NOTE IMDb
8,0/10
42 k
MA NOTE
Lorsque deux frères sont contraints de se battre pendant la guerre de Corée, l'aîné décide de mener les missions les plus périlleuses si cela peut permettre de protéger le cadet du conflit.Lorsque deux frères sont contraints de se battre pendant la guerre de Corée, l'aîné décide de mener les missions les plus périlleuses si cela peut permettre de protéger le cadet du conflit.Lorsque deux frères sont contraints de se battre pendant la guerre de Corée, l'aîné décide de mener les missions les plus périlleuses si cela peut permettre de protéger le cadet du conflit.
- Récompenses
- 14 victoires et 19 nominations au total
Gong Hyung-jin
- Yong-man
- (as Gong Hyeong-jin)
Histoire
Le saviez-vous
- AnecdotesTo recreate the battle at Doo-Mil-Ryung, the scene required 15,000 bullets, 3,000 extras and 500 stunt experts. Instead of rifles being fired, fist fights were the main focus of the scene and all of the cast were specially trained. The shoot lasted three weeks with about 50 minor accidents a day on average, but the scene was finally wrapped without any major accidents.
- GaffesIn the scene where North Korean soldiers ambush Jin Tae and several other South Korean soldiers while they're laying mines, one of the South Koreans steps on a mine and it blows his leg off. However, the M15 Anti-tank mine, which was the mine they were using, requires a force of 350 to 750 lbs to detonate.
- Versions alternativesAlso released in a director's cut running 148min, 8min longer than the US and original version.
- ConnexionsReferences Il faut sauver le soldat Ryan (1998)
- Bandes originalesOppaneun punggakjaengi
Written by Kim Song Kyu and Park Yeong Ho
Sung by Park Hyang Rim.
Commentaire à la une
I'm not a big fan of war films, unless the war in question was at least a couple hundred years ago or somewhere in the future, or the stars - but I did enjoy SAVING PRIVATE RYAN, if "enjoy" is the best word to use for such an experience. Apparently, director Kang Je-Gyu (SHIRI) enjoyed SPR too, as its influence on his Korean war film TAEGUKGI is impossible to deny. SHIRI was the South Korean film that probably did more than any other to bring the country's cinematic new wave into being, and especially into the field of view of the rest of the world at large. Its main accomplishment was, arguably, demonstrating that Korea could make a film that competed head on with Hollywood product, in terms of slick production values but also perhaps in terms of vacuous scripts Although it is rather shallow compared to other Korean films, though, I think it's safe to say that SHIRI had more depth than Hollywood would have injected into a similar story.
TAEGUKGI is his first film since SHIRI, and he's definitely playing the Hollywood game again - tackling Spielberg head on this time. Like SAVING PRIVATE RYAN, TAEGUKGI attempts to humanise war by giving us some specific characters to focus on (in this case, two brothers played by Won Bin and Jang Dong-Kun) - and then uses our personal connection to show us that war is actually a dehumanising experience. The film also spares no effort in showing us the ability of bullets, knives and bombs to turn human beings into squishy piles of gore.
There's a fairly obvious political symbolism in the story of two brothers and the effects the Korean war has on their lives and relationship - I don't know if it would be fair to read the ending as a view about the conditions under which Korean reunification might occur though. The ending of the film won't come as much of a surprise, since it's basically foretold at the start with a scene set in the present day. The exact details might be a little unexpected though.
If you like your modern-ish day war films, and specifically if you liked SAVING PRIVATE RYAN, then there's very little doubt that TaeGukGi will impress. It's big, slick and well put together. Since it's not my favourite genre or topic of interest, I can't say I loved it like a brother, but was sufficiently satisfied with it given what it is.
TAEGUKGI is his first film since SHIRI, and he's definitely playing the Hollywood game again - tackling Spielberg head on this time. Like SAVING PRIVATE RYAN, TAEGUKGI attempts to humanise war by giving us some specific characters to focus on (in this case, two brothers played by Won Bin and Jang Dong-Kun) - and then uses our personal connection to show us that war is actually a dehumanising experience. The film also spares no effort in showing us the ability of bullets, knives and bombs to turn human beings into squishy piles of gore.
There's a fairly obvious political symbolism in the story of two brothers and the effects the Korean war has on their lives and relationship - I don't know if it would be fair to read the ending as a view about the conditions under which Korean reunification might occur though. The ending of the film won't come as much of a surprise, since it's basically foretold at the start with a scene set in the present day. The exact details might be a little unexpected though.
If you like your modern-ish day war films, and specifically if you liked SAVING PRIVATE RYAN, then there's very little doubt that TaeGukGi will impress. It's big, slick and well put together. Since it's not my favourite genre or topic of interest, I can't say I loved it like a brother, but was sufficiently satisfied with it given what it is.
- simon_booth
- 10 déc. 2004
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Tae Guk Gi: The Brotherhood of War
- Lieux de tournage
- A-San City, Corée du Sud(Jin-tea's home)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 12 800 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 1 111 061 $US
- Week-end de sortie aux États-Unis et au Canada
- 260 135 $US
- 5 sept. 2004
- Montant brut mondial
- 81 407 286 $US
- Durée2 heures 20 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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By what name was Frères de sang (2004) officially released in India in English?
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