The Woods

Compared to the lame horror films that the major studios theatrically release these days, THE WOODS is superior and stands out. It easily deserves a wide theatrical but remains on the shelf for no logical reason. The film is a variation on a SUSPIRIA-type witch story and delivers genuine scares; not the trendy, superficial jarring jumps 'boos' that the reviewer above probably expects. Director McKee (MAY, SICK GIRL) delivers a deliberate pace and gradually building mood and atmosphere. Above all else, THE WOODS is character-driven with real acting! We not use to seeing that in a recent genre film. The photography and 60's period production design is flawless. THE WOODS has the true power to creep you out and you may never drink milk again!

I think The Woods was trying to hypnotize me. Characters spoke in soft, monotone voices and there were long, drawn-out moments of whispers and silence. Plus, it's kind of boring, as the mystery of it all grows tired after the first hour. The final reveal was also fairly lackluster. It's no wonder that the studio decided not to release this movie in theaters.

In 1965, after provoking a fire in a forest, the rebel teenager Heather Fasulo (Agnes Bruckner) is sent to the boarding school Falburn Academy in the middle of the woods by her estranged mother Alice Fasulo (Emma Campbell) and her neglected father Joe Fasulo (Bruce Campbell). The dean Ms. Traverse (Patricia Clarkson) accepts Heather in spite of the bad financial condition of her father. The displaced Heather becomes close friend of he weird Marcy Turner (Lauren Birkell), while they are maltreated by the abusive mate Samantha Wise (Rachel Nichols). During the nights, Heather has nightmares and listens to voices from the woods, and along the days she believes that the school is a coven of witches. When some students, including Marcy, simply vanish, Heather believes she will be the next one.

"The Woods" is an interesting low paced horror movie directed by Lucky McKee, the director of the cult-movie "May". Using a creepy atmosphere to develop the characters and the supernatural mysteries surrounding the boarding school and their teachers, the story reaches its climax in the very end, when the secret of the Falburn Academy is finally disclosed. The underrated actress Patricia Clarkson is scary in the role of the evil dean of the school; the cult Bruce Campbell has a minor but important participation; and Agnes Bruckner is also good in her role. "The Woods" is never better than "May", but it is also a good psychological horror movie. Mr. Lucky McKee, please do not wait for another four years to release your next movie. My vote is seven.

Title (Brazil): "A Floresta" ("The Woods")

To hear Director Lucky McKee tell it at a post screening interview at the 2006 Fantasia film festival, the reason his movie The Woods hasn't been released is due to "corporate bullshit", however I'd have to say it has more to do with a distinct lack of tension and chills which, in a horror movie, isn't good. If you were looking for a reason why MGM has kept this movie sitting on the shelf for the past three years, this would be it.

Don't get me wrong. The Woods is a stylish, slickly made, well acted movie. Far worse have made their big screen debut, although simply because other studios have seen fit to put lesser fare in the cineplexes, doesn't necessarily mean they should follow suit with The Woods.

The movie tells the story of Heather (Agnes Bruckner), a troubled girl with a penchant for setting fires, who is relegated to an all girl boarding school by her parents, played by Canadian actress Emma Campbell and "The Chin" Bruce Campbell of Army of Darkness fame. It's there that she slowly learns that witchcraft is afoot and that she, along with select other students have been targeted for ulterior motives by the nefarious teaching staff as a result of their unique paranormal talents.

McKee, who rose to fame with his 2002 movie May, draws heavily on Italian horror cinema influences (the film bears more than a passing similarity to Dario Argento's Suspira), The Woods devotes far more time than most films of the genre building audience identification with the central characters, which normally is a good thing, however in this case it appears to have come at the expense of the fright factor. I suppose McKee was aiming for a slow, turn-of-the-screw approach to mounting tension, culminating with the film's orgasmic release, however it didn't work for me. Instead the movie seemed to plod along in a meandering fashion, only to suddenly kick into high gear during the final 15 minutes.

It's all too bad, really, because The Woods has many strengths going for it. It's terrifically photographed, the cinematography even plays with color hues throughout the film for a stylish effect. It's well acted with copious nifty quirks, the dialog flows naturally, and the special effects are superb. If only this movie delivered more chills than it promises, it would have probably been released a year or more ago.

The film has some solid traits. The acting, even by the young cast is solid. The cinematography and set design is good. Though, in the mid 2000's there was a fad of doing these rapid cuts accompanied with loud noises and a photo negative filter. It hasn't aged well and was honestly not popular back then. The mystery of the plot kept me interested. The biggest complaint I have is the protagonist was unlikeable and unrelatable. Agnes Bruckner did fine as her, but ultimately she comes off as a brat, even having a scene where she finds someone in a hospital who asks her for help and she simply turns her back on him. Additionally, the whole bullying subplot feels a bit off. Maybe have the bully show a little less interest in the protagonists "fire crotch".