Cargo

Rented this from blockbuster and just saw it. The movie has a good premise, and even some original ideas; I certainly had guesses as to where the plot was going, but I was pleasantly surprised up till near the end -- the director/writer didn't take the easy way and do something similar to Sunshine, for example.

The visuals are good to great, especially considering the low budget for the movie. The acting, in my opinion, was quite fine and even pretty good -- though characters started getting less believable near the end, as did the premise.

Hopefully the director/writer will continue to do more science fiction flicks and improve on his technique!

Cargo presents a very familiar premise: A dystopian future with a desolate Earth is the backdrop for a thriller set in the confines of a cargo ship.

And while it starts off as what seems to be the usual Alien clone, it quickly evolves into a very complex mystery, with a far-reaching story arc. If I were to rate the first hour of the film it would be a solid 8/10 suspenseful hard sci-fi mystery/thriller.

However, after the first hour problems begin to arise. The plot starts having cracks. Characters start doing irrational things with hardly any explanation, simply so that their actions can act as a vehicle for the next scene. The mystery reveals itself but the implications it presents are mishandled. The movie starts dropping speed and stretches itself without any real need to do so. (And I have to say this but I hate it when characters are told they have X minutes left to do something important, but they take their time to walk slowly from point A to point B as if they have no cares in the world).

I think the creators could have done a far better job and it's a shame that they didn't because the film excels in most other sectors. Aside from the flaws I mentioned above, the characters are not explored much, but what we do see of them is consistent and believable. The art direction really nailed it, and with a better CGI budget they could have blown minds. And although the direction aboard the ship was discreet, it nevertheless impresses.

I'll give more chances to the people who made this, they certainly deserve it. If you enjoy space sci-fi thrillers, with an emphasis on hard sci-fi, you will probably enjoy this.

We have here a rather interesting sci-fi film in the vein of Sunshine, Moon or Solaris, where most of the action takes place in an isolated, enclosed artificial environment. It's in the future, Earth has been rendered uninhabitable for some undisclosed reason, and people live in squalid conditions on space stations in orbit. There's a new heavenly planet, Rhea, where people can emigrate to if they can afford it. Our main character, a doctor, gets hired for a very long (8 years) shuttle cargo round trip to resupply a remote space station. With her salary, she should be able to rejoin her sister already on Rhea. She, like the other crew members, is in cryogenic sleep most of the time except for 8-month awake shifts. As one can suspect, she starts hearing strange noises, senses some kind of presence in what should be a deserted ship. She wakes up a few people, and then things get worse when somebody gets killed.

One would think that this would be a premise for some kind of thriller involving a nasty alien creature. Cargo is not really that. Sure, it has good suspenseful moments, but it's the kind of slow-paced atmospheric pensive movie where you're more likely to be interested in the unfolding secondary mysteries than on discovering who the killer is, or who might be struck next. At least that was the case for me. My mind was going in overdrive trying to figure things out, inventing hypotheses, and I like that. Unfortunately, and I don't know if it's a translation issue from the original German (although it's a Swiss film), certain important plot elements were not made clear when they should have been. I had to check the Internet afterwards to properly understand a few things. Don't worry, we're not talking 2001 metaphysics here, far from it. :)

The characters were rather stoic most of the time, but at least they were ambiguous and not easily predictable. A particular blossoming romance didn't feel quite right, especially how it started. It somewhat hurt the emotional involvement later on, although you can see the director really tried for a good pay-off. I thought the main actress lacked a certain something, but she became more convincing as the film progressed, especially in one of her final scenes involving greenery. The special effects were of tremendous quality especially for a non-American film. Every space structure from the outside looked amazing. On the inside, it was appropriately dismal, sinister and even grandiose sometimes. I think Cargo might disappoint if you're expecting something more action-oriented. I personally enjoyed the story despite certain badly explained plot elements. I also liked it more from an intellectual perspective than from an emotional perspective.

Rating: 6.5 out of 10 (Good)

Switzerland's first attempt at sci-fi, and Ivan Engler's first feature film, Cargo harks back to numerous icons of science fiction cinema – everything from The Thing to The Matrix, and, most notably, Ridley Scott's Alien. It belongs to that particular breed of dystopian science fiction – where the world is ruined and the human race is living on borrowed time.

Cargo is a competent sci-fi, but it's nothing special. The first half is effectively tense and engaging, but it loses its way towards the end. Visually stunning considering the budget, but unfortunately, it's nowhere near original or creative enough to be considered a particularly revolutionary sci-fi film. SSP

Cargo is dazzling, mystifying, sometimes scary, and is able to manipulate a rather familiar plot to seem less familiar. That last one however, is just as much a weakness as it is a strength. The film's problems are not on the screen, but on the pages.

Cargo contains a weighty story line, with questionable focus and a lack of coherency. There are also places where the movie feels draggy and repetitive. Characterization gets off the ground but not quite to the degree of emotion that was probably intended.

Anyone who sees Cargo is gonna wish they had seen it in theatres. Its greatest achievement is photography. I liked Cargo for its mystique and stylistic choices, but the writing and construction need a tune up. Its facade is perfect but its soul is murky, and its story is disoriented which does not allow us to appreciate Cargo to the full.