King of California

This is a film about the relationship between a father and his daughter. The daughter is extremely responsible, and more mature than dad. Dad is an irresponsible dreamer, and the role reversal is intriguing. Michael Douglas and Evan Rachel Wood nicely compliment a very clever script. If you are the type of viewer who demands complete logic in everything that happens on the screen, you will not enjoy "King of California", because the story requires you to suspend disbelief. If you enjoy a treasure hunt, even one that is chasing smoke, then by all means see this film. It has a nice message,"you've got to believe in treasure to find it" - MERK

After seeing the trailer for this movie and checking out the cast and filmmakers I made this a must see at this years Sundance Film Festival. The combination of Alexander Payne (Sideways,Election,About Schmidt) producing and Michael Douglas playing wacky gives hope for another great dramedy along the lines of Little Miss Sunsine and Sideways. King of California easily meets those hopes and for many it will be much more enjoyable then those former films. The movie features Douglas as Charlie a recently released mental patient with a whimsical fascination for buried Spanish treasure. While Charlie has been away his 16 year old daughter Miranda played by Evan Racheal Wood has managed to avoid child services, dropped out of school and support herself and their home by working full-time at Mcdonalds. Upon Charlies arrival home Miranda finds that life was much easier without Charlie around, not only does she have to support their home but now she has to take care of her unstable father. Persitent with his intent to search for a mythical buried Spanish treasure Miranda begrudgingly agrees to help him. The movie finds its humor and warmth in the moments shared between Charlie and Miranda during their treasure hunting through developed suburbia that leads them to a unlikely final destination. In the end the real treasure may not be the gold after all but the love between a daughter and father.

The ever developing Evan Racheal Wood is solid in the role of Miranda, the whole movie develops through her narration and her acting is effortlessly touching. Michael Douglas is outstanding and in true form here, from start to finish he's a joy to watch, this is easily his best performance since Wonder Boys. This will definitely be one of the best movies in 2007, expect praise a plenty for Douglas come awards time.

KING OF California may not break any records for innovation of thought or script but it is a tightly made little film that allows veteran actor Michael Douglas a lollipop of a wacky role to remind us that he does have comedic talent! It also gives 20-year old Evan Rachel Wood the opportunity to compete with a Pro and come out an equal - quite a feat for such a young actress. Written and directed by Mike Cahill the story does have appeal, especially since it is set in Santa Clarita, California, a rapidly developing 'hinterland' that is suffering from the effects of too rapid industrialization, changing from a picturesque remnant of California raw beauty into yet another perky little town.

Charlie (Michael Douglas) has been in and out of mental institutions for his wacky behavior. His life as a jazz bassist and entrepreneur has always veered off the map, leaving him alone with his only daughter Miranda who has survived her father's irresponsible life by keeping the old family home (in the midst of a huge housing development) with the money she makes double shifting at the local MacDonalds. When Charlie is released his focus is on discovering the gold left behind by Catholic priests in the mid 1600s, a fact he has researched while hospitalized, on the Internet, and from the journal of one of the priests. Miranda slowly buys into Charlie's madcap scheme and adventure as a gold hunter and the caper results in a bonding between father and daughter that has been teetering on the brink of disaster for years. The manner in which Charlie, Miranda, and an old ex-con friend Pepper (Willis Burks II) go after the treasure provides most of the energy of the film.

Yes, there are bits and pieces of this project that have been done many times before (and often better), but the pleasure of KING OF California lies in the bravura and touching performances by Douglas and Wood. This is a pleasant excursion of a movie, worth an evening's gander. Grady Harp

Make no mistake about it. Evan Rachael Wood is fast becoming a most welcome addition to the rising wave of young stars in films today. I totally admired her work in 'Thirteen' (2003),and 'Running With Scissors'(2006). In this one, she plays the daughter of a recently released mental patient (Michael Douglas,sporting an unkempt beard)who is obsessing over buried treasure somewhere in the suburbs of California. Michael Douglas makes his performance as Charles work nicely, acting like a loony that was released from the home a bit too early, in contrast to Wood's anchor that holds things together. The screenplay does contain a few potholes along the way, but not enough to make this worth avoiding.

It was too easy to expect a rug-chewing performance from Michael Douglas as a crazy person, and an exasperated, eye-rolling two-dimensional "oh I'm so put-upon by the world" job from Evan Rachel Wood.

Thankfully, those clichés were avoided in this poignant and ultimately joyful and uplifting (thank God!) story of quiet nobility, personal vision and purpose, and underlying love and strength amongst otherwise "broken" people.

It's refreshing to go into a theatre not expecting much and coming out enlightened by the combined vision of the actors, writer, director, and cinematographer.

Bravo to all involved, and here's hoping to see a strong presence at the Academy Awards.