Haven - L'enfer au paradis

The story is not exactly impressive but correct crafted.

The slick manner to tell the story represents the basic good point of film. Reasonable acting, good job of Orlando Bloom, interracial romance and some drops of Romeo and juliet, Cayeman stories and a ball of destinies .

Difficult to define it more than an ordinary thriller but the good intentions and part of nice work of director are good reasons for not define Haven as waste of time.

Indeed, significant part of story is reduced at sketches, well constructed or, more exactly, enough for a not bad work , offering to viewer kicks to reflection, in honest - precise way.

In short, decent film.

First let me explain my rating-system. I consider a 5 a movie that's somewhat watchable, a 6 is already a good movie. I gave Haven a 3 because the soundtrack was good and the acting wasn't horrible. Now over to the bad stuff...

I wouldn't recommend this film to anyone. Usually in my reviews I try to say something like: 'this movie isn't recommended for people who don't like slow-developing plots' or 'it's not for people who want the plot wrapped up neatly in the end'. But I can honestly and objectively say this movie was just one of poor quality. The biggest problem is the plot itself. The storyline is multi-linear, characters are being followed and they're all supposed to be connected in one way or another through an event or multiple events. Examples of brilliant use of this method is seen in Amores Perros, 21 Grams, Crash and Magnolia. In these films the story lines have similar prominent themes and the characters are all connected physically. Every character adds more elements to the story until we have a complex web of story lines, constantly crossing paths and having effects on one another. I know this sounds confusing but watch Amores Perros and Crash and you'll know exactly what I mean. Haven makes one fruitless attempt after another to be clever until all we end up with is an unsorted mess of scenes thrown together in a wanna-be movie. That's the best way to describe Haven: it wants to be a lot of things but ends up being rubbish.

The thing that irritated me even more then the gimmick mentioned above was the chronologically scattered framework that was used. I feel like they realized the plot and characters of their attempted intelligent film were overly simple, and they tried to jazz it up with a chronologically scattered framework to fool people into thinking they're watching something clever. I heard the story was chronological at the premiere of the Toronto film festival and then they re-edited the whole film to create the flashbacks. That's not the way to write a story with a scrambled up chronology. You have to actually write the script like that (with chronology switching from the start of your story) or the storyline will be a mess. The storyline has to flow naturally, even if you use chronology like that. A prime example a brilliantly written script that uses the same technique is Memento. The technique used actually adds something to the suspense of the story.

Nope, don't waste your time on this. I usually only write IMDb reviews for films I like but this film was just too dreadful for words, I felt it was my duty to stop another human being from seeing it. I don't see why anyone should see this movie. It's certainly not to be entertained and I hardly think anyone would be enlightened after seeing a film like this.

3/10 and I'm being generous.

I just so it on DVD now.

An OK script goes to waste on 'inspirational' camera shots which are copy-cat & sloppy. The editing is so bad, there's little point to discuss it. While some of the acting is decent, the accent of the local Caymenees is hard to understand some of the time, and harder still to believe it comes off real. Some plot-lines are meant to be connected in a clever way, but we have seen too much of this before, and some parts are so generic-made it's painful. There is no promise from this film - no new actors, nothing to carry this film even to be a has-been; it is a never-was.

Hopefully, we'll see no more work from the makers of Haven.

In Cayman Island, the daughter of a powerful man - Andrea (Zoe Saldana) - and the fisherman Shy (Orlando Bloom) are in a deep but secret love, hidden from Andrea's parents. When Andrea's father sails in a fish-trip, they have a night of love at Andrea's home; however they sleep and are surprised by the arrival of her family in the morning. Later, Andrea's brother Hammer (Anthony Mackie) throws acid on the face of Shy and spends four months in prison. In Miami, the dirty businessman Carl Ridley (Bill Paxton) is chased by Federal agents and escapes with his teenage daughter Pippa (Agnes Bruckner) to Cayman Island trying to reach his lawyer Mr. Allen (Stephen Dillane). Pippa meets the small time thief Fritz (Victor Rasuk) sleeping in her room and he invites her to go a party. Before leaving the condo, Fritz sees Carl counting lots of money. Fritz owes money to the dangerous drug dealer Richie Rich (Razaaq Adoti) and tells him about the fortune Carl has. Along a Friday 13th night, their lives entwine in a chain of tragic events.

"Haven" is an entertaining movie, with a complex non-linear screenplay with many characters that have their lives entwined. There are many credible sub-plots and considering the running time of 99 minutes, the situations and characters are very well-developed. The direction and acting are great, there are many beautiful locations but the screenplay is really top-notch. My vote is seven.

Title (Brazil): "Haven"

I just got back from a holiday in Toronto where I had the pleasure of attending the film festival there. One of the films I ended up seeing was Haven, which I knew very little about beforehand. What an absolute gem of a movie it turned out to be. Similar in structure to Amores Perros, the tale unfolds from different perspectives. All actors played their parts well but there were three who deserve special mention. Victor Razuk as Fritz and Zoe Saldana as Andrea are definite names to watch in future. However, Orlando Bloom was the real genuine surprise here. I don't think I have seen a more heartbreaking performance all year. The disintegration of his character - Shy - provides much of the emotional centre of Frank E. Flowers gripping first feature length movie. He is a director who is going to be talked about a great deal in the years to come. All in all , I would have no hesitation in recommending this powerful, though somewhat dark movie, to any discerning film-goer.