Creep

Creep doesn't do what its title suggests, it isn't exactly creepy, but it is pretty violent and gruesome. The story is fairly linear and has no plot holes that i noticed and the acting and script are OK.

The problem with Creep is that it doesn't really do anything to set it apart from the rest of the Horror crowd, but when compared to some its not to bad.

With floods of horror movies in recent years (Toolbox Murders, Grudge, White Noise, Descent, Boogeyman to name but a few) Creep is left languishing in mediorcratity.

For horror fanatics, its worth watching and it can hold its own in the genre. For movie lovers in general there is not enough here to warrant your time.

6/10

I had very high hopes for this film. And as the summary says, it wasn't bad, but it wasn't the best.

The main problem was it appears to have been cut too much, making it look like the film didn't know whether it wanted to be teen slasher or psychological horror. It had a couple of truly disturbing bits but also several, "oh look, we blew the budget on fake blood" moments.

All in all I'm glad I saw it, but I'm also glad I borrowed my mate's DVD and didn't go to the pictures to see it and therefore waste a fiver. Worth a watch if you're a horror fan though.

Kim xxx

This is good little shocker; not perfect by any stretch of the imagination, but tight, competent and disturbing. An excellent example of a simple idea developed into a compelling 90 minute script.

The set up requires no bells and whistles, no lengthy exposition or wordy back story; Kate (Franka Pontente), a young German business woman living in London, drifts off whilst waiting for the last tube train. She awakens to find the place deserted, but quickly comes to realise that she is far from alone. Someone, or something, is down there with her and it's intentions are wholly malicious.

In fact she encounters several other characters in her quest to survive, including a lecherous work colleague, a homeless couple and a caged sewage worker, all of whom add pace and substance to the plot. There is a slightly awkward gear change somewhere in the middle of the film when tension thriller mutates into gore fest, but nothing so clumsy as to slow the hectic pace. For those of you with weak dispositions this is likely to be a harrowing ride; for those of you who relish a bit of well executed carnal mayhem this should press all the right buttons.

The climax of the film is perhaps less successful than the main body of the film, but it is punctuated with a nice moment of unexpected social commentary which provides a satisfying conclusion.

Some may find themselves feeling somewhat cheated of a clear explanation as to the exact nature and history of the threat encountered by Kate and her confederates, however, for me this was not the case. A horror film writer should not need feel compelled to dot every i and cross every t, in the same way a writer of political thrillers might be expected to. There are enough clues here to give you a very pretty clear idea of what brought this evil into existence, making a detailed and conclusive solution superfluous. The retention of a certain sense of mystery is to be welcomed and reminds us that in this film the ride was always going to be more important than the exact destination.

My understanding is that the budget for this film was, to say the least, minimal, in which case our applause for this British horror should be all the louder, for at no point does one have the impression of corners being cut or effects failing to deliver.

If this sounds like your kind of film then it probably is. Buy a ticket and climb aboard.

Brit horror successfully marries suspense and gore to create a more than decent movie.

Franka Potente is Kate, a socialite on her way to a party in London where George Clooney (Yes really) is believed to be hanging at and where she will attempt to seduce him (Yup, I'm not kidding).

However, she falls asleep at the subway station and misses the last train, leaving her trapped inside. Jeremy Sheffield's Guy is pursuing her though, and when a train finally arrives (Yes, the logic's already disintegrating), he appears out of nowhere and tries to rape her. Unfortunately for him, there is a real killer in the underground who drags him off her and wounds him fatally.

The rest of the movie is killer-pursues-Kate.

Quite frankly the logic in this one was never meant to be particularly strong. It's not even obvious that she fell asleep while waiting for the train, and instead it could have been mindgames. And indeed, mindgames seem to be the only explanation for some of the slightly ludicrous events which occur in the first half.

Nonetheless, this movie is about running away from the bad guy, whose appearance and identity imply he's 'not normal' (Are they ever), and to this end the film does a decent enough job. Once the bizarre first half hour of silliness is past, it is simple enough fare, with more than a hint of severe gore.

There's little more that can be said, such is the basic nature of this, but if you accept the intrinsic daftness of some of it, you'll get a reasonable kick out it if you like the genre.

Seen worse.

As this film opens two workers are walking through a London sewer; one of them discovers a collapsed wall. Behind it there is a tunnel he has never seen before... it soon becomes apparent that there is something there. The action then cuts to an office party where Kate, a German woman, rejects the advances of a man named Guy before leaving. She head to Charing Cross tube station but fall asleep on the platform and misses the last train. She is now locked in the apparently empty station. When a train stops she boards. Shortly after it pulls out of the station it stops again. It soon emerges that she is not alone; Guy is on board the train and he attempts to rape her... someone, or something, pulls Guy off her; there is clearly something more dangerous down there. While trying to escape she encounters others in the station... not many of them will survive to the morning.

This is an effective low budget horror movie. The setting is great; both the closes tube station and the sewer tunnels are naturally creepy locations without the added menace of an unknown being that is attacking people. The earlier parts of the film, before we actually see what or who is killing people are perhaps better as what we don't see is usually scarier than what we do. Once we do see the attacker the scares still come, with several quite gory attacks. The explanation as to his origins are perhaps unnecessary but don't detract from the story. Horror fans should certainly enjoy this as once the danger to Kate becomes apparent the tension rarely drops. The cast is solid; most notably Franka Polente, who impresses as Kate. Overall I wouldn't say this is a must see but I'd still say it is well worth watching if you are a horror fan.