L'histoires d'une jeune fille ayant été assassinée et qui veille sur sa famille ainsi que sur son tueur depuis le purgatoire. Elle devra pondérer son désir de vengeance et son désir de voir ... Tout lireL'histoires d'une jeune fille ayant été assassinée et qui veille sur sa famille ainsi que sur son tueur depuis le purgatoire. Elle devra pondérer son désir de vengeance et son désir de voir sa famille se remettre de la douleur.L'histoires d'une jeune fille ayant été assassinée et qui veille sur sa famille ainsi que sur son tueur depuis le purgatoire. Elle devra pondérer son désir de vengeance et son désir de voir sa famille se remettre de la douleur.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 10 victoires et 46 nominations au total
- Holly
- (as Nikki Soohoo)
- Flora Hernandez
- (as Stefania Owen)
Avis à la une
The book itself had a rather sunny disposition, which is ironic as it often was somewhat grislier in detail than the movie. That's because events can be described in words in a grisly way but still be part of an optimistic universe when you are reading -- it works. That doesn't quite happen when you actually see things with your eyes, film is much more literal (strange to say) that literature.
Considering the subject matter, the murder of a young girl, it's a bit unfair to go to the movie and expect to see the book come to life on the screen.
The problem in making the movie, as in any adaptation of magical realism concerning dark subjects, is how to capture the magic without having it jar too much with the realism. That was extremely difficult to do here considering how grim the subject is. So when Jackson uses special effects to invoke heaven, people tend to completely flip out, without really offering their own alternative about how that "should" have been done.
All this adds up to a book that perhaps shouldn't have been adapted for the screen at all. That said, I think the movie is quite a fine one, especially because of the magnificent performances of the two leads, Ronan and Tucci. Thanks to the sweet-faced and deeply affecting Ronan, you'll never forget Susie Salmon. The music is also just fantastic, not surprising as Brian Eno did it -- it's very disappointing that the soundtrack is not available, as it's beautiful and haunting.
I'd suggest seeing it and just let yourself decide if it's a worthwhile experience or not. I found it to be a very good try at adapting a book that by its nature is extremely hard to film. Actually the best way to go at it would be to watch the movie, then read the book, then try to figure out for yourself how you would have done it differently. I suspect that you'll gain a new appreciation for Jackson's movie if you do that.
Peter Jackson has done a great job. Hats off to him.
It is rather sad, to see how people are grabbing on to many of the former reviews and are continually bashing on the CGI use in this, in my opinion, hauntingly beautiful movie.
If one would actually watch this movie without reading any reviews at all, without having an opinion about a movie they are about to watch before even having seen it for themselves and just take it for what is presented, I strongly believe there would be much more positive opinions about it.
And to mention this before anything else is said: I do not believe that the movie is too CGI crowded since the scenes at hand are meant to be unearthly and even a little mystical at that! I am not a very emotional person, I haven't even been able to really feel sad when others around me were already sobbing. But going into this movie and just letting it do its magic, it actually touched me deeply and made me think about it!
Sure - there are a few things that might have been done differently, probably even quite a bit better. But the all-in-all feel this movie leaves the viewer with is incredible. The bizarre but at the same time beautiful world of the in-between, the pain of the family members over the horrible loss and their unique ways of, not necessarily dealing, but rather living with it, even the sick mind behind the murder - it all works together in creating that viewing experience that is deeply touching through its countless layers.
The acting of pretty much each individual actor is already quite impressive, but as the characters interact, one can actually feel the emotional bonds and understandings, as well as the tension or even hatred between them.
All in all I can only urge anyone who loves movies that go beyond that typical mirror of merely entertaining and uninspired filmmaking to watch this gem. Certainly not everyone will enjoy or appreciate it as much as I did, but at least give it the chance it deserves without going into it, already looking for those 'evil CGI' parts and at the very least you will have your own opinion about it afterward and not the one of some guys that merely told you the same thing they only heard from someone else ;)
I hope you have a great viewing experience!
Le saviez-vous
- AnecdotesSaoirse Ronan landed the role of Susie Salmon based on an audition tape she sent in. They were so impressed by the tape that no meetings or further auditions were necessary before offering her the lead role in this movie.
- GaffesIn Susie's photo album that her father flips through, there is a picture of a Smurf figurine at the top of the right page. While Smurf figures were around in the 70s, that particular Smurf (a singing "rocker" Smurf with a microphone) wasn't released until the late 1990s.
- Citations
[last lines]
Susie Salmon: [voiceover] When my mother came to my room, I realized that all this time, I'd been waiting for her. I had been waiting so long, I was afraid she wouldn't come.
Abigail Salmon: [whispering] I love you, Susie.
Susie Salmon: [voiceover] Nobody notices when we leave. I mean, the moment when we really choose to go. At best you might feel a whisper, or the wave of a whisper, undulating down. My name is Salmon, like the fish. First name: Susie. I was 14 years old, when I was murdered, on December 6, 1973. I was here for a moment. And then I was gone. I wish you all a long and happy life.
- ConnexionsFeatured in The Paul O'Grady Show: Épisode datant du 27 novembre 2009 (2009)
- Bandes originales1/1
(1978)
Written by Brian Eno, Rhett Davies and Robert Wyatt
Performed by Brian Eno
Courtesy Of Virgin Records Ltd.
Under License From EMI Film & Television Music
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Desde mi cielo
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 65 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 44 114 232 $US
- Week-end de sortie aux États-Unis et au Canada
- 116 616 $US
- 13 déc. 2009
- Montant brut mondial
- 93 621 340 $US
- Durée2 heures 15 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1