Un étudiant de Harvard expulsé à tort déménage à Londres, où il est initié au monde violent du hooliganisme.Un étudiant de Harvard expulsé à tort déménage à Londres, où il est initié au monde violent du hooliganisme.Un étudiant de Harvard expulsé à tort déménage à Londres, où il est initié au monde violent du hooliganisme.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires au total
Avis à la une
I thought the idea of the movie about an american experiencing football hooliganism was very interesting and it turned out to be a decent movie. The plot was very intriguing throughout and the movie was enjoyable to watch. I thought the action scenes were good and seemed realistic for the most part. The characters were portrayed well and most of the both accents seemed fine, except for Matt's dad whose american accent seemed a bit off.
This was my favorite movie back in my teens, I still love it and I always will but I do acknowledge it's not perfect. The acting is sometimes way over the top and Charlie Hunnam's London accent is worse than mine and I'm not even a native speaker. The story is simple yet appealing, it's easy to get invested into it. The unlikely event that an American Harvard student moves to London and becoming a football/soccer hooligan is oddly appealing and it made me curious as to what's gonna happen next. I was not completely sold on the drama elements but what this movie lacks in complexity it makes up for in entertainment value. When I saw this for the first time I was on the edge of my seat throughout the entire movie.
If you looking for popcorn entertainment this is the movie for you.
If you looking for a deep story that will stick with you, you may wanna look elsewhere.
If you looking for popcorn entertainment this is the movie for you.
If you looking for a deep story that will stick with you, you may wanna look elsewhere.
This is the best new movie of any genre that I've seen in many months.
The film really drew me into its world of neighborhood pubs, football supporters, and the dirt-in-the-cracks reality of London. The violence is believable, realistic, graphic, and frightening. As are the consequences of that violence. This film does not glorify hooliganism, it portrays it honestly.
Hooligans doesn't preach about mob mentality, or strength in numbers, rather it gives credit to the strength in the individual that lives up to his commitment to his friends though he may suffer because of it. (That's the best way I could word it without including a spoiler.)
The film really drew me into its world of neighborhood pubs, football supporters, and the dirt-in-the-cracks reality of London. The violence is believable, realistic, graphic, and frightening. As are the consequences of that violence. This film does not glorify hooliganism, it portrays it honestly.
Hooligans doesn't preach about mob mentality, or strength in numbers, rather it gives credit to the strength in the individual that lives up to his commitment to his friends though he may suffer because of it. (That's the best way I could word it without including a spoiler.)
As an English ex-pat and a football fan, I went along to the Alamo Draft House hoping for the best but expecting the worst. I got the best. This film is simply brilliant and finally provides us with an accurate portrayal of life amongst the hooligans in a way The Football Factory or ID never did.
Central to this are the amazing fight scenes and the performances of the primary actors with Hunnam in particular doing an outstanding job. And if anyone believed that all Elijah Wood movies would forever be tainted with the image of Frodo Baggins, think again. Within about 10 seconds of screen time, any lingering thoughts of LOTR are gone.
Yet whilst the direction, actors and the stunts will attract all the plaudits, for me, the main reason why this film works so well is the very clever story and the amazing script. Yes, in many respects the subject has been 'Americanised' but it has been done in a way which is very subtle. I suspect that much of the credit for this goes to the writer Dougie Brimson because it is obvious very early on that there was a strong English influence on both the plot and the dialogue.
Given the level of violence, not to mention the subject matter, I'm not that sure mainstream America will respond that well to it but for me, the big test will come when it's shown in England but I suspect like me, the English audiences are going to love it.
Central to this are the amazing fight scenes and the performances of the primary actors with Hunnam in particular doing an outstanding job. And if anyone believed that all Elijah Wood movies would forever be tainted with the image of Frodo Baggins, think again. Within about 10 seconds of screen time, any lingering thoughts of LOTR are gone.
Yet whilst the direction, actors and the stunts will attract all the plaudits, for me, the main reason why this film works so well is the very clever story and the amazing script. Yes, in many respects the subject has been 'Americanised' but it has been done in a way which is very subtle. I suspect that much of the credit for this goes to the writer Dougie Brimson because it is obvious very early on that there was a strong English influence on both the plot and the dialogue.
Given the level of violence, not to mention the subject matter, I'm not that sure mainstream America will respond that well to it but for me, the big test will come when it's shown in England but I suspect like me, the English audiences are going to love it.
Hopefully this film will not be limited in its reception as a "sport" film, and more disparagingly in America as a "soccer" film. It is much more than either distinction, for it portrays the transformational awakening of a young man as he becomes proactive rather than reactive about life.
This transition occurs within the often misunderstood culture of "football hooligans", hordes of zealous football fans who display a jingoistic allegiance to their teams and the locale from which they hail. The insight provided into this world reveals more than gang triviality for these men do not compete for the sake of criminal enterprise or the carnal spoils of women. Their skirmishes, often times brutal, are for stake in a sense of pride that reminds us that athletes put glory in our sport, but for some fans, glory is the sport. That pride, as it is conveyed, does well to offset the characterization of drunken recklessness that could easily be assessed to "hooliganism".
I highly recommend this film --- it's not "soccer". It's awakening to self.
This transition occurs within the often misunderstood culture of "football hooligans", hordes of zealous football fans who display a jingoistic allegiance to their teams and the locale from which they hail. The insight provided into this world reveals more than gang triviality for these men do not compete for the sake of criminal enterprise or the carnal spoils of women. Their skirmishes, often times brutal, are for stake in a sense of pride that reminds us that athletes put glory in our sport, but for some fans, glory is the sport. That pride, as it is conveyed, does well to offset the characterization of drunken recklessness that could easily be assessed to "hooliganism".
I highly recommend this film --- it's not "soccer". It's awakening to self.
Le saviez-vous
- AnecdotesTo research his role, Charlie Hunnam met with real members of the ICF (the Inter City Firm, the name given to West Ham's former hardcore firm of football hooligans).
- GaffesDuring the first bar scene when Bovver is shown standing on a table singing their West Ham song, he is clearly shown drenched in beer as they throw it everywhere. The next scene is shown in the bathroom with Bovver and Matt and his sweater is completely dry and shows no signs of the beer throwing.
- Citations
[last lines]
Matt Buckner: [singing] I'm forever blowing bubbles / Pretty bubbles in the air / They fly so high / They reach the sky / And like my dreams they fade and die / Fortune's always hiding, I've looked everywhere / I'm forever blowing bubbles, pretty bubbles in the air. / United! United!
- ConnexionsFeatured in WatchMojo: Top 10 Movie Gang Fights (2015)
- Bandes originalesOnly When I Laugh
Written by [Renaissance)
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Hooligans - Defiende a los tuyos
- Lieux de tournage
- The Griffin, Brook Road South, Brentford, Greater London, Angleterre, Royaume-Uni(Green Street Elite's pub)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 346 830 $US
- Week-end de sortie aux États-Unis et au Canada
- 48 760 $US
- 11 sept. 2005
- Montant brut mondial
- 3 814 717 $US
- Durée1 heure 49 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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