Seukaendeul - Joseon namnyeo sangyeoljisa
- 2003
- 2h 4min
NOTE IMDb
6,8/10
2,8 k
MA NOTE
À la fin des années 1700 en Corée, Lady Cho met le playboy Lord Jo-won au défi de séduire et de coucher avec la jeune concubine vierge de son mari. Lady Cho accepte de coucher avec lui s'il ... Tout lireÀ la fin des années 1700 en Corée, Lady Cho met le playboy Lord Jo-won au défi de séduire et de coucher avec la jeune concubine vierge de son mari. Lady Cho accepte de coucher avec lui s'il réussit.À la fin des années 1700 en Corée, Lady Cho met le playboy Lord Jo-won au défi de séduire et de coucher avec la jeune concubine vierge de son mari. Lady Cho accepte de coucher avec lui s'il réussit.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 9 victoires et 14 nominations au total
Bae Yong-jun
- Jo-won
- (as Yong-jun Bae)
Jo Hyeon-jae
- Kwon In-ho
- (as Jo Hyun-jae)
Jeon Yang-ja
- Vice-minister's Wife
- (as Yang-ja Jeon)
Na Han-il
- Nobleman Yoo
- (as Han-il Na)
Lee Mi-ji
- So-ok's mother
- (as Mi-ji Lee)
Seong-min Choi
- Slave
- (as Sung-min Choi)
Yi-bin Han
- Eun Sil-i
- (as Seon-nyeo Yoon)
Min Kyeong-ok
- Woman from Andong
- (as Kyeong-ok Min)
Seo Yoon
- Jeong Geum-i
- (as Yoon-ah Seo)
Kong Ho-seok
- Elder 3
- (as Kong Ho-suk)
Avis à la une
Moving this story from the French aristocracy to the Korean during Chosen dynasty when everyone held up a mask of decency in daytime and let it fall together with the hanbok at night was quite the trick to re-liven this story. Everything is done so well from the flow to the brilliant actresses/actors. Most notably is Lee Mi-suk as the sly older cousin/fox. The backdrop of Korean castles is quite fitting, and as they sneak around at night like teenagers we sit on the edge of the seat hoping they wouldn't get caught.
The charm of "Jeon-sama" is lost on me, but I know it wouldn't be for hordes of "women in their best age". So if you're one of those, catch it!! Must be a big hit in all of East-Asia now.
The charm of "Jeon-sama" is lost on me, but I know it wouldn't be for hordes of "women in their best age". So if you're one of those, catch it!! Must be a big hit in all of East-Asia now.
I've seen the previous films based on Les Liaisons Dangereuses, and I have to say that this one is surely the most subtle of the bunch, with wonderfully nuanced performances from all concerned. The story is familiar, of course, to anyone acquainted with the material, but it's the way it's told here, with such profound restraint, that separates it from being merely derivative. I haven't seen that many films from Korea, but based on this one, I would definitely like to see more, particularly from director Je-yong Lee.
Can't imagine why Elvis Mitchell (in his Times review) called this a comedy (and it's even listed here at IMDb as a drama/comedy) - perhaps if you're a first-class sadist, it would come across as amusing, this tragic story of disillusionment, heartbreak and ultimate death. I wasn't laughing.
(7 - the equivalent of a high *** - see my review of AI for my IMDb number/star equivalents, unique to this site)
Can't imagine why Elvis Mitchell (in his Times review) called this a comedy (and it's even listed here at IMDb as a drama/comedy) - perhaps if you're a first-class sadist, it would come across as amusing, this tragic story of disillusionment, heartbreak and ultimate death. I wasn't laughing.
(7 - the equivalent of a high *** - see my review of AI for my IMDb number/star equivalents, unique to this site)
This film is an interesting one. The story is adapted from the French novel Les Liaisons Dangereuses (Dangerous Liasans). It's an 18th (maybe 17th?)century French novel of intrigue and scandal and the movie is set in... 18th century Korea, during the Chosun period. If you've seen Dangerous Liasans or a modern-day adaptation, Cruel Intentions, you've basically got the plot down. Male womanizer and scheming female near relative make a bet that womanizer can't seduce a pure woman. And stuff goes crazy from there.
So I decided to watch this film because it was a massive box-office opener in Korea, beating out all of its competition at the time. A few things that I noticed: 1) I like watching Korean period films, especially those of older Korea because the costumes and set design tend to be very aesthetically pleasing. The art direction is beautiful.
2) The acting was actually quite impressive--certainly better than Cruel Intentions, which is the only other version of this film that I've seen.
3) There are a few graphic sex scenes (and many suggested ones), so if you can't handle that, don't watch the film.
4) The tragedy is tragic and the love story is surprising. The ending was quite moving and was tragic because the flaws of the characters led to their own demise and loss of the things that they love.
5) Cinematography and direction are very strong and the primary actresses are particularly strong.
In the end, this was a well rendered adaptation, so much that I'm curious as to what the original source material is like. I really like the plot lines and the story because it converges so many different themes into a tragic tale of human weakness and yet manages to paint the weak, fallible and sometimes wicked characters in such a way that you still have some sympathy for them, showing that there is something in everyone that was or is beautiful, but it can get buried under the vices of this world.
All the actors are not strong and the film suffers a little from slow pacing, but in the end, it's a very watchable film that has a lot of strengths, even if the film isn't one of the great films of all time. If you can handle the content, I recommend this film. 8/10.
So I decided to watch this film because it was a massive box-office opener in Korea, beating out all of its competition at the time. A few things that I noticed: 1) I like watching Korean period films, especially those of older Korea because the costumes and set design tend to be very aesthetically pleasing. The art direction is beautiful.
2) The acting was actually quite impressive--certainly better than Cruel Intentions, which is the only other version of this film that I've seen.
3) There are a few graphic sex scenes (and many suggested ones), so if you can't handle that, don't watch the film.
4) The tragedy is tragic and the love story is surprising. The ending was quite moving and was tragic because the flaws of the characters led to their own demise and loss of the things that they love.
5) Cinematography and direction are very strong and the primary actresses are particularly strong.
In the end, this was a well rendered adaptation, so much that I'm curious as to what the original source material is like. I really like the plot lines and the story because it converges so many different themes into a tragic tale of human weakness and yet manages to paint the weak, fallible and sometimes wicked characters in such a way that you still have some sympathy for them, showing that there is something in everyone that was or is beautiful, but it can get buried under the vices of this world.
All the actors are not strong and the film suffers a little from slow pacing, but in the end, it's a very watchable film that has a lot of strengths, even if the film isn't one of the great films of all time. If you can handle the content, I recommend this film. 8/10.
I'm no expert on movies, I just like I like, but do watch a wide variety of films (especially since getting my Roku box!)
I was quite moved by the universal humanity expressed in this tale, the exquisite attention to detail in the scenes and settings, and the quality of the performances of all actors and actresses involved.
I had no idea of the refinement of Korean culture in this period, but it strikes me as every bit as refined as the Japanese, and makes me want to learn more about this period in history.
I highly recommend the film too for its unabashed revelations of how the aristocratic nobility behaved, and profusely used sexual liaisons outside of marriages to advance, or counteract, political battles behind the public scene -- an all too familiar experience the world over, beyond 18th century Korea.
--Rick in Boulder
I was quite moved by the universal humanity expressed in this tale, the exquisite attention to detail in the scenes and settings, and the quality of the performances of all actors and actresses involved.
I had no idea of the refinement of Korean culture in this period, but it strikes me as every bit as refined as the Japanese, and makes me want to learn more about this period in history.
I highly recommend the film too for its unabashed revelations of how the aristocratic nobility behaved, and profusely used sexual liaisons outside of marriages to advance, or counteract, political battles behind the public scene -- an all too familiar experience the world over, beyond 18th century Korea.
--Rick in Boulder
What can I say... 18th century century Korea is almost a picture perfect combo of "east meets west" with 18th century France. Many will probably judge Untold Scandal with the John Malkovich version of Dangerous Liaisons. Both versions need a little help, but "love story" was more profound and more touching in this version. Malkovich seemed like the faking unfaithful perp till the end, but in Untold Scandal you genuinely see the transformation in him from a seducer to a man desperately in love. While i didn't give a $hit about the characters in Dangerous liaisons since they are all pretty much ruthless bastards, you really care for everyone in Untold Scandal which made the ending even more depressing. Lastly, the simple and beautiful scenery of 18th century Korea is in itself breathtaking enough to see the film. I recommend both versions, you might want to see them back to back.
Le saviez-vous
- AnecdotesReplaced 2046 (2004) as the closing film at the Edinburgh Film Festival.
- ConnexionsFeatured in Les liaisons scandaleuses (2021)
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Untold Scandal?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 63 332 $US
- Week-end de sortie aux États-Unis et au Canada
- 6 015 $US
- 17 oct. 2004
- Montant brut mondial
- 5 762 801 $US
- Durée2 heures 4 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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