Ajouter une intrigue dans votre langueAfter unsuccessfully trying to have a baby of their own, Dr. Kim Do-il and his father convince his wife Choi Mi-sook to adopt a child in an orphanage. Mi-sook is connected to arts and choose... Tout lireAfter unsuccessfully trying to have a baby of their own, Dr. Kim Do-il and his father convince his wife Choi Mi-sook to adopt a child in an orphanage. Mi-sook is connected to arts and chooses the six years Kim Jin-sung that loves to draw trees. The boy becomes close to the eight ... Tout lireAfter unsuccessfully trying to have a baby of their own, Dr. Kim Do-il and his father convince his wife Choi Mi-sook to adopt a child in an orphanage. Mi-sook is connected to arts and chooses the six years Kim Jin-sung that loves to draw trees. The boy becomes close to the eight years old next door neighbor Min-jee and is attracted to an old Acacia tree in their lawn.... Tout lire
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 2 nominations au total
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This is built up like most other Asian horror films, that is slow moving, using good cinematographers and focusing on creating atmosphere rather than just shocks. Somehow it manages to fail completely. When it tries to build up tension, the over the top editing takes it quickly away. The editing tries to make the film clever, instead it makes me not take it seriously at all. About the drama; how can they ignore their adopted son so soon? This looks like a cash-in on the horror boom and should be avoided.
Trees can be very scary, this is not.
The story tells about a young couple who wish to have a child. Since they have been unsuccessful in making one, they decide to adopt. They take into their home a 10 year old boy with an obsession for trees. Once home, he immediately comes to love their dying Acacia tree in the backyard. However, almost immediately after he is brought home, strange things start to happen. And when the family does have a child of their own, it only gets worse.
Yes, the movie is a bit slow, but there are enough familiar elements, and the story is interesting enough to warrant a complete viewing. Both the camera-work and the acting is excellent, as well as the direction. Some of the shots are noteworthy and the sense of horror here is both subdued and in the cheese arena. You might find yourself giggling at some of the scenes, but the by the end, you should find yourself with something that you have enjoyed. One other positive note is that this film isn't complicated. There may be a bit of confusion throughout, but by the end, it is a pretty clear story, something that seems to be a bit rare in Asian cinema. So, if you don't mind your Asian horror straight up, then you might wanna give this a try.
The basic story is perhaps not even that bad, but the way it is filmed it seems like the most laughable plot ever. The tree as a 'scary' device might be okay if used cleverly, but all the filmmaker does is giving us different shots of...yes, a tree, over and over again. He seems to hope that the tree will do all the work for him in terms of tension and build-up, but it just feels like what it is: shots of a tree. For goodness' sake!
Slow build-ups can be very effective, and a film that presents the viewer with only few glimpses of what is wrong might deliver good scares, but not Acacia. Sure, we get a glimpse of a child on a tricycle disappearing around a corner, and, yet again, meaningful shots of the tree from above, or underneath, or the side, but these scenes are just not scary. They feel silly, especially because you realise that the director means them to be scary. They simply aren't.
Apart from that I agree with some of the other reviewers, that the characters are ridiculous. In particular the one character's 'descent into madness' is laughable. However, what really breaks Acacia is the terrible editing. Its hard to see why scenes were cut together the way they are, but it's bad, and it kills any spark of interrest it might have had. It also makes me feel patronised, because I can see what they are trying to achieve with it, but I cannot believe that they think I would fall for such cheap ploys.
There are lots of great Asian ghost films, and lots of bad ones, but this is by far the worst I have seen. They must have been going through the list of 'what to put into ghost movies', and ticked them all off, but in the end they forgot to add the actual movie.
Le saviez-vous
- Crédits fousThe first several seconds of the end credits roll over an additional flashback.
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Détails
Box-office
- Budget
- 2 200 000 $US (estimé)
- Durée1 heure 43 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1