NOTE IMDb
7,1/10
7,6 k
MA NOTE
La relation entre un jeune Pakistanais et une Anglaise fait des étincelles dans la banlieue sud de Glasgow.La relation entre un jeune Pakistanais et une Anglaise fait des étincelles dans la banlieue sud de Glasgow.La relation entre un jeune Pakistanais et une Anglaise fait des étincelles dans la banlieue sud de Glasgow.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 8 victoires et 11 nominations au total
Shabana Akhtar Bakhsh
- Tahara Khan
- (as Shabana Bakhsh)
David Wallace
- Father David
- (as Father David Wallace)
Avis à la une
I was taken to this film sort of against my will, I wanted to see something else, and from the first five minutes I knew I was watching something special. Not to give anything away, but this film has a political side that is not often seen in films in the states, but it's not 'heavy handed' about it at all- the political comes out of the family situations. The actors are all wonderful, particularly the woman lead, and I completely believed every situation they were in. The music was unobtrusive and the camera work felt more like a documentary than a film.
But overall I was left with a feeling of joy that there are still films that try to say something, that aren't based on comic books, and that have real concerns that people struggle with. Bravo to Ken Loach and co.
But overall I was left with a feeling of joy that there are still films that try to say something, that aren't based on comic books, and that have real concerns that people struggle with. Bravo to Ken Loach and co.
I saw this at the Edinburgh Film Festival last night. I'm not a natural fan of Loach's work, although grew a little warmer to it after Sweet Sixteen.
What he's made here though is a believable, warming love-story. Aside from 'location-spotting' the Glasgow geography, there was a feeling throughout the film that's difficult to pin down (or articulate!); just a kind of "yeah, that's right, these people and these feelings are real".
Lead-wise, a great line up, Atta Yaqub plays a quiet Casim, and Eva Birthistle a brilliant but natural Roisin - there's nothing that stops you believing that this is a couple in love.
As for the rest of them - some excellent characters and some good acting. One criticism is Loach's practice of using non-actors - sometimes this leads to an almost TOO natural delivery of the script. The strength of the whole cast comes through though, and there's certainly no feeling of any tokenism or stereotype characters.
One actor who doesn't appear to have had much notice in any write-ups I've seen is Shabana Bakhsh, who plays Tahara Khan, Casim's youngest sister. She's fantastic. Again, falls a little foul of sometimes sounding overly natural... but what a star though. She was very believable as the rebellious, starting to get politically active, younger sister.
All-in-all, a great film, worth seeing. I think it's out on general release sometime in the early autumn - well worth the ticket.
What he's made here though is a believable, warming love-story. Aside from 'location-spotting' the Glasgow geography, there was a feeling throughout the film that's difficult to pin down (or articulate!); just a kind of "yeah, that's right, these people and these feelings are real".
Lead-wise, a great line up, Atta Yaqub plays a quiet Casim, and Eva Birthistle a brilliant but natural Roisin - there's nothing that stops you believing that this is a couple in love.
As for the rest of them - some excellent characters and some good acting. One criticism is Loach's practice of using non-actors - sometimes this leads to an almost TOO natural delivery of the script. The strength of the whole cast comes through though, and there's certainly no feeling of any tokenism or stereotype characters.
One actor who doesn't appear to have had much notice in any write-ups I've seen is Shabana Bakhsh, who plays Tahara Khan, Casim's youngest sister. She's fantastic. Again, falls a little foul of sometimes sounding overly natural... but what a star though. She was very believable as the rebellious, starting to get politically active, younger sister.
All-in-all, a great film, worth seeing. I think it's out on general release sometime in the early autumn - well worth the ticket.
That word is of course relative. What is racism? Where goes the border between being incorporated in your culture and looking down on others? The question is relevant also for Muslims in Scotland.
Ken Loach is a passionate director watching everyday-life in a passionate way. You always get engaged in his people. You come to know them and feel for them.
In this film the catholic girl is the most abused part and the Muslim boy the one who has to struggle most against prejudice. The end is predictable, but the travel towards it exciting. The good powers win.
Ken Loach dares to criticize and understand at the same time.
Ken Loach is a passionate director watching everyday-life in a passionate way. You always get engaged in his people. You come to know them and feel for them.
In this film the catholic girl is the most abused part and the Muslim boy the one who has to struggle most against prejudice. The end is predictable, but the travel towards it exciting. The good powers win.
Ken Loach dares to criticize and understand at the same time.
"Ae Fond Kiss" embodies all and more that we are used to from director,Ken Loach. The film is entertaining and moving from start to finish and makes interesting and true social comment about the way we live. Loach approaches the subjects of religion, race, national identity and cultural differences in a way that is sensitive, gritty and real to the audience. "Ae Fond Kiss" does not shy away from the truth and attempts to deal with issues in a far more serious and believable way than such films as "Bend it Like Beckham". An enjoyable film, and one which should gain huge attention and recognition from the U.S. However, we shouldn't hold our breath as we know.
Ken Loach has spent most of his career focusing on politically-charged issues in the United Kingdom: "Poor Cow" is about a woman on skid row, "Hidden Agenda" is about an assassination in Northern Ireland, and "Sweet Sixteen" is about a working-class teenager in Scotland.
This makes "Ae Fond Kiss..." an outlier. At the very least, it's the only one of Loach's movies that I've seen that focuses on a relationship. In this case, it's a Pakistani man and an Irish woman in Glasgow, and the challenges that their relationship faces from those around them. Seeing how the church treats the woman upon learning of her relationship with the man, it's no wonder that the British population has turned away from religion.
Just to keep a focus on political issues, the movie opens with the man's sister denouncing islamophobia and the invasion of Iraq (Loach called for hauling Bush and Blair off to the Hague). Of course, all these years later one could posit that things like the protagonists' relationship is what led so many ignorant people to support Brexit (the feeling that the "original" version of the country had gotten "taken" from them).
All in all, worth seeing.
This makes "Ae Fond Kiss..." an outlier. At the very least, it's the only one of Loach's movies that I've seen that focuses on a relationship. In this case, it's a Pakistani man and an Irish woman in Glasgow, and the challenges that their relationship faces from those around them. Seeing how the church treats the woman upon learning of her relationship with the man, it's no wonder that the British population has turned away from religion.
Just to keep a focus on political issues, the movie opens with the man's sister denouncing islamophobia and the invasion of Iraq (Loach called for hauling Bush and Blair off to the Hague). Of course, all these years later one could posit that things like the protagonists' relationship is what led so many ignorant people to support Brexit (the feeling that the "original" version of the country had gotten "taken" from them).
All in all, worth seeing.
Le saviez-vous
- AnecdotesThe title refers to the Robert Burns poem, "Ae Fond Kiss".
- Citations
Casim Khan: There won't be any dress codes.
Roisin Hanlon: No dress codes?
Casim Khan: Cause there's no expectation, there's never expectation. Anyone's allowed.
Roisin Hanlon: So, transvestites to anoraks.
Casim Khan: Burkas to G-strings.
Roisin Hanlon: Where even shy girls can make the first move?
Casim Khan: And nervous little boys won't run away.
[They kiss]
- ConnexionsFeatures Asoka (2001)
- Bandes originalesRahaye Rahaye
Written by Harjinder Singh Bopari and Balwinder Safri
Performed by The Safri Boys
Used with the kind permission of Savera Music Ltd.
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- How long is A Fond Kiss?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Sólo un beso
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 30 148 $US
- Week-end de sortie aux États-Unis et au Canada
- 11 250 $US
- 28 nov. 2004
- Montant brut mondial
- 6 571 302 $US
- Durée
- 1h 44min(104 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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