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Tokyo Godfathers

Titre original : Tôkyô goddofâzâzu
  • 2003
  • PG-13
  • 1h 32min
NOTE IMDb
7,8/10
51 k
MA NOTE
Tokyo Godfathers (2003)
Regarder Trailer [English SUB]
Lire trailer0:58
5 Videos
99+ photos
Adult AnimationAnimeHand-Drawn AnimationHoliday AnimationAdventureAnimationComedyDrama

La veille de Noël, trois sans-abri qui vivent dans les rues de Tokyo trouvent un nouveau-né dans une poubelle et partent à la recherche de ses parents.La veille de Noël, trois sans-abri qui vivent dans les rues de Tokyo trouvent un nouveau-né dans une poubelle et partent à la recherche de ses parents.La veille de Noël, trois sans-abri qui vivent dans les rues de Tokyo trouvent un nouveau-né dans une poubelle et partent à la recherche de ses parents.

  • Réalisation
    • Shôgo Furuya
    • Satoshi Kon
  • Scénario
    • Satoshi Kon
    • Keiko Nobumoto
  • Casting principal
    • Tôru Emori
    • Yoshiaki Umegaki
    • Aya Okamoto
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,8/10
    51 k
    MA NOTE
    • Réalisation
      • Shôgo Furuya
      • Satoshi Kon
    • Scénario
      • Satoshi Kon
      • Keiko Nobumoto
    • Casting principal
      • Tôru Emori
      • Yoshiaki Umegaki
      • Aya Okamoto
    • 102avis d'utilisateurs
    • 110avis des critiques
    • 75Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 8 victoires et 1 nomination au total

    Vidéos5

    Trailer [English SUB]
    Trailer 0:58
    Trailer [English SUB]
    Tokyo Godfathers
    Trailer 1:14
    Tokyo Godfathers
    Tokyo Godfathers
    Trailer 1:14
    Tokyo Godfathers
    Tokyo Godfathers
    Trailer 1:37
    Tokyo Godfathers
    Tokyo Godfathers
    Trailer 1:37
    Tokyo Godfathers
    6 Holiday Hits From Across the Globe
    Clip 2:01
    6 Holiday Hits From Across the Globe

    Photos141

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    + 134
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    Rôles principaux60

    Modifier
    Tôru Emori
    • Gin
    • (voix)
    Yoshiaki Umegaki
    • Hana
    • (voix)
    Aya Okamoto
    • Miyuki
    • (voix)
    Shôzô Îzuka
    • Ôta
    • (voix)
    Seizô Katô
    • Kâ-san
    • (voix)
    Hiroya Ishimaru
    Hiroya Ishimaru
    • Yasuo
    • (voix)
    Ryûji Saikachi
    • Rô-jin
    • (voix)
    Yûsaku Yara
    Yûsaku Yara
    • Miyuki no chichi
    • (voix)
    Kyôko Terase
    • Sachiko
    • (voix)
    Mamiko Noto
    • Gin no musume
    • (voix)
    Akio Ôtsuka
    Akio Ôtsuka
    • Isha
    • (voix)
    Rikiya Koyama
    Rikiya Koyama
    • Shinrô
    • (voix)
    Satomi Kôrogi
    Satomi Kôrogi
    • Kiyoko (Ôta's daughter)
    • (voix)
    Hidenari Ugaki
      Mitsuru Ogata
        Eriko Kawasaki
          Chiyako Shibahara
            Akiko Takeguchi
              • Réalisation
                • Shôgo Furuya
                • Satoshi Kon
              • Scénario
                • Satoshi Kon
                • Keiko Nobumoto
              • Toute la distribution et toute l’équipe technique
              • Production, box office et plus encore chez IMDbPro

              Avis des utilisateurs102

              7,851.4K
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              Avis à la une

              9InzyWimzy

              Human factor

              Satoshi Kon's atypical holiday tale deals with our three main vagabonds and a choice deeply affecting them. Despite what level in life you find yourself, humans share similar basic emotions or feelings. For Gin, Hana, and the less than cheery Miyuki, an unexpected find makes them confront their past whether they like it or not. Memories flow bringing times of happiness, regret, pain, and questions of what could've been. There's a great character richness in this darker, grimier side of Tokyo, but Kon also manages to put in lots of random, humorous events especially by cameos from minor citizens. Plus, how could you not laugh with Hana's feminine wiles and that manly voice! There's a strong sense of karma here with "what goes around comes around". Doing nice things and you most likely will be rewarded. However, turn your back or refusing to help someone in need may come back to haunt you when you are stuck with no one to turn to. Hey, maybe it's never too late to learn a lesson, no matter how much it hurts.

              Satoshi Kon's not presenting an Aesop's fable here, but like in life, sometimes doing a good deed is the best reward in itself.
              8CelluloidRehab

              XMas

              This is a Christmas story told from a different perspective, that is strangely familiar. The story revolves around 3 homeless people (a middle aged man name Gin, a homosexual cross-dresser name Hana, and a teenage girl named Miyuki) who discover a newborn baby in the garbage. The events follow the three as they decided what to do with the baby, trying to find the parents, dealing with their own pasts,etc (Christmas seems to be an introspective time - along with all holidays). After the first 30 minutes of the movie, everything becomes strangely predictable yet still moving and meaningful. The movie is laced with "coincidences" and tons of Christmas references. It touches on numerous subjects including family, guilt, redemption,etc. Satoshi Kon delivers another beautiful looking movie with a humanistic storyline. And in true Satoshi Kon fashion adds a touch of the bizarre to shake up the traditional story. This movie will be added to my Christmas holiday viewing list, which gets me into the XMAS spirit.

              -Celluloid Rehab
              9itamarscomix

              Sensitive and beautiful

              Having suffered through the painfully pretentious and shallow, pseudo-Lynchian mess of Perfect Blue, I was understandably skeptical about watching another film by Satoshi Kon (I have not yet seen Millennium Actress, but am now quite intrigued to do so). Tokyo Godfathers (a title which at first struck me as belonging most probably to a pseudo-psychological mafia thriller) was not only a pleasant surprise; it was the best anime feature I've seen in many years, probably since Ghost in the Shell, excluding anything by Hayao Miyazaki. Like the classic Grave of the Fireflies, Tokyo Godfathers struck me as unusual in the fact that it draws much from European cinema – English, Irish, German or Italian – while most commercial anime features try to mimic American film-making. But while Grave of the Fireflies was painfully sad and bleak, Tokyo Godfathers is irresistibly charming, and manages to be funny and incredibly touching at once like few anime films – few animated films, at that – ever achieve.

              Tokyo Godfathers is remarkably non-violent, as pacifistic perhaps as Miyazaki's films. You won't find any grand futuristic structures or fantastical creatures here; in fact, the animation may seem crude at first. But the characters are where the film really hits its mark. Kon triumphs, like in his excellent series Paranoia Agent, by not succumbing to the accepted prototypes and standards of how characters should look in an anime film; the lead characters in the film are all gorgeously ugly, in a way that even Miyazaki had not yet dared to do. Even the child character, Miyuki, is chubby, and not cute and beautiful in the way little girls 'should' be, by the unwritten laws of anime. Thus, Kon's characters are believable and true to life; they are three anti-heroes, outcasts from society, each running away from their pasts. Especially charming is Hana (AKA 'Uncle Bag'), the golden-hearted transvestite, who supplies much of the film's comic relief but also some of its most touching moments.

              Tokyo Godfathers – despite some far-fetched but amusing plot twists and coincidences – is at its core a very simple story, a beautiful little story about family, love and friendship. Few anime films are so unpretending; and thus, few anime films manage to be so strong. Watch Tokyo Godfathers; you'll laugh, you'll cry. And believe you me, ten minutes into it you'll forget it was ever animated.
              noisy_mouse

              A different kind of Christmas story

              At first glance, I wasn't sure if I would like this movie. The "miracles DO happen on Christmas" cliché is very boring and I typically don't enjoy movies that employ it, but this is a very different kind of Christmas movie.

              We are given three homeless characters with complex personalities and backgrounds, who are as endearing as they are repellent. They take up the task of caring for a baby they found in the trash, and trying to bring it back to its mother. We learn the secrets that made these people homeless, we learn about the workings of human shame and desperation, and we learn that "miracles DO happen on Christmas." But in the least cheesy way possible!

              The plot is very slow-moving, but still, it is interesting and very carefully laid out. This would be a very compelling live-action movie, but the use of animation adds so much visual interest, particularly the expressive (and sometimes hideous!!) face of Hana, the gangly transvestite. The choice of music is unique and very fitting: the song played during a walking-around-the-city montage is reminiscent of Clockwork Orange.

              Interesting and careful story, complex and realistic story, tremendous visual appeal and excellent music. I guess this movie pretty much has it all!
              9cherold

              charming urban fairytale

              This strikes me as a movie you will either accept whole-heartedly or trash whole-heartedly. It is shamelessly sentimental and is built on a series of absurd coincidences, but the amazing thing is it all works. The coincidences could feel like a shameless plot device but instead there is just a sense of wonderful magic, as though somehow the foundling the movie is built around lives an oddly charmed existence that transforms the lives of those around it.

              The movie does a wonderful job of making its characters both broad but human. This is not one of those cheesy movies that make homeless people seem ultimately wiser and nobler than the rest of us, but while they are all deeply flawed they all have a redeeming warmth.

              The movie is both very funny and very touching, and is really about the miracle of love in a world of harsh realities. If you're not willing to totally suspend your disbelief and give in to the movie's blatant flouting of all concepts of reality then you'll probably hate it, but if you want a charming fable this is a great choice.

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              Histoire

              Modifier

              Le saviez-vous

              Modifier
              • Anecdotes
                The number "12-25" (the date of Christmas) appears throughout the film: the number on the key ring, the cab fare (12,250 yen), a stopped alarm clock, the address in the newspaper ad, the cab license plate.
              • Citations

                Hana: I am a mistake made by God. In my heart, I am a woman.

                Gin: Women can have children.

                Hana: What if a miracle like the Virgin Mary getting pregnant... was to happen to a homo?

                [to soup kitchen server]

                Hana: Better give me a little extra. I'm eating for two.

              • Crédits fous
                The opening credits appear on billboards, store signs, truck lettering, etc.
              • Versions alternatives
                There was another English dub of the film aired on Animax in Southeast Asia, in which generic baby sounds were used for Kiyoko.
              • Connexions
                Featured in Troldspejlet: Épisode #31.16 (2004)
              • Bandes originales
                Climb Ev'ry Mountain
                Lyrics by Oscar Hammerstein II

                Music by Richard Rodgers

                ©1959 Williamson Music Co.

                Licensed by EMI Music Publishing Japan Ltd.

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              FAQ20

              • How long is Tokyo Godfathers?Alimenté par Alexa

              Détails

              Modifier
              • Date de sortie
                • 8 novembre 2003 (Japon)
              • Pays d’origine
                • Japon
              • Sites officiels
                • Mad House Ltd. / Sony Pictures Online (Japan)
                • Sony (United States)
              • Langues
                • Japonais
                • Espagnol
                • Anglais
              • Aussi connu sous le nom de
                • Héroes al rescate
              • Sociétés de production
                • Dentsu
                • Genco
                • Madhouse
              • Voir plus de crédits d'entreprise sur IMDbPro

              Box-office

              Modifier
              • Montant brut aux États-Unis et au Canada
                • 367 131 $US
              • Week-end de sortie aux États-Unis et au Canada
                • 29 259 $US
                • 18 janv. 2004
              • Montant brut mondial
                • 605 610 $US
              Voir les infos détaillées du box-office sur IMDbPro

              Spécifications techniques

              Modifier
              • Durée
                1 heure 32 minutes
              • Couleur
                • Color
              • Mixage
                • Dolby Digital
              • Rapport de forme
                • 1.85 : 1

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