Aux Pays-Bas occupés par les nazis pendant la Seconde Guerre mondiale, un chanteur juif infiltre le siège régional de la Gestapo pour la résistance néerlandaise.Aux Pays-Bas occupés par les nazis pendant la Seconde Guerre mondiale, un chanteur juif infiltre le siège régional de la Gestapo pour la résistance néerlandaise.Aux Pays-Bas occupés par les nazis pendant la Seconde Guerre mondiale, un chanteur juif infiltre le siège régional de la Gestapo pour la résistance néerlandaise.
- Réalisation
- Scénario
- Casting principal
- Nomination aux 1 BAFTA Award
- 13 victoires et 23 nominations au total
Avis à la une
A really interesting mix of American movie - driven by a strong narrative, complete with car chases and tense thriller moments - and European film - multilingual, with strong sense of historical moment and complex characterisation. The lead performance by Carice van Houten is compelling and charismatic. Overall the film does not amount to a big emotional experience - the centre of the emotion, however, is subtle and focused on the scenes of Ellis (the Jewish heroine, undercover among the Nazis) and Muntze (the German officer) in bed together. A complex and believable love develops between them which is the heart of the film. Great to see Verhoeven back in Europe on a project of passion, bringing back some American know-how to a fairly large scale film, albeit for a pretty modest budget (c$20M I believe).
I have been eagerly waiting to see 'Zwartboek' the past months. Finally it premiered in Holland today and i immediately rushed to cinema to be one of the first to see it. Beforehand i didn't watch any trailer nor read any review so i went in completely not knowing what to expect.
The movie starts a bit messy. Not knowing what it wants and where it wants to go. But as soon as things are set the roller-coaster ride begins. Carice and Sebastian are simply outstanding. Together they really carry the movie. The story however is predictable at times, but the awesome production quality (for dutch standards) and fast paced action really make up for it.
The overall message (which i will not give away) is something to think about. See the movie and judge for yourself.
I have heard this will be sent in for the Oscars. As much as i would want Paul to win i don't think it will happen. There will be other movies with a story less predictable and more surprising. However, my heart would want him to win this and walk out with a big figurative finger pointed at all them critics.
Zwartboek is in my opinion the best dutch production in 20-30 years, maybe even the best dutch movie since Soldier of Orange. It doesn't disappoint, it doesn't bore and it will give you a ride which you won't forget. It is also the breakthrough of Carice van Houten. Rave reviews from Venice compare her to Scarlett Johansson, but even better. Future will tell...
For now, go see this! And for Paul: please stay in Holland and make dutch cinema proud again.
The movie starts a bit messy. Not knowing what it wants and where it wants to go. But as soon as things are set the roller-coaster ride begins. Carice and Sebastian are simply outstanding. Together they really carry the movie. The story however is predictable at times, but the awesome production quality (for dutch standards) and fast paced action really make up for it.
The overall message (which i will not give away) is something to think about. See the movie and judge for yourself.
I have heard this will be sent in for the Oscars. As much as i would want Paul to win i don't think it will happen. There will be other movies with a story less predictable and more surprising. However, my heart would want him to win this and walk out with a big figurative finger pointed at all them critics.
Zwartboek is in my opinion the best dutch production in 20-30 years, maybe even the best dutch movie since Soldier of Orange. It doesn't disappoint, it doesn't bore and it will give you a ride which you won't forget. It is also the breakthrough of Carice van Houten. Rave reviews from Venice compare her to Scarlett Johansson, but even better. Future will tell...
For now, go see this! And for Paul: please stay in Holland and make dutch cinema proud again.
It took me about an hour after having seen the film to find any enthusiasm to write this review. The film Black Book, or Zwartboek in Dutch, is very impressive, with an excellent feeling for the complexity of inter-human relationships.
The story is about a Jewish girl that finds herself in a powerless situation in a war that tends to bring out the worst in all, 'good' or 'bad'. So much for what we know without seeing the film for ourselves. The film starts out rather typical, informing us with what we already new about the war: people where poor, hungry and trying to survive. However, the second part of the film shows a less well known part of Dutch resistance history: that the war brings out the worst in everybody. Without losing sight of the importance of the resistance against the foreign repression, Paul Verhoeven confuses his audience by visualizing how ones own well-being seems to go at the cost of the well-being of another. No black and white, no bad or good, but only the individual choice, that is tormented by the will to survive and a feeling for morality.
The film is daring for showing the dark side of the Dutch national history. However, the most valuable of the film is that it captivates its audience and sensitizes its audience for the misery of the historical event of World War II, but also the contemporary difficulties that affects human beings rather than countries. A must see, even though it makes you feel miserable.
The story is about a Jewish girl that finds herself in a powerless situation in a war that tends to bring out the worst in all, 'good' or 'bad'. So much for what we know without seeing the film for ourselves. The film starts out rather typical, informing us with what we already new about the war: people where poor, hungry and trying to survive. However, the second part of the film shows a less well known part of Dutch resistance history: that the war brings out the worst in everybody. Without losing sight of the importance of the resistance against the foreign repression, Paul Verhoeven confuses his audience by visualizing how ones own well-being seems to go at the cost of the well-being of another. No black and white, no bad or good, but only the individual choice, that is tormented by the will to survive and a feeling for morality.
The film is daring for showing the dark side of the Dutch national history. However, the most valuable of the film is that it captivates its audience and sensitizes its audience for the misery of the historical event of World War II, but also the contemporary difficulties that affects human beings rather than countries. A must see, even though it makes you feel miserable.
I attended the North American premiere of "Black Book" at the Toronto International Film Festival. Although my main interest lies in independent film, and I did see many indies as well as foreign films and documentaries in Toronto, I also saw a few of the "Gala" selections. Of those "big movies" on my list, the one which impressed me the most was this Dutch production from Paul Verhoeven. Set in Nazi-occupied Holland during World War II, the film centers around a young Jewish woman named Rachel, who changes her name (and hair, and personality, and more) to Ellis and enters an odyssey of determination and sheer luck in an effort to survive what would otherwise be certain death.
Make no mistake about it: this is an epic in the true sense of the word. The visuals are stunning. Everything about the production from the sound to the effects to the score says "big budget." The story is chock full of more twists and turns than just about any film I've seen in this genre. And just when you think that, perhaps, Verhoeven is beginning to stretch the bounds of credulity, you realize (at the end credits, if not before) that "Black Book" is based on fact.
Most of all, the film's power is due to the magnificent acting of Carice van Houten. Her Rachel/Ellis is a character so unique, so original, that it holds up against the great heroines of contemporary cinema. Combine her marvelous performance with a wonderful story and superb production values and you end up with a thrill ride from start to finish. "Black Book" left me breathless.
Make no mistake about it: this is an epic in the true sense of the word. The visuals are stunning. Everything about the production from the sound to the effects to the score says "big budget." The story is chock full of more twists and turns than just about any film I've seen in this genre. And just when you think that, perhaps, Verhoeven is beginning to stretch the bounds of credulity, you realize (at the end credits, if not before) that "Black Book" is based on fact.
Most of all, the film's power is due to the magnificent acting of Carice van Houten. Her Rachel/Ellis is a character so unique, so original, that it holds up against the great heroines of contemporary cinema. Combine her marvelous performance with a wonderful story and superb production values and you end up with a thrill ride from start to finish. "Black Book" left me breathless.
When I read all the comments about Zwartboek, it becomes clear to me that either you like the movie or you kind of hate it. What is that with good and bad that we want to make an exact line... This whole movie is about not knowing if you can do bad things (kill, betray or whatever) to achieve the good. Or the other way around off course. I must admit that the movie is (again) explicit, but aren't all the Dutch movies? What strikes me most is that some people expect to get a movie in which everything is clear. I think this is a movie which should set us to thinking: what would I do if I were in the same situation. Paul Verhoeven made clear with this movie that in the end, lots of people act for their own prosperity. It's just what you make people around you believe... I think in lots of countries people acted like this, none of the countries however dared to make a movie out of it. To me this movie is again (as Soldaat van Oranje and for instance De Tweeling)a beautiful one about WWII without getting boring. A smart story with two faces. Although some of the actors don't really fit into a masterpiece like this, I give it a great compliment. Get over the explicit name calling (ever seen Pulp Fiction??) and appreciate the scenery and nice camera-work, the great plot change and you'll have a great time and may even reconsider your own ideas about the resistance!
Le saviez-vous
- AnecdotesMost actors speak more than one language in the film. Carice van Houten speaks four languages fluently in the course of the film: Hebrew in the scenes in Israel, German with Nazi soldiers, English with Canadian army personnel and Dutch for the majority of the film.
- GaffesInsulin, even injected directly into the blood stream, would not act as fast as shown to lower blood sugar.
- Citations
Rachel Stein aka Ellis de Vries: I never knew this would happen. To fear the liberation...
- ConnexionsEdited into Zwartboek: The Special (2006)
- Bandes originalesIch bin die fesche Lola
Music by Friedrich Hollaender (as Friedrich Hollaender)
Lyrics by Robert Liebmann
Performed by Carice van Houten
(c) 1930 by Ufaton-verlagsgesellschaft mbH (BMG Music Publishing Germany), Munich
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- La lista negra
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 21 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 4 398 532 $US
- Week-end de sortie aux États-Unis et au Canada
- 112 521 $US
- 8 avr. 2007
- Montant brut mondial
- 26 768 563 $US
- Durée
- 2h 25min(145 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant