Loverboy

This is not an every day movie. It shows that Kevin Bacon has imaginative and creative talent as a director. I certainly think that he should continue directing movies, despite the fact that this movie is far from a successful or great one.

I already thought that Kyra Sedgwick was a great underrated actress but I don't think I have ever seen a movie in which she played the main character. It was however no surprise to see that she pulled this of excellently. She manages to carry the entire movie almost on her own, even though her character is far from perfect.

Because you know that what the Sedgwick character does and wants is wrong and not always the best for her child's development and psychical state. So how could you feel for the main character and agree with the action she takes? The movie does try to explain this but not good enough to justify it- or satisfy me completely. therefor I also can't regard this movie is a good or successful one, even though its definitely well and professionally made.

Needless to say that the screenplay felt very flawed to me. When you already can't always feel or understand the main character, that is never a good sign for a movie. The sort of character and story could had worked and it has worked in previous movies but the story simply is not interesting or compelling enough to make it work.

The fact that the movie is told non-linear also doesn't make the movie any easier or better to watch. I liked the flashback sequences, especially with the Kevin Bacon and Marisa Tomei character because both go deliciously over-the-top in their roles but it also does make the movie an off-beat and not consistent enough one to watch. It tries to be more than it really is.

The movie is also really lacking in its editing at times, which is simply poor at moments. Also the musical score by Michael Bacon (yes, Kevin Bacon's brother) is way too simple. It's the sort of stuff you would expect to hear in an average TV-series episode.

The movie is filled with some cameos of famous and respected actors. It certainly does uplifts the movie but it's not quite good enough to completely save it as well.

An interesting but not completely successful attempt.

5/10

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Kevin Bacon directs this bizarre story adapted by Hannah Shakespeare from Victoria Redel's novel about maternal obsession providing his wife Kyra Sedgwick with a role to spotlight just how fine an actress she truly is. The story is disturbing but vitally interesting. There are problems with the film, the most annoying one being that the dialogue is practically inaudible due to the miking and, more so, due to the musical score which covers all the lines to the point of making the movie seem like a silent movie with music from the pit! Such a shame, because it SEEMS like this is a good script with a lot to say.

Emily (Kyra Sedgwick) is damaged goods, a woman neglected as a child who is determined to have a baby and raise it on her own, lavishing the child with all the affection and attention she desperately missed. After numerous attempts to get pregnant from any available man, she finally succeeds impregnation with Campbell Scott and gives birth to Paul (Dominic Scott Kay) who becomes her entire reason for living. She sequesters Paul form the world, gives him everything a child could want - except association with peers. Her obsession grows to the point of mental illness and the results are devastating. Along the way Emily and Paul encounter people who seek to intervene in their lives: these people are played with great style by cameo roles of Sandra Bullock, Oliver Platt, Kevin Bacon, Marisa Tomei, Matt Dillon, Blair Brown and even some of the Bacon's own children! It is a star cast obviously committed to Kevin Bacon's vision of this star vehicle for Sedgwick.

The pacing, cinematography, and acting are all first rate. If only the ugly and senseless music hadn't submerged the dialogue (oddly enough the score was written by Michael Bacon!), this would be an Oscar contender.

Kevin Bacon is a fine actor, and I was looking forward to this, his debut as a director. He's certainly worked with some of the best in the business, and one would hope that he'd picked up some great lessons in film making.

But this film, sadly, doesn't offer us much.

I believe the two main reasons it doesn't work are the script, and the casting of Kyra Sedgewick, Mr. Bacons real life wife.

The script is pretentious and humorless and forced, and Ms. Sedgewick, a fine actress with a beautiful body (shown off here quite often) is almost fetishized by her husband in this film- to the detriment of the story itself.

It's a film chock-a-block with celebrity cameos, everyone from Matt Dillion to Sandra Bullock to Campbell Scott and Marisa Tomei, and no one really survives it.

I will say this though- it is a BOLD failure, and I do look forward to what Mr. Bacon can do with a half decent script. He (and we) deserve better.

I can't say I'm very surprised by the rating this great movie gets, nor am I shocked to see some moronic comments on how the storyline is "horrible" or "gross". The topic and development of the story are controversial and sensitive to say the least and it's a sad reality that people just can't get pass their judgemental posturing and try to see things from another point of view.

Kyra Sedgwick carries the movie on her shoulders from start to finish. Not only does she give poetry and the right amount of quirkiness to a character that could have been nightmarish otherwise but she really manages to convey the love her character feels for her son effortlessly so much so that the transition to her psychotic obsession is seamless. Even if the plot is made in such a way that it's impossible for you to empathize with her, you certainly feel for her.

The direction is remarkable and adds to the magic of the world Emily creates for her son. Bacon did a great job of going back and forth in time without being confusing, which was a major challenge with the script and the editing works perfectly at revealing Emily's character and story bit by bit without divulging more than necessary and all the while framing what's important to understand her behavior.

It's never tacky, nor judgemental, nor is it complacent. It's a story of love and how far it can go. Recommended.

I am sure that Loverboy was a well-meaning film, but it seemed like a vanity production in which Mr. Bacon asked all his friends to appear in it for nothing. While Kyra is a wonderful actress and never looked better, who cared what she wanted or even understood it? This script was so maudlin and confusing that I totally lost interest after 40 minutes and fast-forwarded to the last scene, which seemed to have nothing to do with anything I had seen, suggesting they didn't even get to the story until sometime long after I had given up. Mr. Bacon is a great actor but if he's going to attempt directing he should find a better script.