Gardien de buffles

Lyrical, beautifully filmed story of the difficult lives of poor rice farmers in the Mekong Delta flood plain in the years immediately preceding the Japanese occupation of WW II. Kim (The Lu Le) is a young man who must take on extra responsibilities when his father grows too ill to work.

The immediate problem is getting the family's two water buffalo to higher ground so they will have grass to eat, as the entire area surrounding their farm is experiencing one of the worst flood seasons in years and the animals are at risk for starving to death. Kim throws in with the notorious Lap and his "gang" – buffalo herders who move many animals each year for all the farmers in the area, for a hefty fee.

The film features buffalo drives, gang rivalries and warfare, drunken, cannabis laced parties, raped women, love, honor and duty to one's family. But the most vivid theme depicted here is the very hard life lived by people entirely at the mercy of the river.

Many important themes are expressed with subtlety, lightly touched upon. For example, we see evidence of the admixture of Catholicism and Buddhism, when one character or another makes simple reference to "God and Buddha" in everyday conversation. The heavy hand of the French colonizers is discerned just once, when a boatload of armed, uniformed officers comes around to check on tax matters. As Kim digs a grave for an old woman, we see in the background a procession of men pass by. Those in the front and rear wear caps with sun protective cloth at the back: the classic caps of Japanese soldiers. The others are French. It's the only reference to the occupation.

We gain insight into problems unique to this culture. We learn of the precious value of the water buffalo, without which spring tilling for rice cannot be accomplished. The problem of disposing properly of bodies of the dead during flood season is confronted at length. We get a sense of the pervasiveness and power of the delta floods through underwater scenes that show us vague forms of dead humans and swimming water buffalo, among other sights.

The music is sporadic and spare, hauntingly gorgeous. Flute playing and group singing by intoxicated gang members are delightful surprises. This film is part of the Global Lens 2005 series. It deserves far wider screening. (In Vietnamese) Grade: 8.5/10 (A-). (Seen on 04/14/05). If you'd like to read more of my reviews, send me a message for directions to my websites.

OK, let's have a plot summary: Vietnamese dude leads a bunch of buffaloes in search of grass.

That's it.

(The DVD packagers are going to have a hell of a time selling this one.)

But I assure you that the symbolism, the poetry, and the commentary on the conflict of the human condition is absolutely enthralling. You have to be looking for it, though, because it's quite subtle.

We are shown a land & a culture of savagery. We travel with rogues, rapists and murderers. Even the lead character is vulnerable to lapses in moral character. But through it all, he maintains the utmost dedication to his buffaloes and to those kind humans whom he encounters along the way. To me, it's one of the most honest portrayals of moral conflict in human beings. True, we are savage and brutal, but there is also honor, if you dig down deep enough.

The Vietnamese reverence for water buffaloes is something I never understood, but now I do. Eat your heart out, Francis Ford Coppola (who had a water buffalo slaughtered in "Apocalypse Now" and blamed it on a local tribe. Yeah, right).

If you can find a copy of this rare gem, definitely give it a watch. There's a lot more to it than you'd ever expect.

A beautiful yet poignant narrative of mans paradoxical existence in relation to each other and the honest forces of nature, i.e., the duality of man as virtuous parasites. The themes of life and death are juxtaposed into a realization of powers greater than our own opinions or ethos. Director Nguyen Vo Nghiem Minh successfully enlightens of the psyche of fatalistic and enduring Vietnamese people. "Mua Len Trau" needs to be placed in the top 10 best Vietnamese directed full features of all times, or at least trading-places with less then average film fest winners like "Ba Mua"; where the cinematography fools the viewer into accepting an inexplicable story.

Frankly, I am surprised I hung with this movie because it's pretty slow. It's not a real "entertainer," except for two things: 1 - the camera-work is nice at times; 2 - the story is quite different from anything we are accustomed to in the West. But after two-thirds of this story had elapsed, it was tough going the rest of the way. It's not an uplifting story, either. It left me feeling depressed. Yet, it IS a memorable film and I'm glad I watched it.

I mean, as one reviewer says here "Vietnamese dude leads a bunch of buffaloes in search of grass. That's it."

Yes, in one sense he's right, but obviously there is more to it than that. We get glimpses of this guy's father and mother, friends, enemies, thieves, sex, loyalty and abandonment and generally what life must be like for those in this story of people who live in this odd environment. With all the water around them, they couldn't bury their loved ones until the dry season came. They wrapped them up and put them on poles, and hopes the crows didn't peck away at the bodies.

Yes, you wouldn't want to live here, at the southern tip of Vietnam with these rainy, long flood season. Lugging a couple of Water Buffaloes through waist-deep muddy water for miles can't be a great existence, either.

I agree with another critic here who labels this story as "lyrical." For the most part, I liked watching and listening to "Kim" (The Lu Le) give his outlook on various topics and the dialog between he and his father often was humorous. Hey, how many times have you/did you sit around and smoke "weed" and play the flute with your dad?

This is a culture far removed from mine, which is one reason why I stayed with this film - to learn something while witnessing some very foreign sights and sounds to me. I would recommend this only to people who know what they are getting into (something slow, and very different) or who just plain love most Asian films.

The film, Buffalo Boy, was first aired in 2004 and was produced by Jean Brehat and directed by Nguyen Vo Nghiem Minh. It was filmed in Ca Mau Province, Vietnam, and took place during the French occupation of Vietnam in the 1940s. It won the Vietnamese Golden Kite Award for Best Foreign Collaboration Feature Film and Vietnam Film Festival Award for Best Feature Film (Silver Lotus Award). It also won the director, Nguyen Vo Nghiem Minh, the Vietnam Film Festival Award for Best Director. The main character is an elderly man named Kim as he reflects on his past and tells his granddaughter his story. In his story, we follow his 15 year old self who seems very hardworking despite some questionable acts he chose to undertake in his life. We can see that he values family and believes in the importance of family through his retelling of his story to his granddaughter and the acceptance of Thieu into his makeshift family when Thieu's mother asked. As stated above, the story follows Kim, as he tells his granddaughter stories from his past after she finds her father's bones. The scene then changes to Kim's perspective as we follow 15 year old Kim as he makes the trek inland with his two buffalo to find food for and protect during the flood season. Once he returns, he starts his own business with help of his new friend Det. However, after some time he sets out on another journey to find his missing father where he discovers a hidden and dark secret about his family. Kim is forced to confront this truth and just when he thought he could move on he makes a decision that brings him to where he is now with a makeshift family of his own. The theme of family is heavy in this movie and is a good movie for anyone who wants to take a look into what Vietnamese culture was during the 1940s. Especially in the fact that this whole movie is him telling his granddaughter his story so that she can be able to understand the significance of the bones that she had found as well as understand the life that her great grandfather and grandfather had lived. I would recommend this movie to anyone interested in understanding more about the culture of Southeast Asia and Vietnam specifically.