Le roi du fleuve

The River King is a refreshing movie. It has none of the usual clichés. The plot is not predictable. The movie presents the viewer with little hooks and clues that leave one wondering about how they all come together. At times, I was left wondering what type of movie is this? Is it a horror movie? Is it sci-fi? Is it a ghost story? The actors performed their roles convincingly. The character Abel Grey leads the viewer to believe in what he suspects is happening, that he is right. Carlin's character has the right balance, not too dumb, not too incredibly (ie unrealistically) smart, just like a regular person. No super heroes in this movie.

The cinematography and background music is so seductive and blends very well with the subject of the film. The time just fly by as the main characters arrive at a very plausible ending.

If you're tired of comic book hero movies, or TV-like stories, or violence, or CSI-like sleuthing then check out 'The River King'. I'm really happy that I did.

As a thriller, The River King is as fast paced as thawing ice. Its intensity is in the isolation and disillusionment of a man who is determined to uncover the truth, though nothing is what it seems.

The body of a teenage boy is discovered in an ice-clogged river and two local cops from the bumbling school of "what do we do now?" investigate his death. An accident, suicide or homicide? Seems straightforward, except that one of the cops is seeing things that aren't there and a photography teacher is developing some eerie pictures. A conspiracy, misperception, or paranormal haunting? This intriguing film that uses sleight of hand to make you think it is about one thing, when it is actually about another.

No extras on the DVD.

(*) Review title inspired by lyrics of "Riverside" by Agnes Obel Slow (occasionally too slow) but ultimately rewarding, nonetheless. That is probably the best and most honest way to describe "The River King". It's an old-fashioned murder mystery, although with supernatural touches and intense psychological overtones. The plot isn't nowhere near original, but it's absorbing from start to finish and there's a lovely end-twist, and - moreover - the filming locations and soundtrack are staggering, and the performances are more than good.

In a quiet and remote snowy town in Nova Scotia (what a beautiful region), the body of a student at an elite private boarding school is found in the river. The school's board, as well as the local Chief of Police, quickly wrap up the incident as a tragic suicide to avoid a massive scandal. Honest officer Abel Grey, however, strongly suspects it was a murder, and maybe even with some elite citizen and questionable hazing rituals involved. Abel's curiosity is not appreciated, and he is soon blamed for still having a hard time with his own brother's suicide. Still, Abel finds some evidence to keep the investigation open, and he also gets help from a lovely teacher at the school.

Edward Burns and Jennifer Ehle (who looks an astounding lot like a young Meryl Streep) are excellent, and what I really appreciate the most was how director Nick Milling subtly touches upon philosophical themes.

I like Burns, he does all he can with this part. But, I detest movies with no conclusion, and this one is one of those. You could leave at any time, and know as much as those of us dumb enough to stick it out to the end.

Great visuals, good music. Beautiful winter scenes. A couple of nasty guys who you'd like to see put in their place. A nice Streep-clone girlie figure. She's engaged to one of they nasty guys. But, why is she in the story at all? Even a ghost is thrown into the cast.

Odd love scenes .... he and she are just talking, then suddenly sucking face like they were magnetized. When they pull apart, you almost miss the "plop" sound from cartoons. They swear off each other, agree to call it quits, and then get right back to swapping spit.

I can see why this went straight to DVD .... somebody had the brains to save the distribution and promO costs, and cut their losses.

I like to like movies that qualify as small gems. TRK had all the potential for such and, for the first forty minutes or so, looked to qualify. The acting wasn't bad (Ed Burns is just a bit too low key) the script is crisp and the pacing, shoot and story suspenseful. Indeed there were a dozen different prospects for; e.g., who the bad guy was going to be. I can't agree with some of the other comments herein that there was enough mood, fine acting, dialog, etc., to distinguish TRK as excellent cinema. But again, after more than a half hour I'm totally absorbed by the plot potential.

It is almost as if TRK sets up the viewer for a thousand possibilities only to intentionally fulfill absolutely none of them. A move "fizzles" when it paints itself into a corner then escapes in a clumsy manner. TRK paints itself into a corner and then climbs out a window. Again, there are not enough fine points about this movie to make it enjoyable on another level. Virtually every aspect of the build-up centers on facts, twists, questions, etc., that go unanswered. It is truly difficult to imagine what the makers of TRK wanted the viewer to enjoy about this movie.