Windy City Heat

I know that WCH was not fake because I was Don Barris in the movie and this has been going on for over eleven years. Get in touch with me if anyone cares to and you can ask me questions. I'll share things that will make you believe that it is real. I'll also let you in on future plans for the project which will explain why there wasn't a satisfactory ending where we explain to Perry what happened.

The premise itself is only mildly amusing--Perry's friends play a massive practical joke on him, making him believe he's the star of a major motion picture--and the project's grandiose scope could have easily become depressing if the joke were to fall flat. But it doesn't.

Comedically, what makes this film work is the unflinching posture of Perry's co-stars, who maintain their composure as the level of insanity rises. Cinematically, it works because of the onslaught of inventive gags, many of them subtly plausible (like mis-spelling Perry's name on the marquee). Altogether, Perry's friends/tormentors create a scenario that closely resembles real life, exaggerating the minor annoyances that make life hell to, well, to make Perry's life hell. And it is absolutely hilarious! In short, it's "Spinal Tap" for the film industry, only this purports to be real.

I have read some unfavorable reviews of this film and I have to say that these have puzzled me.

If true, this is one of the funniest practical jokes of all time. The bizarre nature of Perry, the lead, and his crew, as well as the subtle nuances made this an excellent flick.

With charachters named Roman Polanski, Hiroshima Nagasaki, and this joker Perry buying it all was too much.

Some people have commented that this film might not be true and even Perry's lines were scripted. I actually think it is real judging from the guy and the fact that I have met some people sort of like Perry before.

Enjoy it, it's a fun one.

I do not care about the arguments about whether this movie is authentic or not. It is freaking funny.

It was by "accident" that I even saw this movie. It was a late night, and my girlfriend and I were snuggled up on the couch and channel surfing. I had never heard anything about this film before I stumbled upon it that night on Comedy Central.

It has been a long, long time since I have laughed so hard. I won't spoil it by giving details, but the scene with the baseball bats almost killed me. I was laughing hard, and it kept getting FUNNIER! I could not stop laughing, and I was in pain! My girlfriend had to turn off the TV for a couple of minutes so I could regain my composure.

If you have the chance to see this film, ignore all that you might have read about it being staged. It might be a fake, it might not be. But if you suspend all disbelief as you watch it, you will not be disappointed.

THIS MOVIE NEEDS TO BE RELEASED ON DVD!

Having taken some time to re-watch and ruminate over Windy City Heat (I've seen it four times and counting), explaining the enduring appeal of it is still tricky. First of all, it's funny. It's blindingly funny. It's tip a cow then kick a duck up the arse funny. It's also fantastically original in it's conception and treads heavily where few might dare to tread at all. The mark in this; possibly the most elaborate prank ever, is the fabulous Perry Caravello. Arrogant, sexist, homophobic and gullible. He is hilariously short tempered yet naive and lovable. Our catalysts and instigators are Don and Mole who according to the film have been messing with Perry for over a decade now. The setup is to have Perry, an aspiring actor and comedian in Hollywood, audition for a part in a film and win it. They go on to shoot the actual film over the course of a week, only it's all part of the setup and every scene is just another opportunity to provoke Perry's wrath while the cameras are rolling. There is physical comedy, humiliation, and provocation. It's great. When watching the film you will recognise names and faces. The in-jokes are endless. Perry gets none of the references. I do get twinges of pity for Perry as he falls for joke upon joke. Half the jokes are just to sell or justify a previous joke or fabrication. Some of the setups seem so contrived that it's hard to believe anyone would fall for it, but Perry sees no problems. It's humour is maybe a little cruel and sadistic in spirit, which in turn provokes thought on edgy comedy as an elaborate web of ethical dilemmas. Fortunately, any uncomfortable doubts about what you're watching are put to bed when you understand the relationship of Perry with Don and Mole. Perry is working, making some money and gaining the fame his so craves. Though it's clear someone like Perry can be (and has been!) taken advantage of in a town like Hollywood, I'd go as far to say Perry is protected by Don and Mole and there's obviously some affection there. The underlying fascination of WCH has percolated to the depths of my subconscious and left me quite frankly, obsessed. If there were ever a film cult I was part of than this is it. It is continued now with the excellent ongoing podcast (The Big Three podcast) and the unfolding drama and windups over facebook and other online forums. WCH triumphs where a film like I'm still here totally failed. There is no holier than thou Hollywood smugness. It is well planned and improvised and thick with gags from the most base to the marvellously subtle. It runs hand in hand with An idiot abroad as the most hilarious and startlingly real tragi-comedy out there. Comedy on film is often about levity and escapism but on the other end of that spectrum lies WCH, something that's real and engaging, provocative and most importantly, deeply and lastingly funny.