Henry VIII

Bodice-Ripper Mentality

Henry as played by Ray Winstone is a brawling, bawling, beastly Bluebeard. I realize Henry VIII was a spoiled brat of a king, reigning at the time when being an absolute monarch meant something, but the Tudors were also craftily intelligent. This Henry just appears to be a demanding brute. There is very little attempt to portray his intelligence or his charm. He may have been king (and it's good to be king), but when he wanted to Henry could be charming. It doesn't come through here. The history itself is a bit screwy. Let's call it history lite. There is a bodice-ripper mentality to the writing. Let's get into the hairshirt with Katherine of Aragon or the sex with Anne Boleyn. Let's show brutal war at its most brutal. Yes, war really is horrid and the Renaissance Europe was a cruel place, but the feeling of this piece is not the historical value of violence and sex, but rather for their voyeuristic quality. It's a bit smarmy. The acting was melodramatic, relieved only by good performances by Charles Dance and Sean Bean and their characters die fairly quickly. This was 3 unpleasant hours that I don't want to repeat again. Classic classy British fair, NOT.

Good lord - the instant I saw Helena Bonham Carter appear as Anne in the first episode, I thought two things: one, she is definitely looking her "nearly forty" age, and two, she's at least four months pregnant! No one could miss her dress sticking out to *there* even if they tried, despite the voluminous material.

I knew it wasn't my imagination when I found this in her biography:

"Delivered her first child, a boy, Billy Ray, with boyfriend Tim Burton on October 6, 2003"

That would have been just after shooting Henry VIII. I've enjoyed Carter's work over the years, but still - there are a zillion terrific English actresses who could have done (and looked!) the part equally as well.

This production sinks immediately to the lowest common denominator of taste. The slow motion executions, the obligatory wedding night scene complete with subdued lighting through gauze, the extremely annoying and inappropriate music with vocal hooting, dramatic points preceded by the clomp clomp of the bodyguard marching in to the chamber of the next victim, the long gallop over the moors - or the beach, blood spurting onto the onlookers at the execution - and on and on. Not one lingering moment of opportunity to reflect on the enormous significance of Henry's reign. A complete waste of effort. Dumbing us down. Inaccurate, shallow, full of worn out techniques - avoid like the plague.

Perhaps, like other dramas suggested by historical characters, this version of the story of 'Henry VIII' should be viewed with a high degree of suspicion since most of the events depicted have very little basis in what we know of the complex Tudor monarch.

Putting this reservation aside, there are plenty of opportunities to enjoy this four-hour drama for what it is, largely an entertainment playing on our prejudices and emotions throughout its depiction and treatment of the six wives. Part One wastes far too much time on the courtship between Henry and Anne Boleyn, and then manages to whizz through the circumstances of her downfall in a matter of minutes. This was a huge mistake in my opinion and makes that part of the story extremely confusing.

Part Two obviously spends time on Jane Seymour and Catherine Howard, but again with a large amount of artistic licence - was Jane really a political meddler and did her husband's violence towards her cause her to go into premature birth? was Catherine really a manipulated slut with no mind of her own? The second section of "Henry VIII" is more gory than Part One, in particular concerning the execution scenes, and I think this aspect probably worked.

In the cast, kudos has to go to Ray Winstone in the lead despite the distraction of his East End accent, particularly for his work in the later part of the story. Of the wives, Assumpta Serna is an excellent Katharine of Aragon, giving the role some dignity; Helena Bonham-Carter is ok as Anne Boleyn but irritates at times - she does better in the scenes where she appears vulnerable than when she is feisty, talking-back Anne; Emilia Fox is good as Jane Seymour; Pia Girard has nothing to do as Anne of Cleves (I don't think she even speaks); Emily Blunt is miscast as Catherine Howard; and Clare Holman is effective as Catherine Parr. Others making an impact include David Suchet as Wolsey, Michael Maloney as Cranmer, Danny Webb as Thomas Cromwell, Dominic Mafham as Anne Boleyn's brother; Joseph Morgan as Thomas Culpepper; and Sean Bean as Robert Ashe.

Perhaps a bit of a misfire but a fascinating one.

Well this is just another telling of the story of England's most famous monarch, and to be very honest, it was OK, but it's been done better before.

It did have numerous strong points. Firstly, some of the wives came across particularly well. Helena Bonham Carter gave perhaps the best Anne Boleyn to date (it would be a battle with Dame Dorothy Tutin for the title), sticking to what is known about the real woman, whilst still giving a very moving performance. Katherine Parr, however brief her appearance may have been, was another winner in this production, as this is the first time her character has been accurately and well portrayed.

The acting was very good overall, but Ray Winstone stuck out a little as the King. The rest of the cast were in Tudor mode, poshing it up and giving it their all, whilst he stuck to his usual cockney gangster style. However, this aside, he did portray the King well and was the first Henry VIII to date to show any form of remorse or concern following the execution of Anne Boleyn.

However there were short falls. The single biggest problem was that it was all too glamourised - did we really need to see the executioner hold up Anne Boleyn's severed head? Did they really need to alter history and have the Queens beheaded before baying crowds, just for that dramatic effect?

There were also some questionable interpretations of history. The Duke of Norfolk's role in Catherine Howard's downfall has been altered completely here (again, all done for thrills). Some scenes were very badly juxta-posed - to any viewer unfamiliar with the history behind this story, the film would give them the impression Jane Seymour had died after been punched in the face and thrown on the floor by her violent husband.

Just as some wives came across well, the rest came across very badly. Katherine of Aragon, rather than the respected and virtuous woman history paints a picture of, is an incessant whinge here - there's nothing likeable at all in her. Anne of Cleves appears twice, but doesn't utter a word in either scene, so she doesn't come across at all. Jane Seymour was wooden - the portrayal of her arouses no feelings whatsoever.

To summarise, it's all very glitsy and modern. The story is mistold in many key places. The only thing that really makes this worth watching is the star performance from Helena Bonham Carter. If you really want to see this story well told, invest some time and patience in watching the complete 1970 TV series 'The Six Wives of Henry VIII'.