NOTE IMDb
6,2/10
43 k
MA NOTE
Ajouter une intrigue dans votre langueA career driven professional from Manhattan is wooed by a young painter, who also happens to be the son of her psychoanalyst.A career driven professional from Manhattan is wooed by a young painter, who also happens to be the son of her psychoanalyst.A career driven professional from Manhattan is wooed by a young painter, who also happens to be the son of her psychoanalyst.
- Récompenses
- 1 nomination au total
Avis à la une
A great, great movie, especially when one considers the stinkers that usually litter the romantic comedy landscape.
This movie was smart, funny and most importantly, REAL. The cheese is held to a minimum and characters do and say things that real people say. No monologues that sound like they were cribbed from 'Chicken Soup for the Soul', just real people reacting to each other and their circumstances.
Meryl Streep is great in this (and this is coming from a straight, twenty-something male) and Uma Thurman and Brian Greenberg have a real chemistry together. There are some real classic lines in this and it's a million times funnier and smarter than say, 'Monster in Law' or 'Just Like Heaven'.
As one who usually cringes my way through 9 out of 10 'chick flicks' this is the rare one out the ten that passes muster, and does so in a big way. I fear that this movie will be overshadowed by a bunch of other new releases when it comes out, but this one really deserves an audience.
Very underrated. One of the better films I've seen all year.
This movie was smart, funny and most importantly, REAL. The cheese is held to a minimum and characters do and say things that real people say. No monologues that sound like they were cribbed from 'Chicken Soup for the Soul', just real people reacting to each other and their circumstances.
Meryl Streep is great in this (and this is coming from a straight, twenty-something male) and Uma Thurman and Brian Greenberg have a real chemistry together. There are some real classic lines in this and it's a million times funnier and smarter than say, 'Monster in Law' or 'Just Like Heaven'.
As one who usually cringes my way through 9 out of 10 'chick flicks' this is the rare one out the ten that passes muster, and does so in a big way. I fear that this movie will be overshadowed by a bunch of other new releases when it comes out, but this one really deserves an audience.
Very underrated. One of the better films I've seen all year.
"Prime" has a number of things going for it that many romantic comedies these days lack. It features a new permutation on the old mistaken-identity plot: 37-year-old divorcée Rafi (Uma Thurman) starts dating carefree 23-year-old David (Bryan Greenberg), neither of them realizing that he is the son of her therapist Lisa (Meryl Streep). There are moments of real wit, the love story is charming without being sentimentally cloying, and the film takes a pleasingly mature, realistic approach to romance.
However, "Prime" also makes many wrong turns along the way. It's never sure how deeply it wants to explore the serious issues raised by its plotage differences in relationships, inter-religious dating (David is Jewish), and the ethics of Lisa continuing to be Rafi's therapist. Sometimes, it treats these themes with seriocomic intelligence. At other times, it ignores them in favor of sitcom humor involving David's jerky best friend or Rafi's gay co-workers.
"Prime" eventually becomes David's story, focusing on how dating Rafi helps him mature. But this often seems like the wrong choice. Cheerful David is the least conflicted of the three main characters, and Greenberg, while a competent actor, doesn't have Thurman- or Streep- level charisma. Thus, even though this clearly wasn't the intent, many David-centered scenes feel like padding. The best parts of the movie are the scenes between the two actresses: Streep's awkward, pained reactions as Thurman glowingly describes her new boyfriend are priceless.
However, "Prime" also makes many wrong turns along the way. It's never sure how deeply it wants to explore the serious issues raised by its plotage differences in relationships, inter-religious dating (David is Jewish), and the ethics of Lisa continuing to be Rafi's therapist. Sometimes, it treats these themes with seriocomic intelligence. At other times, it ignores them in favor of sitcom humor involving David's jerky best friend or Rafi's gay co-workers.
"Prime" eventually becomes David's story, focusing on how dating Rafi helps him mature. But this often seems like the wrong choice. Cheerful David is the least conflicted of the three main characters, and Greenberg, while a competent actor, doesn't have Thurman- or Streep- level charisma. Thus, even though this clearly wasn't the intent, many David-centered scenes feel like padding. The best parts of the movie are the scenes between the two actresses: Streep's awkward, pained reactions as Thurman glowingly describes her new boyfriend are priceless.
Meryl Streep is the closest actress we've got to the great old stars of yesteryear. Bette Davis comes to mind. Meryl was trim and sexy a couple of years a ago in "Adaptation" now in "Prime" she's a matronly Jewish mom filled with sense and sensibility. She is also very funny and the main reason to see this Jewish American farce. When she's on, we're on. I believed and enjoyed her predicament. I only wish the script, dealing with the relationship of Uma Thurman and Bryan Greenberg had been a bit smarter and more engaging. I bought that the sex was great and that Uma was discovering herself through this younger lover but their intimacy is clumsy and their dialogue very slight. It is as if the two Kauffman's of "Adaptation" were at work here and that the scenes involving Meryl were written by one and the scenes with the lovers by the other. The former ones however makes the evening a very pleasant one.
In spite of most negative comments submitted to IMDb, Ben Younger's "Prime" is an interesting look at a mismatched pair in this story. It also raises ethical questions about when does a therapist has to decide what is best for a patient. Ben Younger whose film debut was "The Boiler Room", has a keen eye for the situation he is presenting in this film that seems to be perceived as a "chick flick", but that otherwise is a funny take on how love can make a person blind to reality.
Rafi, the lovely woman at the center of the action, has gone through a painful divorce. Is she ready for another deception? No, she is much stronger now, and with the help of Lisa, her therapist, she will know better how to deal with anyone that might try to play with her feelings.
Enter David, the young hunk of a guy, who likes what he sees when he meets Rafi, casually, one night while waiting to go in to see a film at Cinema Village. Indeed, Rafi is all what any young man could wish for. Not only is she gorgeous, but as it turns out, she is a bit older. But does that matter at all? No way!
Lisa is Rafi's therapist. In fact, she is a bit surprised to find that Rafi has fallen for a younger man. She advises her to take a chance and see where it goes, but be careful not to be hurt again. The only thing is she has no clue it's her own son who is involved in the romance.
The question of ethics come into play as Liza agonizes she is not doing the right thing with her patient, something that has to be worked with her own therapist. Not only that, but Lisa, as well as her Jewish family expects David to stay within his own when he picks the girl he will marry.
"Prime" is light and works well because of the work of the three principals. Uma Thurman is the ideal actress for playing Rafi. Not only is she a gorgeous woman, but she is an actress who never gives a false note in the character she is portraying. Meryl Streep is also at her best in playing the therapist. Bryan Greenberg plays David with ease and makes him comes alive.
In spite to have gone to see the film without any expectation, we found the film light and entertaining thanks to Ben Younger's direction.
Rafi, the lovely woman at the center of the action, has gone through a painful divorce. Is she ready for another deception? No, she is much stronger now, and with the help of Lisa, her therapist, she will know better how to deal with anyone that might try to play with her feelings.
Enter David, the young hunk of a guy, who likes what he sees when he meets Rafi, casually, one night while waiting to go in to see a film at Cinema Village. Indeed, Rafi is all what any young man could wish for. Not only is she gorgeous, but as it turns out, she is a bit older. But does that matter at all? No way!
Lisa is Rafi's therapist. In fact, she is a bit surprised to find that Rafi has fallen for a younger man. She advises her to take a chance and see where it goes, but be careful not to be hurt again. The only thing is she has no clue it's her own son who is involved in the romance.
The question of ethics come into play as Liza agonizes she is not doing the right thing with her patient, something that has to be worked with her own therapist. Not only that, but Lisa, as well as her Jewish family expects David to stay within his own when he picks the girl he will marry.
"Prime" is light and works well because of the work of the three principals. Uma Thurman is the ideal actress for playing Rafi. Not only is she a gorgeous woman, but she is an actress who never gives a false note in the character she is portraying. Meryl Streep is also at her best in playing the therapist. Bryan Greenberg plays David with ease and makes him comes alive.
In spite to have gone to see the film without any expectation, we found the film light and entertaining thanks to Ben Younger's direction.
Midway through "Prime," there's a scene in which Uma Thurman's character, Rafi, comes to her boyfriend's (Bryan Greenberg) house for dinner with his family. His mom, played by Meryl Streep, as usual giving a performance better than the movie it's in, has up until very recently been Rafi's therapist. The women must now navigate very tricky terrain. A relationship that had been maternal in one way has now become maternal in a very different way. The therapist loves Rafi and thinks she's a wonderful person, but she also knows much about her that prospective mothers-in-law don't necessarily know about their sons' girlfriends, things that compound the problems raised by Rafi's not only being 14 years older than the son, but also decidedly NOT Jewish.
I wish more of "Prime" had been about this relationship, the one between Thurman and Streep. As it is, the movie feels like it has two separate halves that the young director/writer Ben Younger doesn't successfully bring together into a comprehensive whole. The rest of the film follows Rafi and her boyfriend as they try to build a relationship despite the age difference. Nothing about this half of the movie is new or fresh, and Younger never convinced me why I should care. I was too distracted by the fact that he had a wonderful actress like Streep in his film and didn't seem to know what to do with her.
"Prime" is far from a bad film, and given its indifferent reception when it was released in theatres, I actually expected it to be worse than it was. But it is a rather half-baked film, and not one you need to spend a lot of mental energy on, which in this case is a criticism, because it raises a lot of interesting ideas that it never explores.
Grade: B-
I wish more of "Prime" had been about this relationship, the one between Thurman and Streep. As it is, the movie feels like it has two separate halves that the young director/writer Ben Younger doesn't successfully bring together into a comprehensive whole. The rest of the film follows Rafi and her boyfriend as they try to build a relationship despite the age difference. Nothing about this half of the movie is new or fresh, and Younger never convinced me why I should care. I was too distracted by the fact that he had a wonderful actress like Streep in his film and didn't seem to know what to do with her.
"Prime" is far from a bad film, and given its indifferent reception when it was released in theatres, I actually expected it to be worse than it was. But it is a rather half-baked film, and not one you need to spend a lot of mental energy on, which in this case is a criticism, because it raises a lot of interesting ideas that it never explores.
Grade: B-
Le saviez-vous
- AnecdotesRafi is 37 years old; Dave is 23. This may be a joke on the movie's title, as 37 and 23 are both prime numbers (i.e., numbers that are divisible only by themselves and by 1). In real life Uma was 35, Bryan was 27
- GaffesIn the final scene, the door windows at the restaurant are covered with snow/frost but no other windows have the same condition including other buildings and cars.
- Citations
David Bloomberg: I'm 23.
Rafi Gardet: No, you're not. I don't believe you. Let me see the license... Oh, my God! You're a child. Taxi! I have t-shirts older than you.
- ConnexionsFeatured in At the Movies: Épisode #2.41 (2005)
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Détails
Box-office
- Budget
- 22 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 22 827 153 $US
- Week-end de sortie aux États-Unis et au Canada
- 6 220 935 $US
- 30 oct. 2005
- Montant brut mondial
- 67 937 494 $US
- Durée
- 1h 45min(105 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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