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Police Beat

  • 2005
  • Not Rated
  • 1h 20min
NOTE IMDb
6,8/10
392
MA NOTE
Police Beat (2005)
Trailer for Police Beat
Lire trailer1:23
1 Video
11 photos
CriminalitéDrame

Ajouter une intrigue dans votre langueAn African-born bicycle cop encounters strange and mysterious situations on his police beat in urban Seattle.An African-born bicycle cop encounters strange and mysterious situations on his police beat in urban Seattle.An African-born bicycle cop encounters strange and mysterious situations on his police beat in urban Seattle.

  • Réalisation
    • Robinson Devor
  • Scénario
    • Robinson Devor
    • Charles Mudede
  • Casting principal
    • Pape Sidy Niang
    • Allan Armstrong
    • Eric Breedlove
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,8/10
    392
    MA NOTE
    • Réalisation
      • Robinson Devor
    • Scénario
      • Robinson Devor
      • Charles Mudede
    • Casting principal
      • Pape Sidy Niang
      • Allan Armstrong
      • Eric Breedlove
    • 16avis d'utilisateurs
    • 18avis des critiques
    • 58Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 6 victoires et 5 nominations au total

    Vidéos1

    Police Beat
    Trailer 1:23
    Police Beat

    Photos11

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    Voir l'affiche
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    + 5
    Voir l'affiche

    Rôles principaux20

    Modifier
    Pape Sidy Niang
    Pape Sidy Niang
    • Z
    Allan Armstrong
    • Agent
    Eric Breedlove
    Ingrid Sanai Buron
    Ingrid Sanai Buron
    • Park Visitor
    Zack Carlson
    • Junkie
    Heidi Darchuk
    • Comfortable woman
    Gray Eubank
    Gray Eubank
    • Priest
    Sarah Harlett
    Jake Hart
    Jake Hart
    • Internal Affairs Agent
    Dennis Kleinsmith
    Dennis Kleinsmith
    • Bullet Proof Vest Man
    Jerry Lloyd
    Jerry Lloyd
    • Goose Killer
    Andy McCone
    Andy McCone
    • Rachel's Neighbor
    Scott A. Meola
    • Hedge trimmer
    Brandon O'Neill
    Brandon O'Neill
    • Lonely Housebreaker
    Elijah Ostrow
    • Homeless Boy
    Anna Oxygen
    Hilary Pickles
    Hilary Pickles
    • Park Visitor #3
    Joe Shapiro
    Joe Shapiro
    • Lindy Doorman
    • Réalisation
      • Robinson Devor
    • Scénario
      • Robinson Devor
      • Charles Mudede
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs16

    6,8392
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    10

    Avis à la une

    10Loudog3

    Emotionally powerful, unique

    A patrol cop on a mountain bike? I decided to see it to enjoy the scenery. But, this movie caught me off guard. I cannot recall a film that better captures the overpowering sense of painful obsession that results from suspicion and jealousy over a separated loved-one. If you have ever slept expectantly with the phone on your pillow, you may know the feeling. In under 2 hours Police Beat faithfully portrays a complex set of emotions which might require a long novel to communicate as effectively. This film made my heart pound. The backdrop of Seattle captures the best of what the city has to offer, with dramatic settings from diverse neighborhoods and artistic lighting. This is a compelling movie for those who love the city of Seattle.
    8davenj

    Visually Striking and Poetic

    Really one of the most beautiful low-budget films I've ever seen.

    The lead actor is very compelling, and the idea of observing American life through an authority figure who is also an immigrant is really striking. And occasionally very funny.

    The film as a whole has elements of David Lynch, as well as Linklater's "Slacker." But the sensibility is really not well described through reference to other films. It's really a one-of-a-kind piece of work.

    The news in the final credits that all the incidents portrayed in the film were taken from actual police files was strangely disappointing, but when I later learned that the co-writer was the author of a "Police Beat" column in the Seattle alternative weekly, it made total sense.

    Honestly, some of the images here are just absolutely singular. You've never seen anything quite like it.

    Congratulations to all involved.
    LuckyStar3_17

    Who was the Bush Assassian?

    One of the best characters in the whole film was not listed on IMDb. The Bush Assassian was incredibly funny and helped the film get a twist of humor in this dramatic plot. You have the purse snatcher listed whose face was never even seen and Rachel's neighbor...why? What about the rest of the cast that actually had interesting scenes and dialog? I would like to know who the rest of the cast is and where I can find them in the future. There was also a little problem with the sound on the girlfriends messages... did anyone understand what she was saying? Don't get me wrong I think this was a good film but it certainly could have used a little sound work. But I would once again like to state that in the cast listings that ALL cast should be listed not just 8.
    5anohito

    Identity of "Bush Assassin" revealed!

    Hey, LuckyStar, I just watched this movie and saw the name of the actor who played the "Bush Assassin." His name is Jim Newman.

    As a Seattlite, I really liked seeing all the familiar settings, like the Seattle Asian Art Museum, Gasworks Park, Smith Tower, and others.

    The lack of plot and dramatic tension limited my ability to enjoy this, but I found the main character to be interesting, complex, surprising, and occasionally very funny. Also, some of those bizarre crime episodes were pretty entertaining, as some of you have already said.

    I can't recommend this to film-goers who require a compelling plot, but if you like an original character study, give it a shot.
    7Vomitron_G

    A seven-day tour in the Delusional City of Grunge... on a bicycle.

    I've always had a soft spot for offbeat film-makers, especially when their work shows a lot of eccentricity. Director Robinson Devor already manages to establish himself as such a film-maker with his debut film POLICE BEAT. It's a perfect example of how a good film often isn't exactly for the general crowd.

    Expect a sort of docu-style work of fiction when entering POLICE BEAT. The plot forms an anecdotal whole where the bigger part of the screenplay is based on authentic police reports. The pivot character in all this, is protagonist Z. He's the red chord that connects all the unrelated events. Freshly imported from the dusty regions of Senegal, he already gets lucky when taking up on the opportunity to become a Seattle police officer. The only little catch is: Instead of getting a real patrol vehicle, his employers hook him up with… a bicycle.

    Z spends his time patrolling on his bike through town, checking out various complaints by citizens and misdemeanors in general, and the audience gets the chance to witness him do his job over the course of one week. Soon Z finds himself getting mixed up in numerous events that simply taunt all imagination. All possible criminal subject matters are featured in POLICE BEAT (theft, prostitution, drug delicts, murder, racism,… you just name it). All characters he encounters, range from "slightly odd" to "completely insane". It sometimes gives POLICE BEAT a hilarious touch. It provides perfect counterweight to the movie's true nature: a profound portrait of a young man coming to terms with his strange new environment. His constant wandering thoughts about his lost girlfriend (is she ever coming back?) provide the other half of the movie's perfectly split personality. And strangely, it all works quite well.

    POLICE BEAT also has a lot more cinematographic qualities than what you'd usually expect from this type of movies. There's no shaky camera or quickly spinning pov-shots when the spectator follows Z around on his bicycle patrols. Graphically, and regarding contents, a lot of images are so strong that they often speak for themselves. The opening-shot (the dead body of a man floating in the water) is already a nice example. And there's plenty more to discover during the movie. Some of them might even make you think and wonder about things. That's what I call a strong visual language, and also kudos to director of photography Sean Kirby for accomplishing great shots with limited resources (after all, this is an independent film). The photography and registrations are almost as cool as Z's philosophical reflections. Part of the movie features a lot of voice-over work, were we can here Z doing some monologues in Wolof (a native dialect from Senegal). They're often quite humorous (in a dry manner), and one of my favorites was hearing Z's amusing theories on 'problems'. And by the time that scene ended, he also managed to get rid of his own, personal problem (which had been haunting him throughout the whole movie) in an incredibly simple but highly efficient fashion. And there's more moments like this that might cause some chuckles. That one dude on his bicycle, for example, who openly admits he would kill the president if someone would give him the opportunity. So funny seeing Z straighten out that situation again with his sober ways. And then there was this naked woman running through the park, with Z chasing her on his bike... Just see this movie, you won't regret it.

    With POLICE BEAT, Robinson Devor delivers an out of the ordinary, well-balanced picture. As much as it's rather serious, it can also get pretty absurd. With no real beginning and no real ending. If this debut film is a good taste of Devor's things to come, then I'm very much ready for a bigger piece of that cake. So I'm looking forward seeing Devor's second film, the controversial ZOO.

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    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      Wolof (the language spoken in the narration) is the native language of Senegal, but is also spoken widely in parts of Mali, the Gambia, Cote d'Ivoire, and Mauritania.
    • Connexions
      Featured in 2006 Independent Spirit Awards (2006)

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    Détails

    Modifier
    • Date de sortie
      • 8 septembre 2006 (Corée du Sud)
    • Pays d’origine
      • États-Unis
    • Site officiel
      • Official site
    • Langues
      • Anglais
      • Wolof
    • Aussi connu sous le nom de
      • Cascadia
    • Lieux de tournage
      • Seattle, Washington, États-Unis
    • Sociétés de production
      • Northwest Film Forum / WigglyWorld Studios
      • Modern Digital
      • Police Beat LLC
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 500 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 20min(80 min)
    • Couleur
      • Color
    • Rapport de forme
      • 2.35 : 1

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