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6,2/10
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Ajouter une intrigue dans votre langueA career driven professional from Manhattan is wooed by a young painter, who also happens to be the son of her psychoanalyst.A career driven professional from Manhattan is wooed by a young painter, who also happens to be the son of her psychoanalyst.A career driven professional from Manhattan is wooed by a young painter, who also happens to be the son of her psychoanalyst.
- Récompenses
- 1 nomination au total
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"Prime" has a number of things going for it that many romantic comedies these days lack. It features a new permutation on the old mistaken-identity plot: 37-year-old divorcée Rafi (Uma Thurman) starts dating carefree 23-year-old David (Bryan Greenberg), neither of them realizing that he is the son of her therapist Lisa (Meryl Streep). There are moments of real wit, the love story is charming without being sentimentally cloying, and the film takes a pleasingly mature, realistic approach to romance.
However, "Prime" also makes many wrong turns along the way. It's never sure how deeply it wants to explore the serious issues raised by its plotage differences in relationships, inter-religious dating (David is Jewish), and the ethics of Lisa continuing to be Rafi's therapist. Sometimes, it treats these themes with seriocomic intelligence. At other times, it ignores them in favor of sitcom humor involving David's jerky best friend or Rafi's gay co-workers.
"Prime" eventually becomes David's story, focusing on how dating Rafi helps him mature. But this often seems like the wrong choice. Cheerful David is the least conflicted of the three main characters, and Greenberg, while a competent actor, doesn't have Thurman- or Streep- level charisma. Thus, even though this clearly wasn't the intent, many David-centered scenes feel like padding. The best parts of the movie are the scenes between the two actresses: Streep's awkward, pained reactions as Thurman glowingly describes her new boyfriend are priceless.
However, "Prime" also makes many wrong turns along the way. It's never sure how deeply it wants to explore the serious issues raised by its plotage differences in relationships, inter-religious dating (David is Jewish), and the ethics of Lisa continuing to be Rafi's therapist. Sometimes, it treats these themes with seriocomic intelligence. At other times, it ignores them in favor of sitcom humor involving David's jerky best friend or Rafi's gay co-workers.
"Prime" eventually becomes David's story, focusing on how dating Rafi helps him mature. But this often seems like the wrong choice. Cheerful David is the least conflicted of the three main characters, and Greenberg, while a competent actor, doesn't have Thurman- or Streep- level charisma. Thus, even though this clearly wasn't the intent, many David-centered scenes feel like padding. The best parts of the movie are the scenes between the two actresses: Streep's awkward, pained reactions as Thurman glowingly describes her new boyfriend are priceless.
I was initially reluctant to watch this film but my girlfriend wanted to check it out. After seeing it I must admit that the film did surpass my expectations - primarily since I felt that it was not really a "chick-flick" per se. The film tends to center around the guy 100% of the time. Call it a "guy-flick" from a woman's perspective. While I'm not at all a Meryl Streep fan, I felt that she carried the movie for the time that she was on the screen. Uma Thurman can't help but be the stunningly beautiful Uma Thurman that she always is. Without spoiling anything, I think that the ending was perfectly real compared to most romantic comedies that have been released in the past. This film was one of the more pleasant surprises for me this year. At the very least it will make for a great DVD rental if you're a guy who is as reluctant to see it as I was originally.
Meryl Streep is the closest actress we've got to the great old stars of yesteryear. Bette Davis comes to mind. Meryl was trim and sexy a couple of years a ago in "Adaptation" now in "Prime" she's a matronly Jewish mom filled with sense and sensibility. She is also very funny and the main reason to see this Jewish American farce. When she's on, we're on. I believed and enjoyed her predicament. I only wish the script, dealing with the relationship of Uma Thurman and Bryan Greenberg had been a bit smarter and more engaging. I bought that the sex was great and that Uma was discovering herself through this younger lover but their intimacy is clumsy and their dialogue very slight. It is as if the two Kauffman's of "Adaptation" were at work here and that the scenes involving Meryl were written by one and the scenes with the lovers by the other. The former ones however makes the evening a very pleasant one.
A great, great movie, especially when one considers the stinkers that usually litter the romantic comedy landscape.
This movie was smart, funny and most importantly, REAL. The cheese is held to a minimum and characters do and say things that real people say. No monologues that sound like they were cribbed from 'Chicken Soup for the Soul', just real people reacting to each other and their circumstances.
Meryl Streep is great in this (and this is coming from a straight, twenty-something male) and Uma Thurman and Brian Greenberg have a real chemistry together. There are some real classic lines in this and it's a million times funnier and smarter than say, 'Monster in Law' or 'Just Like Heaven'.
As one who usually cringes my way through 9 out of 10 'chick flicks' this is the rare one out the ten that passes muster, and does so in a big way. I fear that this movie will be overshadowed by a bunch of other new releases when it comes out, but this one really deserves an audience.
Very underrated. One of the better films I've seen all year.
This movie was smart, funny and most importantly, REAL. The cheese is held to a minimum and characters do and say things that real people say. No monologues that sound like they were cribbed from 'Chicken Soup for the Soul', just real people reacting to each other and their circumstances.
Meryl Streep is great in this (and this is coming from a straight, twenty-something male) and Uma Thurman and Brian Greenberg have a real chemistry together. There are some real classic lines in this and it's a million times funnier and smarter than say, 'Monster in Law' or 'Just Like Heaven'.
As one who usually cringes my way through 9 out of 10 'chick flicks' this is the rare one out the ten that passes muster, and does so in a big way. I fear that this movie will be overshadowed by a bunch of other new releases when it comes out, but this one really deserves an audience.
Very underrated. One of the better films I've seen all year.
Though it's tagged as a romantic comedy, 'Prime' falls in between a comedy and a serious drama. What I liked about it is that it's a lot less sugar-coated than the usual romantic comedy flicks and more realistic (but that makes it predictable too). As a director Younger does an adequate job but he could have made the script tighter as 'Prime' does drag in the middle (only to pick up in the end). The dialogues are quite interesting and the therapy sessions are fun to watch but a few of the jokes fall flat. Meryl Streep does a good enough job (but she's not at her best and why are her eyes always reddish?) as Rafi's therapist and David's opinionated mother. Bryan Greenberg holds his own in a film with two established actresses. But, 'Prime' belongs to Uma Thurman all the way. She is simply terrific as the vulnerable Rafi and her transformation up till the end is effectively portrayed. On the whole, 'Prime' is a decent film with good performances. Not bad for a one-time watch.
Le saviez-vous
- AnecdotesRafi is 37 years old; Dave is 23. This may be a joke on the movie's title, as 37 and 23 are both prime numbers (i.e., numbers that are divisible only by themselves and by 1). In real life Uma was 35, Bryan was 27
- GaffesIn the final scene, the door windows at the restaurant are covered with snow/frost but no other windows have the same condition including other buildings and cars.
- Citations
David Bloomberg: I'm 23.
Rafi Gardet: No, you're not. I don't believe you. Let me see the license... Oh, my God! You're a child. Taxi! I have t-shirts older than you.
- ConnexionsFeatured in At the Movies: Épisode #2.41 (2005)
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Détails
Box-office
- Budget
- 22 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 22 827 153 $US
- Week-end de sortie aux États-Unis et au Canada
- 6 220 935 $US
- 30 oct. 2005
- Montant brut mondial
- 67 937 494 $US
- Durée
- 1h 45min(105 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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