Le dernier signe

This flick was intended to be a fantasy and horror work and it became a Harlequin Romance .How can a director do such a thing with an actor like Tim Roth?Anyway Roth is a ghost and he is not given a single chance to shine.Samuel LE Bihan's character is the straight handsome gentle -and of course clever-man who loves the heroine's children and who urges her to pick up the pieces and to give them a chance.

When the movie tries to be "scary", it uses all the hackneyed tricks which even the worst directing drudges would not dare :"I've just talked to your son/-But my son is dead " here's the "terrifying "dialog; The "old" colleague (Margot Kidder!) initiating McDowell to spiritualism is also ridiculous.

The last scene takes the biscuit,with its "moving" last sign ,naturally filmed in slow motion.

If you want to see a movie which tackles almost the same subject and brilliantly succeeds ,take FRançois Ozon's "Sous le Sable" starring Charlotte Rampling.(International title:"Under the Sand" )

Okay...I admit it, it wasn't Citizen Kane. But thanks to the people who did the sound in this movie, it isn't even Citizen Le Bihan. Why oh why would you hire a fabulous FRENCH actor who is PLAYING a FRENCH engineer and make him sound like he's from Ohio?? It doesn't make sense. Like much of this film. The concept was good...widow of a great guy/rage-aholic creep keeps sensing and seeing him everywhere. Strange happenings abound. She lives in fear. Her children's lives are turned upside down. Mom desperately needs a wonderful, caring man in her life to help heal her and her children. Bingo...wonderful, caring guy materializes. The happenings increase. What's going on?! How will this turn out? Will she reject the wonderful, caring man or will they all live happily ever after?

GREAT actors--GREAT concept--GREAT locations. Not-so-great execution, dialogue, special effects. And just plain BAD dubbing of an extraordinary French actor. HINT to the sound department--in the future, remember this: if he's French, and he's SUPPOSED to be French, it's OKAY if he has a French accent!

A weak and incoherent premise. Made worse by poor acting - especially from the male "love interest", who delivered his lines with such a boring, monotonic voice, it's hard to believe he cared about being alive, let alone the troubled heroine. The "special effects" were non-existent. The kids in the family were much more upset than one could believe they should be given how long their father had been dead. Finally, Andie McDowell has never been a great actress. She should have stuck with modeling. In fairness to her, the script was so bad, I don't think even Merryl Streep could pull off a convincing portrayal of this half-psychotic grieving woman. And why Tim Roth would waste his time on this project is beyond me.

I got this as a free movie from Blockbuster because I rented another first-release one. Even being free, it wasn't worth the time it took to watch it. And that's saying something for me. I usually can watch even the most tepid, unpolished Independent movie yet find something worth while in it. Not this one.

This is truly one of the worst movies I have ever seen, and I've sat through some real stinkers. "The Last Sign" features a deadly combination of wooden acting from Andie MacDowell, overacting on the son's part that soap operas would balk on, and a script that sounds as though it was written by a three-year-old. Consider this line uttered by Mark (Samuel Lebihan) at a baseball game. "Frank's team is winning. Now all the pressure is on Frank." This was followed by shouts to Frank of "Come on! You can do it!" It might look nice on paper, but it sounded so wooden and unrealistic coming out of their mouths that as soon as the movie was over, I wanted to throw the DVD across the room. Let's not forget the fact that too many unbelievable events happened for no reason, and the ending completely forgot to explain them all. Avoid this movie like the plague.

The widow Kathy (Andie MacDowell) is grieving the loss of her husband Jeremy (Tim Roth) with the feeling of guilty. Jeremy, who was an idealist doctor in the beginning of his career and lately a drunkard, died in a car accident after seriously arguing with Kathy, when she was leaving him with their two daughters and a son. Her financial situation is not good, so she starts working in a clinic and rents a house in her property to the French engineer Marc (Samuel Le Bihan), who is temporarily expatriated in Canada. The tenant Marc has a great connection with her young daughters and especially with her teenager son, and falls in love for Kathy. However, she sees the ghost of her husband, and she feels not comfortable to have any relationship with Marc.

The intention of this movie is very good: it would be about a woman, living with the feeling of guilty after the loss of her abusive alcoholic husband, but formerly her beloved mate. Unfortunately, the screenplay is weak and has many flaws. For example, the financial problem of Kathy with the bank is used only for the introduction of the character of Marc, and is completely forgotten along the story. Why the ghost of Fergus needs to call her by phone, if she was able to see him? It was good to see Margot Kidder again, but her character is useless in the plot. Anyway, this movie is not so bad as indicated in some reviews and I found it a good entertainment. My vote is six.

Title (Brazil): "Gritos do Além" ("Cries From Beyond")