • Sheri Moon Zombie
    • Bill Moseley
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,7/10
    109 k
    MA NOTE
    POPULARITÉ
    4 120
    923
    • Réalisation
      • Rob Zombie
    • Scénario
      • Rob Zombie
    • Casting principal
      • Sid Haig
      • Sheri Moon Zombie
      • Bill Moseley
    • 796avis d'utilisateurs
    • 285avis des critiques
    • 54Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 10 victoires et 8 nominations au total

    Vidéos1

    The Devil's Rejects
    Trailer 1:17
    The Devil's Rejects

    Photos278

    Voir l'affiche
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    + 272
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    Rôles principaux45

    Modifier
    Sid Haig
    Sid Haig
    • Captain Spaulding
    Sheri Moon Zombie
    Sheri Moon Zombie
    • Baby
    Bill Moseley
    Bill Moseley
    • Otis
    William Forsythe
    William Forsythe
    • Sheriff Wydell
    Ken Foree
    Ken Foree
    • Charlie Altamont
    Matthew McGrory
    Matthew McGrory
    • Tiny
    Leslie Easterbrook
    Leslie Easterbrook
    • Mother Firefly
    Geoffrey Lewis
    Geoffrey Lewis
    • Roy Sullivan
    Priscilla Barnes
    Priscilla Barnes
    • Gloria Sullivan
    Dave Sheridan
    Dave Sheridan
    • Officer Ray Dobson
    Kate Norby
    Kate Norby
    • Wendy Banjo
    Lew Temple
    Lew Temple
    • Adam Banjo
    Danny Trejo
    Danny Trejo
    • Rondo
    Dallas Page
    Dallas Page
    • Billy Ray Snapper
    • (as Diamond Dallas Page)
    Brian Posehn
    Brian Posehn
    • Jimmy
    Elizabeth Daily
    Elizabeth Daily
    • Candy
    • (as EG Daily)
    Tom Towles
    Tom Towles
    • George Wydell
    Michael Berryman
    Michael Berryman
    • Clevon
    • Réalisation
      • Rob Zombie
    • Scénario
      • Rob Zombie
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs796

    6,7109.1K
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    Avis à la une

    8matty03

    Quite Interesting, but Flawed

    I just saw this film at a sneak preview screening in San Francisco. I had really loved Zombie's first film, HOUSE OF 1,000 CORPSES, and was looking forward to seeing how he was going to "re-create" the characters from that first film into this new one.

    Stylistically, this film is exceptional. Zombie knows how to build tension and has a real gift for being able to pay homage to the horror flicks of the 70's without insulting or copying them. His choices in casting is genius and the performances in this film are quite good.

    However, gone is the camp-value he infused into CORPSES. This film takes itself much more seriously and this does not help. In fact, the fact that Zombie focuses more on horror and torture without the same level of dark humor makes the film come off as somewhat cruel. Are we to actually enjoy seeing the victims tortured? Somehow, the fun of his first film is absent.

    However, for those of us who have an appreciation for the films of the original 70's renegade film makers such as Tobe Hooper -- you can't help but enjoy Zombie's style of filming. This film also enjoys have some of the best southern rock ever created to serve as its soundtrack.

    The three lead actors stand out and give great performances, but one wishes Zombie would have allowed them to go a bit more over the top. Karen Black did not return to play Moma Firefly which is too bad, but the actress who takes over the role does a great job.

    In the end -- I think this is an interesting and valid second film from Rob Zombie, but I hope that he allows his cast and his audience to have a bit more fun. The world has enough torture and violence -- if we are to see it in a film it needs to give us a bit of a scare and a bit of a laugh. If only he had utilized that dark/twisted since of humor a bit more.

    Still, it is worth a look -- but not for those of you who get upset by violence. And, please, this is not a movie for children. There was a child at last night's screening. That poor baby is going to be scarred for life!
    sabsco

    Much Better Than Expected ....

    Not the kind of movie I would normally even consider, but after recommendations from a couple of people who's opinion I trust, I rented the movie this weekend. Writer/Director Rob Zombie is obviously a great fan of 70s drive-in fare like "The Texas Chainsaw Massacre" and "The Hills Have Eyes" and has learned his lessons well. He has a solid directorial style and a great ear for comically profane dialog - the banter in this movie reminds me of "Goodfellas" with maniacal Southern rednecks rather than East Coast Italian mobsters. And with a cast that includes William Forsythe, Sid Haig, Geoffrey Lewis, Ginger Lynn Allen, Priscilla Barnes, Steve Railsback, P.J. Soles, Mary Waronov, Deborah Van Valkenburgh, and Michael Berryman, and a Super 70s Soundtrack featuring The Allman Brothers, The James Gang, David Essex, and Lynyrd Skynyrd among others - you know Zombie has his pop cultural/cult movie references in order. I enjoyed this movie more for the humor than the for the "horror". The characters are all named after various Marx Brothers characters and while the gore is graphic and there are some truly chilling images in the movie, Zombie just misses the "beat" to put some of these sequences over the top, while the acting performances by a couple of the leads - namely Zombie look-alike Bill Mosely and Zombie's utterly babe-o-licious wife Sherri Moon Zombie - are less than stellar (although in Ms. Zombie's case it doesn't really matter - major eye candy!). So, a "qualified" recommendation for those who don't normally go for this kind of movie but who think they might enjoy it based on the description above. I thoroughly enjoyed it myself and think Rob Zombie is a genuinely talented filmmaker who will eventually hit one out of the ballpark if he keeps at it, which I'm sure he will. He comes pretty darned close with "The Devil's Rejects".
    10INCESSANT

    Zombie gets it right!

    I went to this movie having seen 1000 Corpses which I thought was a great retro B style horror in the Texas Chainsaw massacre genre.

    This movie FAR exceeded any expectation I had. Zombie NAILED it in this one. Classic Freeze frames, awesome soundtrack(used with purpose)-Just enough gore with out going over the top.. the essential random nudity shots that we B fans have come to expect. Suspenseful through-out.

    I realize that what makes all of these components work:

    A- This movie (Unlike 99% of all B Horros) is not predictable. You do not know what is going to happen next.

    B- Zombie builds characters. You learn history and connections, and see things from their view.

    C- Slight comedic aspect added.

    Summary: MUST SEE, MUST OWN

    in the words of my horror loving awe-struck friend "This is hands down the best B horror I have ever seen!"
    6mstomaso

    Worth Seeing, But Check Out "House..." First

    Rob Zombie took the same characters he created for House of a Thousand Corpses and gave us a higher-budget, flashier, and more commercialized murder-shocker - The Devil's Rejects. This is certainly a prettier and more polished film, with better production values, occasionally brilliant camera-work, and better acting (despite having the same principal cast). The same elements of the original are mostly intact - a psychotic serial killing family, vaguely satanic sadism, comedy, torture and a lot of blood. What's missing are the ambiguities, the darkness and the outright psychosis which appear in "House". And to compensate the audience for the loss of some of the elements which made "House" a good film, Zombie throws in sex - the most over-used plot device in cinematic history. Of course, its not just sex, but sexual violence mixed with torture, blood and nightmares.

    In other words, where 'house' was a dark, campy, creepy murder flick, "Rejects" is a light-drenched, raw, fairly (but not entirely) serious murder flick. No problems with the script, the acting, the concept, or even the plot - but, some definite problems with the entertainment value of the film. This just isn't terribly original and drops the idiosyncrasy of "House" for a typical Hollywood approach.

    Rejects starts out with a police raid on the house of a thousand corpses. Most of the family escape through a tunnel in their basement (why the police were unable to find this tunnel is a mystery). The police nab the mother, who plays up the satanic expectations of the police interrogating her and infuriates the sheriff (well played by William Forsythe) into an obsessive, vengeful state (his brother had been murdered by the family years ago). The Fireflies leave a trail of terror and murder in their wake and Forsythe follows it, until he is able to set his trap. I won't go any further with the plot outline because I do not want to write a spoiler, but I do want to elaborate on Forsythe's intense performance. His rage and self-righteous wrath blur the boundaries between cops and criminals quite effectively as the story progresses. If you want to know what I mean, you'll have to see the film.

    The Firefly family, through most of the film, consist of Otis a lank tall man with long stringy gray hair, Captain Spaulding, an intimidating evil and merciless clown and Baby, Spaulding's daughter, a cute blond particularly fond of torturing her male victims. The characters are more or less consistent with their portrayals in "House", but I have to admit, I think Shari Moon Zombie's Baby was very inconsistent from film to film. In "House" she is completely and utterly insane and fearless - using her shrill psychotic laughter especially well. In 'Rejects', she screams a lot, does a lot of running-away, and is actually fairly rational compared with her sadistic, torture-loving murderous kin.

    Finally, I don't think you can really 'get' this film if you haven't seen 'House'. So if you have any reason to want to see it, see "House" first. Some of the behavior of the characters will make little sense to you without their back-story.

    Bottom line: Weakly recommended for horror fans.
    trailermonkeys

    It can't get much better...

    OK, I loved "House of 1000 Corpses". I loved it for completely different reasons than I loved "The Devils Rejects". The mood in the first one is far more campy, almost cartoonish. The actual fear and horror mixed with that weird wink is perfect. "The Devils Rejects" on the other hand seems almost real. These people are out there...these people do not care about you or your children. Hell, they don't even care about your dog or furniture. The music, the angles, the complete disregard for the feelings of others. Blantant hedonism at it's best. Some folks walked out...I sat singing "Free Bird" till the screen went black. If it's for you, don't miss it. If you believe you are the least bit squeamish...go get that new direct to DVD Stitch movie!

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      (at around 46 mins) Otis' line "I am The Devil and I am here to do the Devil's work" is a slightly altered version of a quote spoken by Manson Family member Charles 'Tex' Watson during the infamous Tate Murders.
    • Gaffes
      (at around 39 mins) During her rant in a jail cell, Mother Firefly is seen holding her hands far apart for emphasis when her hands are supposed to be handcuffed with only about a foot of chain.
    • Citations

      Adam Banjo: Please, mister. This is insane.

      Otis B. Driftwood: Boy, the next word that comes out of your mouth better be some brilliant fuckin' Mark Twain shit. 'Cause it's definitely getting chiseled on your tombstone.

    • Versions alternatives
      There is an unrated DVD version that contains scenes that were cut for an R rating, including a longer version of the "motel" scene.
    • Connexions
      Featured in 30 Days in Hell: The Making of 'The Devil's Rejects' (2005)
    • Bandes originales
      Dark was the Night, Cold was the Ground
      Performed by Blind Willie Johnson

      Written by Blind Willie Johnson

      Published by Alpha Music Inc./TRF Music Inc.

      Courtesy of Columbia Records

      By Arrangement with Sony BMG Music Entertainment

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    FAQ23

    • How long is The Devil's Rejects?Alimenté par Alexa
    • Just how profane is this movie?
    • What song plays when? (SPOILERS)
    • What are the differences between the R-Rated version and the Unrated Version?

    Détails

    Modifier
    • Date de sortie
      • 19 juillet 2006 (France)
    • Pays d’origine
      • Allemagne
      • États-Unis
    • Site officiel
      • Official site
    • Langues
      • Anglais
      • Espagnol
    • Aussi connu sous le nom de
      • Violencia diabólica
    • Lieux de tournage
      • Sable Ranch - 25933 Sand Canyon Road, Santa Clarita, Californie, États-Unis(Firefly House)
    • Sociétés de production
      • Lionsgate
      • Cinerenta Medienbeteiligungs KG
      • Cinelamda Internationale Filmproduktionsgesellschaft mbH & Co. 1 Beteiligungs-KG
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 7 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 17 044 981 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 7 067 335 $US
      • 24 juil. 2005
    • Montant brut mondial
      • 20 901 859 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 47min(107 min)
    • Couleur
      • Color
    • Mixage
      • DTS
      • Dolby Digital
      • Dolby SR
    • Rapport de forme
      • 1.85 : 1

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