The Penalty King

I was fortunate enough to see this movie at a 'Premier' in the writer/directors home town of Brighton. Whilst I have to say that the home town ambiance added to the occasion, the viewing experience was often an uncomfortable one and not quite what I had expected from a football-comedy-drama. What is evident is that said writer/ director Chris Cook has a real talent. For a movie made on such a low budget and with a procession of technical operators, his ability to maintain a consistent atmosphere and tempo is a tribute to a skill honed on more modest offerings, but showcased brilliantly here in his first feature. This epic project took some 8 years to reach fruition, and his desire to complete it is clearly due to his obvious love for both Sunday football and Leeds United FC. It probably doesn't pay to wonder quite what drives Cooks mind as the darker corners of this movie are really unsavoury places to be. After all, a film about a blind Sunday league footballer who works in a social services disabled equipment loan store and supports Leeds United is not that grim a premise (is it?). But don't buy this movie expecting a Bend it Like Beckham or One Jimmy Grimble, or you will be in for quite a shock.

Cook elicits consistent performances from a cast of principally unknown, and in some cases never-to-be-seen-again actors, sprinkled with a few 'names' and familiar faces from TV and film. A feisty Claire Grogan brings added cache to the piece as the overtly dominant boss of the loan store, the only down side being the inevitable references to her previous work, and trust me this is no Gregory's Girl. But to be fair any contrived comparison to one of the best football comedies ever made is none the less flattering.

If I have to be critical of the film, the script often lacked direction and the sub-plots were inconclusive and at times superfluous. For a comedy film it lacked humour and often lazily reverted to cliché and profanity, but some of the set pieces were laugh-out-loud funny which was consolation indeed. Again on the plus side the soundtrack was fantastic and really kept things going when the pace looked like flagging. It's well known that Tarantino selects his soundtrack before the first line of the script gets written and this could have been the case here, so strong and relevant was the music choice. Also the lighting, editing and camera-work particularly in the 'darker' scenes belied the low budget and again demonstrate Chris Cook's skills as a movie maker. I hope the film gains cult status and allows us to see Cook behind a camera again sometime soon, I will wager that he ventures into horror in the near future, which with his record may be some ten years away, but if that's how long it takes I will be first in line to watch, I am already a fan.

After a slow start I began to enjoy and get into the black humour and novelty of this unusual film. I liked the way different atmospheres were successfully blended together, particularly integrating old Leeds United footage with current Sunday football. Having lived in Brighton I also enjoyed 'spotting' locations skillfully used, local people or those who love Brighton would enjoy seeing it in a different light. Having a blind man as the hero of the film gave an interesting, thought-provoking take on disability issues. I think the various shots and editing work well, especially the sliding doors effect. I was not sure about some aspects of the social services equipment store, especially the search for the files, and the reaction of the disabled client felt over the top. I felt there were some instances in the film when it seemed to briefly 'freeze' or jump a bit, possibly this was intentional but not sure if it succeeded.

Suffering from the double disability of being both blind and a fervent Leeds United supporter, social worker Lee longs for nothing more to ease the frustrations of daily life than "a damn good kick-about". His unhinged colleague Charlie decides to make his dream come true, and inveigles him onto a local works football team. But will Lee ever get to exercise his preternatural talent for the penalty kick?

"The Penalty King" is an eccentric tale with a dark underside, although still more "Strictly Ballroom" than "Kes". Played by Nick Bartlett as a tightly-wound knot of barely contained aggression, Lee invites neither pity nor sympathy—more the impulse to duck behind a pillar when you see him coming. It's fair to say blindness is the least of his problems.

One senses writer/director Chris Cook went to some pretty dark places in his life for the raw materials for this fable, leading to an unsettling blend of truth and fantasy. For example, the portrait of the dank, dysfunctional social services depot where Lee works is both grotesquely over-the-top and strangely accurate. There's also a depth to the rest of the characters which is unusual in a comedy. Played with relish by a strong supporting cast, they're all pretty much bent or damaged too, and there's a violent and bitter edge to their relationships which undercuts the whimsy.

"Penalty King" might never achieve the crossover success of "Bend it like Beckham" but it still has all the makings of a cult favourite. It may lack a cart-wheeling Keira Knightley, but there are compensations, notably in the shape of the delightful but underused Clare Grogan (as Lee's bossy-boots boss), who still has the ability to make men of a certain age go weak at the knees. Her drunk scenes alone are worth the price of admission.

The film takes its own time to get going, and occasionally over-indulges itself, but can nevertheless sit alongside classics like "Sideways" and "Withnail and I" as an exploration of less creditable sides of the male psyche. An agreeable if not totally uplifting movie then, and, while something of a rough diamond, a gem all the same.

Having your eyesight removed from you is one of the many challenges in life.

Our protagonist of the story dreams of his days on the football pitch, but is clearly too proud to say really what he wants, helped wonderfully by his friend the moment he says: "I guess it's time for that damn good kick about."

The Penalty King is a touching subtle story of camaraderie amongst men. Finding a place in society, the working man has a life outside of work; this is wonderfully portrayed in the movie by the footballers, not to mention the evil boss from hell who bans "toys with a synthetic oral capability" - a crude reminder of the health and safety world in which we live today.

This story is a joy from start to finish, carried along with great subtle humour, touching upon many down to earth social issues of the working class. In my opinion, this film really appreciates the aesthetics of British society and its complexities, in a way that only someone that has lived in this country long enough could come up with. It has a positive outlook and a great insight into our country for anyone unfamiliar with the British way of life.

OK, so a blind guy who wants to play football.... not the most obvious set up in the world... and funnily enough this isn't the most predictable of films. However, The Penalty King strangely enough takes this scenario and gives you something genuinely relatable. A ramshackle social services department is the site of the 'action' which, with the help of a spot on script- will have you squirming on your sofa,wringing your hands and wincing in perverse delight as you witness the all too familiar scene of arbitrary office politics laid out in front of you. Chris Cook finds comedy, not only in the places where other people wouldn't look, but in the places where other people wouldn't want to look. A refreshing film that takes an honest view at the other side of life and comes up with some surprises... some very surprising surprises at times... Get the DVD. watch it. then revel in the delight of your own -relatively- comfortable existence...