Zebraman

Great for the first hour and 20, but needed some serious editing.

A normal family man and school teacher, who is despised by his family, enjoys one thing in his free time. Putting on his specially made Zebraman suit, to celebrate the brief canceled TV-show of the same name he watched as a child. When not being insulted by students, strangers, family, and friends, our hero likes to wear the suit in his bedroom alone and practice his super movies, which is all oddly endearing and funny enough, until townspeople begin showing signs of possession by a mysterious, possibly alien force. Stranger still, it all already happened in the Zebraman TV show, in the 70's. Our school teacher finds himself putting on the suit and attempting to fight crime, failing in spectacular comic fashion at first, before going into "Kung Fu Hustle" overdrive.

The aliens themselves resemble Flubber, except when their possessing innocent people and forcing them to commit crimes for some reason. What begins as a dark comedy about hero-worship, becomes a feel-good over the top find the hero within action comedy.

The problem is it's just too long, it's charming and unique, but the charm just doesn't hold past an hour and a half. One of Miikes more accessible movies, but still chalk full of the absurd images and surreal humor fans have come to expect. Good watching for Miike fans, and those interested in the lighter side of super-heroes and nostalgia, others stay away. Recommend | add comment

Being a pushover as a teacher and family man, the true humble, mild-mannered identity of our hero tries to escape everyday life by dressing up as Zebraman, a superhero from a TV series that was canceled after only a few episodes. But escaping into his fantasy world in a self-made zebra-suit is the only thing keeping him going. But when he discovers that the Zebraman show was a prophecy of a true alien invasion, disguised as the show's hero he is the only person who can stop it.

Miike always chooses material not only with an unusual premise but with over-the-top details that are slowly, gradually revealed to us. Aside from the way in which its plot unfolds, the film's real charm is in what decides to show us about superheroes, why we identify with them on such a whimsical level and how the ridiculous mentality of a superhero could be formed in a man's solitude. The movie is not serious though. It has Miike's sometime stoic feel, but what we are shown is often hilarious, like the non-sequitary title shot of a fat woman in a beauty parlor who is passed by a sauntering zebra, or Radioactive Ranger, a perfect rendition of a TV show not unlike Power Rangers and its various, progressively obscuring incarnations, or countless others.

Even if Miike's more studious sense of pace is a hindrance to the potential impact of the film, leaving it without a tone and thus making the memory of the movie pretty fuzzy over time, it reflects very benevolently vivid childhood memories controlled by our superheroes. Where the film's spirit hits the nail on the head is in its blurring of zeal and absurdity. The film knows escapism because it's acuity in what it evokes really allows you to escape back into that unadorned young spirit. And what's the point of escapism if you're not truly escaping?

Takashi Miike never disappoints. His latest film to the Toronto Film Festival is ZEBRAMAN, a story about a father (Shinichi) who no longer has a family, or a life. His wife is having an affair, his daughter is a slut (no wonder, she's cute as hell), and his son is bullied at the school where he teaches. Even the other students think he is a geek. Shinichi spends all of his free time fantasizing about a show he watched as a kid called Zebraman, that was cancelled after only a few episodes due to low ratings. He even goes as far as to make his own Zebraman costume, and that's when the fun truly begins.

As the Earth is invaded by aliens (what did you expect) Shinichi is called into action as Zebraman and he transforms from mild mannered teacher to Earth's last hope. Think PowerRangers but with odd and hilarious dialogue ("Don't stand ... behind me."). But first he spends some much needed time in front of a mirror practicing his shouts ("Black and White Ecstacy!"), costume spliting poses, and signature attacks like the "Zebra Double Back Kick". I admit I was sold as soon as he beat the crap out of a guy wearing a giant crab mask on his head. I laughed the hardest at the introduction of ZebraNurse, though.

This is a different kind of film than what you'd expect from Miike. The characters are warm and lovable, and no one gets injured (with the exception of an easily re-grown arm, "Thanks ... ZebraNurse!"). Which shows the kind of range this cult director has. My only regret was that Takashi Miike wasn't present to witness a world class response to this outrageously funny film. (9/10)

Takashi Miike is a very, very difficult director to label. Some of his films have been incredibly violent and gory (such as ICHI THE KILLER and AUDITION)--so much so that I could never recommend them. Some of his films have been strange and highly enjoyable comedies (especially HAPPINESS OF THE KATAKURIS). In recent years, his films have even tended towards being children's movies (such as his Ultraman series on TV and THE GREAT YOKAI WAR). Because of this wide, wide range of films, I was apprehensive to watch ZEBRAMAN, as I had no idea what type of Miike film it would be. Fortunately, it was a blend of both his weird quirky films AND his excellent family-friendly films.

Here in ZEBRAMAN, you have the story of a very nerdy elementary school teacher who secretly longs to be his TV hero, Zebraman. It seems that in the 70s, Zebraman was a very short-lived show and the guy has loved it ever since. This isn't so odd, but the fact that he's made a Zebraman costume and imagines himself to be this great superhero is!! What makes it even weirder is where it all goes next--into a strange and surreal direction that I just didn't anticipate. Rest assured, the direction is very odd and it involves this nerd having to save the planet from evil aliens!!!

The film is all in good fun and does it all tongue in cheek--never taking itself too seriously. Excellent direction and a nice story make this a winner--even if there are a few lulls here and there before the crazy and very exciting conclusion.

I just saw it in the comfort of my own living room, without subtitles - but I speak a fair bit of Japanese myself, and I had an excellent translator (my girlfriend) who saw it with me.

Now, I am - as many of you - a huge Takashi Miike fan. But this one is my least favourite so far (but what do I know - having only seen about 10 of his movies). But anyway, my point is this; it tried to be funny - and sometimes it was mildly amusing.. but this was really a kids-movie. A mix between Mars Attacks and Howard The Duck, I don't feel I have wasted my time watching it - but as I said in my headline, it was not as good as I had hoped it would be.

It wasn't qwerky enough to be "really weird and qwerky", it wasn't funny enough to be a great comedy, it wasn't violent enough to be a Miike trademark gore-fest, and definitely not original enough to be "something completely new"... so what we're left with is a bit of this - a bit of that.. not really going anywhere.

But as I said, If you like Miike - you'll probably end up watching it anyway - just like I did.

rating: x "stars" out of y "stars"