Beauty Shop
- 2005
- Tous publics
- 1h 45min
NOTE IMDb
5,6/10
20 k
MA NOTE
Ajouter une intrigue dans votre langueA determined hairstylist (Queen Latifah) competes with her former boss (Kevin Bacon) after opening her own business in Atlanta.A determined hairstylist (Queen Latifah) competes with her former boss (Kevin Bacon) after opening her own business in Atlanta.A determined hairstylist (Queen Latifah) competes with her former boss (Kevin Bacon) after opening her own business in Atlanta.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 15 nominations au total
Laura Hayes
- Paulette
- (as Miss Laura Hayes)
LisaRaye McCoy
- Rochelle
- (as Lisaraye McCoy)
Avis à la une
Being an admirer of Queen Latifah, who I believe as a great talent, I really to like this film. But I'm afraid I can't recommend it.
First, it is clear the cast and crew think the script funnier than it is; that's important, because it means there are going to be editing mistakes - not glaring ones like mismatched shots in inter-cut, but mistakes in timing, when the editor thinks there's a audience laugh to be allowed for with the brief "take" of an actor's response to a line or slow-burn; but the laugh doesn't arrive, so the takes are just dead time, dragging the film down.
Which of course leads to the second problem , the film's pacing. It is very erratic. Some scenes have no build-up, some have too much and end up over-extended which all amounts to "slow"; there are actually 'slow comedy' techniques (Jack Benny was a master). But this is basically a sit-com without a laugh track, so it needs to move at a real clip; but it doesn't.
Finally there's manner in which Latifah is presented. The director clearly admires her acting as much as I do, but he keeps trying to emphasize it. Latifah understands that an actor only needs small gestures and expressions on film, since the camera enlarges everything; but the director here really tries to bring our attention to her performance so that she appears to be over-acting sometimes when that is not the case - actually, the camera lingers too long, there are too many close-ups and they are too close for the naturalistic performance Latifah is trying to accomplish.
That happens, to a lesser extent, with all the actors, all of whom are doing their best.
But it's a weak script to start with, and the director hasn't yet found a focus that elevates it, so the acting gets pretty lost along the way.
Watchable, but not much more.
First, it is clear the cast and crew think the script funnier than it is; that's important, because it means there are going to be editing mistakes - not glaring ones like mismatched shots in inter-cut, but mistakes in timing, when the editor thinks there's a audience laugh to be allowed for with the brief "take" of an actor's response to a line or slow-burn; but the laugh doesn't arrive, so the takes are just dead time, dragging the film down.
Which of course leads to the second problem , the film's pacing. It is very erratic. Some scenes have no build-up, some have too much and end up over-extended which all amounts to "slow"; there are actually 'slow comedy' techniques (Jack Benny was a master). But this is basically a sit-com without a laugh track, so it needs to move at a real clip; but it doesn't.
Finally there's manner in which Latifah is presented. The director clearly admires her acting as much as I do, but he keeps trying to emphasize it. Latifah understands that an actor only needs small gestures and expressions on film, since the camera enlarges everything; but the director here really tries to bring our attention to her performance so that she appears to be over-acting sometimes when that is not the case - actually, the camera lingers too long, there are too many close-ups and they are too close for the naturalistic performance Latifah is trying to accomplish.
That happens, to a lesser extent, with all the actors, all of whom are doing their best.
But it's a weak script to start with, and the director hasn't yet found a focus that elevates it, so the acting gets pretty lost along the way.
Watchable, but not much more.
This was Booty Shop more than Beauty Shop, and a spin off with a strong cast and a lot of potential was buried in silliness. The Barbarshop films were successful because they were feel good, fun and had a sense of victory for the hardworking father.
This time, we have the exact same sentiments in reverse - mother instead of father, all women stylists except the one guy, all black except the one white girl - except instead of having a white guy who is trying to be a boy from the hood from the outset, we have a girl who forgoes her personality in favour of becoming a black wannabe. So the message from that perspective is that in order to fit in and be accepted one must conform to be just like everyone else. Good for a few laughs, but loses something in the translation.
The standouts here are Kevin Bacon who is outstanding and hilarious as Jorge the not- quite-Austrian salon owner, and Djimon Hounsou, who is charming and catches you with the kindest face in film.
The rest of the cast are average, each actor and actress playing themselves and bringing nothing special to the table.
On the whole, this film is just a shadow of the Barbershop films, basically trying to emulate them frame by frame, except for one important aspect: this film has no plot. No story. it's just a bunch of scenes strung together by the overall premise of a beauty shop owner trying to make it in this crazy world. No story and no Cedric the entertainer and a ton of excessively vulgar booty humour equals a poor (wo)man's Barbershop. I'd save your tenner and wait for the DVD - or better yet, rent the Barbershop films. They're the better bet, as the originals usually are when compared with the clones. 5/10.
This time, we have the exact same sentiments in reverse - mother instead of father, all women stylists except the one guy, all black except the one white girl - except instead of having a white guy who is trying to be a boy from the hood from the outset, we have a girl who forgoes her personality in favour of becoming a black wannabe. So the message from that perspective is that in order to fit in and be accepted one must conform to be just like everyone else. Good for a few laughs, but loses something in the translation.
The standouts here are Kevin Bacon who is outstanding and hilarious as Jorge the not- quite-Austrian salon owner, and Djimon Hounsou, who is charming and catches you with the kindest face in film.
The rest of the cast are average, each actor and actress playing themselves and bringing nothing special to the table.
On the whole, this film is just a shadow of the Barbershop films, basically trying to emulate them frame by frame, except for one important aspect: this film has no plot. No story. it's just a bunch of scenes strung together by the overall premise of a beauty shop owner trying to make it in this crazy world. No story and no Cedric the entertainer and a ton of excessively vulgar booty humour equals a poor (wo)man's Barbershop. I'd save your tenner and wait for the DVD - or better yet, rent the Barbershop films. They're the better bet, as the originals usually are when compared with the clones. 5/10.
I really enjoyed this movie! And these words come from a complete pessimist of black films. I've never truly been fond of sequels but on this rare occasion Beauty Shop is arguably better than Barbershop 2.
The movies have several comparisons such as the ensemble effort and the moral values. Queen trades in Cedric the Entertainer, who played the older, wise yet hilarious barber for a female counterpart in Alfre Woodard. The white barber who couldn't catch a break is replaced by the white hairstylist with the same dilemma. Both films involve the financial hardships of trying to run a business while not being ran out of business. Unlike the original Barbershop films, Beauty Shop lacks the intensity but more than makes up for it with comedy.
And the movie was funny! How could it fail? The support cast included comedians (or scene stealers) Sherri Shephard, Sheryl Underwood, Adele Givens, Ms. Laura and L'il JJ. But no one could compare with Kevin Bacon's performance as the Scandinavian stylist extraordinaire Jorge. At 50, he still looks like a man in his 30's. And while we're talking about the supporting cast, I can't forget to tell you about Keshia "L'il Rudy" Knight Pulliam. She's grown into a beautiful young woman and she's still a decent little actress. I just hope she doesn't go the dismal way of child stars and end up in the center on Hollywood Squares.
Who knew that when we saw Queen Latifah pushing those chess pieces off that large board in the Ladies First video that one day she would stand out as a gifted actress, singer and comedian. I guess she showed us
The movies have several comparisons such as the ensemble effort and the moral values. Queen trades in Cedric the Entertainer, who played the older, wise yet hilarious barber for a female counterpart in Alfre Woodard. The white barber who couldn't catch a break is replaced by the white hairstylist with the same dilemma. Both films involve the financial hardships of trying to run a business while not being ran out of business. Unlike the original Barbershop films, Beauty Shop lacks the intensity but more than makes up for it with comedy.
And the movie was funny! How could it fail? The support cast included comedians (or scene stealers) Sherri Shephard, Sheryl Underwood, Adele Givens, Ms. Laura and L'il JJ. But no one could compare with Kevin Bacon's performance as the Scandinavian stylist extraordinaire Jorge. At 50, he still looks like a man in his 30's. And while we're talking about the supporting cast, I can't forget to tell you about Keshia "L'il Rudy" Knight Pulliam. She's grown into a beautiful young woman and she's still a decent little actress. I just hope she doesn't go the dismal way of child stars and end up in the center on Hollywood Squares.
Who knew that when we saw Queen Latifah pushing those chess pieces off that large board in the Ladies First video that one day she would stand out as a gifted actress, singer and comedian. I guess she showed us
Beauty Shop is a wholesome movie. It is a refreshing change from the negative portrayal of females seen in most movies today. Beauty Shop captures the true qualities of women striving, surviving, and winning against all odds. There wasn't a strong storyline, just a message of how women of all cultures deal with cheating husbands, cosmetic surgery, gender and racial profiling, insecurity, and male chauvinism. Still these women roll with the punches to enjoy each other and celebrate the beauty within.
The underlining theme of the movie is Maya Angeleo's poem Phenomenal Woman, which can be seen in Gina Norris (Queen Latifa), the struggling entrepreneur trying to secure a future for her daughter Vanessa (Paige Hurd) a young talented pianist. Particularly colorful characters are "Catfish Rita" (Cheryl Underwood), Ms. Josephine (Alfre Woodard), Lynn (Alicia Silverstone), Darnell (Keshia Knight Pulliam) and Jorge (Kevin Bacon). It is has lots of humor, guaranteed to make you smile.
The underlining theme of the movie is Maya Angeleo's poem Phenomenal Woman, which can be seen in Gina Norris (Queen Latifa), the struggling entrepreneur trying to secure a future for her daughter Vanessa (Paige Hurd) a young talented pianist. Particularly colorful characters are "Catfish Rita" (Cheryl Underwood), Ms. Josephine (Alfre Woodard), Lynn (Alicia Silverstone), Darnell (Keshia Knight Pulliam) and Jorge (Kevin Bacon). It is has lots of humor, guaranteed to make you smile.
This amusing little movie appeals to a wide range with its comfortable humor, racy but utterly inoffensive conversation, and its roots in Disney-style family values (but for the real world). Queen Latifah does a relaxed and amiable job of tying the film together, and the ensemble cast is sweet and funny. I was impressed with Alicia Silverstone's turn as a geeky little white country girl--it's the first time she hasn't been playing off a well-to-do type and she carries it off. We had a nice relaxing time of it while we were watching, and half an hour later I've forgotten most of it--but that's just fine. Means I can pop it in the DVD player later on, enjoy it, and not remember a word.
Le saviez-vous
- AnecdotesQueen Latifah originated her character, Gina Norris, in Barbershop 2: Back in Business (2004). Beauty Shop (2005) is a part of the same cinematic universe as the Barbershop (2002) franchise, but takes place in Atlanta, not Chicago.
- GaffesTowards the end, when the radio announcer calls Gina's shop to talk to her, by turning up the radio for Gina to hear her voice, there would be so much feedback that no one will be able to hear the radio announcer and vice versa
- ConnexionsFeatured in Celebrated: Queen Latifah (2015)
- Bandes originalesCall Me
Written by Randy Muller
Performed by Skyy
Courtesy of Salsoul Records
Under license from Bethlehem Music Company, Inc.
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- How long is Beauty Shop?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 36 351 350 $US
- Week-end de sortie aux États-Unis et au Canada
- 12 801 465 $US
- 3 avr. 2005
- Montant brut mondial
- 37 245 453 $US
- Durée1 heure 45 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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By what name was Beauty Shop (2005) officially released in India in English?
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