Un étudiant de Harvard expulsé à tort déménage à Londres, où il est initié au monde violent du hooliganisme.Un étudiant de Harvard expulsé à tort déménage à Londres, où il est initié au monde violent du hooliganisme.Un étudiant de Harvard expulsé à tort déménage à Londres, où il est initié au monde violent du hooliganisme.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires au total
Avis à la une
I thought the idea of the movie about an american experiencing football hooliganism was very interesting and it turned out to be a decent movie. The plot was very intriguing throughout and the movie was enjoyable to watch. I thought the action scenes were good and seemed realistic for the most part. The characters were portrayed well and most of the both accents seemed fine, except for Matt's dad whose american accent seemed a bit off.
As an English ex-pat and a football fan, I went along to the Alamo Draft House hoping for the best but expecting the worst. I got the best. This film is simply brilliant and finally provides us with an accurate portrayal of life amongst the hooligans in a way The Football Factory or ID never did.
Central to this are the amazing fight scenes and the performances of the primary actors with Hunnam in particular doing an outstanding job. And if anyone believed that all Elijah Wood movies would forever be tainted with the image of Frodo Baggins, think again. Within about 10 seconds of screen time, any lingering thoughts of LOTR are gone.
Yet whilst the direction, actors and the stunts will attract all the plaudits, for me, the main reason why this film works so well is the very clever story and the amazing script. Yes, in many respects the subject has been 'Americanised' but it has been done in a way which is very subtle. I suspect that much of the credit for this goes to the writer Dougie Brimson because it is obvious very early on that there was a strong English influence on both the plot and the dialogue.
Given the level of violence, not to mention the subject matter, I'm not that sure mainstream America will respond that well to it but for me, the big test will come when it's shown in England but I suspect like me, the English audiences are going to love it.
Central to this are the amazing fight scenes and the performances of the primary actors with Hunnam in particular doing an outstanding job. And if anyone believed that all Elijah Wood movies would forever be tainted with the image of Frodo Baggins, think again. Within about 10 seconds of screen time, any lingering thoughts of LOTR are gone.
Yet whilst the direction, actors and the stunts will attract all the plaudits, for me, the main reason why this film works so well is the very clever story and the amazing script. Yes, in many respects the subject has been 'Americanised' but it has been done in a way which is very subtle. I suspect that much of the credit for this goes to the writer Dougie Brimson because it is obvious very early on that there was a strong English influence on both the plot and the dialogue.
Given the level of violence, not to mention the subject matter, I'm not that sure mainstream America will respond that well to it but for me, the big test will come when it's shown in England but I suspect like me, the English audiences are going to love it.
This is the best new movie of any genre that I've seen in many months.
The film really drew me into its world of neighborhood pubs, football supporters, and the dirt-in-the-cracks reality of London. The violence is believable, realistic, graphic, and frightening. As are the consequences of that violence. This film does not glorify hooliganism, it portrays it honestly.
Hooligans doesn't preach about mob mentality, or strength in numbers, rather it gives credit to the strength in the individual that lives up to his commitment to his friends though he may suffer because of it. (That's the best way I could word it without including a spoiler.)
The film really drew me into its world of neighborhood pubs, football supporters, and the dirt-in-the-cracks reality of London. The violence is believable, realistic, graphic, and frightening. As are the consequences of that violence. This film does not glorify hooliganism, it portrays it honestly.
Hooligans doesn't preach about mob mentality, or strength in numbers, rather it gives credit to the strength in the individual that lives up to his commitment to his friends though he may suffer because of it. (That's the best way I could word it without including a spoiler.)
This was my favorite movie back in my teens, I still love it and I always will but I do acknowledge it's not perfect. The acting is sometimes way over the top and Charlie Hunnam's London accent is worse than mine and I'm not even a native speaker. The story is simple yet appealing, it's easy to get invested into it. The unlikely event that an American Harvard student moves to London and becoming a football/soccer hooligan is oddly appealing and it made me curious as to what's gonna happen next. I was not completely sold on the drama elements but what this movie lacks in complexity it makes up for in entertainment value. When I saw this for the first time I was on the edge of my seat throughout the entire movie.
If you looking for popcorn entertainment this is the movie for you.
If you looking for a deep story that will stick with you, you may wanna look elsewhere.
If you looking for popcorn entertainment this is the movie for you.
If you looking for a deep story that will stick with you, you may wanna look elsewhere.
First of all there hasn't been a good film about English Football Hooliganism. Both ID in 1995 and last years FOOTBALL FACTORY either failed to convince or just went down the familiar exploitative road of glamorising the buzz and thrill of violence.
HOOLIGANS as the title suggests depicts what these aforementioned films centre upon with the added value of having a story and characters you care about. There's no avoiding the cliché's as the ranks of these organised gang members are portrayed as gangsters.
Similar to BBC's Gary Oldman drama THE FIRM broadcast in 1986 it also show the characters as normal members of society, family men with respectable jobs. FOOTBALL FACTORY took the extreme and unconvincing scenario that these weekend animals are florist's during the week which might be amusing but the subject matter of organised territorial football hooliganism needs to be given a serious look at.
Fortunately HOOLIGANS portrays this more realistically, sure there's the stereo types in designer clothes (The Chavs) as we call them now where loyalty, respect, revenge, dignity and pride are what they live for, not the enjoyment of the actual sport. This simply acts as the excuse to fight in a traditional gang warfare environment. The prospect of West Ham's cup tie with Millwall brings joy to the faces of both sets of fans.
Casting Elijah Wood is a bold move, he looks like a Choirboy but this adds to the films main storyline of innocence corrupted. The acting is better than average, despite letting his cockney accent slip on occasions, Gang leader Charlie Hunnam shows a genuine mix of anger, aggression and compassion which holds the film together.
This won't win awards but it's refreshing to see a film finally tackling the subject matter that unfortunately has been a shameful factor of Britain's attitude towards football as we are constantly under threat of being disqualified from International tournaments due to the bad behaviour of soccer hooligans.
HOOLIGANS as the title suggests depicts what these aforementioned films centre upon with the added value of having a story and characters you care about. There's no avoiding the cliché's as the ranks of these organised gang members are portrayed as gangsters.
Similar to BBC's Gary Oldman drama THE FIRM broadcast in 1986 it also show the characters as normal members of society, family men with respectable jobs. FOOTBALL FACTORY took the extreme and unconvincing scenario that these weekend animals are florist's during the week which might be amusing but the subject matter of organised territorial football hooliganism needs to be given a serious look at.
Fortunately HOOLIGANS portrays this more realistically, sure there's the stereo types in designer clothes (The Chavs) as we call them now where loyalty, respect, revenge, dignity and pride are what they live for, not the enjoyment of the actual sport. This simply acts as the excuse to fight in a traditional gang warfare environment. The prospect of West Ham's cup tie with Millwall brings joy to the faces of both sets of fans.
Casting Elijah Wood is a bold move, he looks like a Choirboy but this adds to the films main storyline of innocence corrupted. The acting is better than average, despite letting his cockney accent slip on occasions, Gang leader Charlie Hunnam shows a genuine mix of anger, aggression and compassion which holds the film together.
This won't win awards but it's refreshing to see a film finally tackling the subject matter that unfortunately has been a shameful factor of Britain's attitude towards football as we are constantly under threat of being disqualified from International tournaments due to the bad behaviour of soccer hooligans.
Le saviez-vous
- AnecdotesTo research his role, Charlie Hunnam met with real members of the ICF (the Inter City Firm, the name given to West Ham's former hardcore firm of football hooligans).
- GaffesDuring the first bar scene when Bovver is shown standing on a table singing their West Ham song, he is clearly shown drenched in beer as they throw it everywhere. The next scene is shown in the bathroom with Bovver and Matt and his sweater is completely dry and shows no signs of the beer throwing.
- Citations
[last lines]
Matt Buckner: [singing] I'm forever blowing bubbles / Pretty bubbles in the air / They fly so high / They reach the sky / And like my dreams they fade and die / Fortune's always hiding, I've looked everywhere / I'm forever blowing bubbles, pretty bubbles in the air. / United! United!
- ConnexionsFeatured in WatchMojo: Top 10 Movie Gang Fights (2015)
- Bandes originalesOnly When I Laugh
Written by [Renaissance)
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Hooligans - Defiende a los tuyos
- Lieux de tournage
- The Griffin, Brook Road South, Brentford, Greater London, Angleterre, Royaume-Uni(Green Street Elite's pub)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 346 830 $US
- Week-end de sortie aux États-Unis et au Canada
- 48 760 $US
- 11 sept. 2005
- Montant brut mondial
- 3 814 717 $US
- Durée
- 1h 49min(109 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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