Harry Potter et l'Ordre du Phénix

Why do Harry Potter movies give me, but not the children, nightmares? I've been wondering this for the past few years. Today, watching Movie No. 5, Harry Potter and the Order of the Phoenix (Warner Bros., 2007), I got my answer. Simply: Harry's world is the real world. As Harry and his friends mature, the line between the world of wizardry, magic, and Hogwarts and the world of self-centered, manipulative, cruel adults thins to the point of almost magical invisibility.

Fantasy literature has since the beginning of time been about mediating and making sense of the real world; Harry Potter is part of this tradition.

Indeed, one of the movie's first big special effects embodies this idea. As the movie opens, Harry is the subject of a smear campaign that Valdemore has cooked up because darkness works tirelessly to triumph over the light; when his friends come to rescue him from the suburban horror show known as his adoptive family, they take him to the headquarters of the Order of the Phoenix, a place that doesn't exist until a row of Georgian homes stretches out to reveal it. It's there, but the neighbors are unaware of it. They have no idea their building grew a house that the wizards and witches of the world can solve an internal problem. Such is life; how seldom do we know the inner workings, the coping mechanisms, the interior life of the people around us? In The Order of the Phoenix, Harry Potter again does battle with evil to bring home the theme that when you fight, you fight well with and for your friends and to the death if necessary. Truth and goodness--call if love, if you want--are worth the trouble. The Gothic idiom of Harry Potter brilliantly takes the challenges Harry faces out of the present on one level even though these are very clearly 21st century characters facing contemporary challenges. Alongside the power of goodness over evil theme is the theme of the power of the imagination to find solutions to problems that are the same in every generation: politics, power games, jealousy, stupidity, growing up.

Always in Harry Potter is the clear distinction between the good guys and the bad ones right alongside the good kids and the annoying kids, who could very well become evil people if they so choose. They are tragic because they don't understand the long-range consequences of their petty cruelties--but then, as we learn in this movie, even the good kids are capable of petty cruelties that break souls. Always there is Snape, the middling Hogwarts employee who is not clearly good but not clearly bad but capable of both (until fate forces his hand in Book 6).

J.K. Rowling doesn't let anybody off of the hook of responsibility for their choices. But she does present the internal struggle for goodness and justice for the mess that it can be. Just as the Gothic world of Hogwarts helps Harry and his friends mediate the real world, so Rowling helps her readers see the world for what it is. This is a world that can give me nightmares, though not my daughter and my nephews. Perhaps because all they really need is an honest story.

So many great parts were skipped over, rushed with ridiculous cliché transition scenes, or simply changed because, apparently, it's impossible to include everything. But what can anyone reasonably expect?

I went into this expecting exactly what I saw, it's still just a tad annoying hearing people talk about how impossible it would be to follow the book. It's not impossible at all. Look at the matrix 2&3, look at pirates of the caribbean 2&3, look at LOTR (it's all one continuous story). Lots of "stories" have had to be split up into multiple films and they all worked great. It's just a tad short-sighted to say it wouldn't work with a harry potter film. I think a lot of what people enjoy is looking at the wizard world, seeing cool looking spells, and generally learning more about everything to do with the harry potter universe. You don't get much of that when a 26 hour read is condensed into a 2.5 hour film. I personally would love to see more of the "boring" parts of the book simply because it's interesting seeing a high-budget Hollywood interpretation of what was in the book. Maybe it's just me, but I wouldn't be the least bit disappointed if the film-makers simply came out and said "this book is too long to put into a single film with out leaving out a lot of the book and changing a lot of other parts, so we're releasing it in two films." It's completely understandable. It's an 800 page book! LOTR books were only 400-600 pages and the films were considerably longer than any of the harry potter films.

Overall, it was a decent enough movie though. Great special effects, good enough acting (I wouldn't go so far as to say it was amazing). I'd say it's basically a standard high-budget film. Entertaining to watch, well worth my $10 so I could come and complain how it was nothing like the book :)

Harry Potter and the Order of the Phoenix (2007)

** 1/2 (out of 4)

Harry Potter (Daniel Radcliffe) is brought back to school where he faces a possible expulsion after using magic in the real world. Dumbledore (Jim McManus) comes to his defense and soon the two of them are warning people of the return of Lord Voldemort.

As I've said in the reviews for the previous films, I haven't read any of the stories so I honestly can't compare the movie to the book. With that said, I did find the previous installment to be an extremely entertaining movie and certainly the best of the series to date. This fifth film is certainly a major step backwards and sadly there are way too many boring moments to make it a complete winner.

Again, perhaps I would have picked up on more things had I been familiar with the book but I personally found the majority of the first half to be quite boring without too many interesting things going on. I honestly thought there was very little character development and I thought too many of the scenes just kept dragging on with dialogue that just wasn't all that interesting or thrilling.

The film does finally pick up during its final act and this is where thing get really good. The final battles almost rival what we saw in the previous film and there's no question that they pack a lot of energy and excitement. They also benefit from some wonderful special effects that really put you in the middle of the action and blend perfectly well with the cast members. Speaking of the cast, a lot of talented actors keep getting added to the series and once again everyone is quite impressive. Regulars like Radcliffe, Emma Watson, Maggie Smith, Alan Rickman and others return to their roles quite nicely and people like Emma Thompson, Gary Oldman and David Thewlis are of great value.

For the avid Harry Potter reader the whole suspense leading up to HP Order of the Phoenix can be summed up in the word "how". How are they going to translate a nearly 900 page book to the screen, how are they going to tie together a storyline that in the 5th book breaks into dozens of streams like a mighty river coming to its delta.

This seemingly impossible task is well accomplished by astute summation of plot and concentration of action. Also, the heart and soul of the book, i.e. the thematic spirit of the story and Rowling's shining gift for characterization are given the fullest support in this film more so than in any previous HP movie.

Harry Potter and the Order of the Phoenix basically involves Harry being persecuted by the government for telling a truth they refuse to believe all while dealing with the same feelings of teen angst and emerging love that any ordinary teen finds stressful and consuming. Only through the love and dedication of family and especially friends does Harry come across the means to fight back against the government, elude his enemies and make some sense of his emotional turmoil.

Most reader's will come out of the theater saying "I wish they had shown this or that." However, all will leave satisfied that they have been treated to a faithful rendering brilliantly acted and directed. All the HP movies are a "good watch" but in this one we get a great movie.

We have the advantage of going to our HP movies with a non-reader and she was, to say the least, blown away and pronounced it a near classic. My daughter and myself have read and reread the books many times over and came out limp from exhilaration, our keen anticipation very much fulfilled.

A few highlights: The acting is best ever. The three principles push themselves to a new level. My favorite new characters were Imelda Staunton as Delores Umbridge, excellent (you'll love to hate her) and Natalia Tena as Tonks. Natalia is sheer delight. She is the penultimate punk rock witch girl(think Dead Milkmen here). And Helena Bonham Carter is in her medium (she played the witch Morganna in the movie Merlin) as the dangerous and demented Bellatrix LeStrange.

Battle scenes: breathtaking. Commraderie: The only HP that actually caused me to get teary so heartfelt are the portrayals of friendship and family.

See the film knowing that unless you want a 10hour movie some things are going to have to go. Leave having enjoyed a film that takes the beans and water and instead of a nice large coffee treats one to a perfectly concentrated, most artfully brewed and extremely tasty espresso. It has been said before but truth is truth: BEST YET!

Overall, not a bad film, especially the opening sequence which'll have you quivering behind the seat in front! Great effects as always.

For me, Imelda Staunton as Dolores Umbridge completely steals the show. Her character was fantastically well observed - the odd little hysterical titters of laughter she gave had superb comedic timing. Helena Bonham Carter had a star turn too as Belatrix - she's completely bonkers and HBC totally did her justice! Loved it!

For me, both their successes stood out conspicuously when compared to the horrendously awkward acting from the younger members of the cast. Sorry(!) but there were so many cringe worthy moments (especially the more intimate ones) where you kept begging the director to cut away from the acting. Tighter editing could have prevented these distracting moments from constantly reminding me I was watching actors on a set.

Hermione (Emma Watson), Luna (Evanna Lynch) , and Cho (Katie Leung) were the main culprits, with Daniel Radcliff not falling far behind. Okay, I know they're supposed to be awkward teenagers in the story, but hey! My suspicion is that these poor kids feel so caught up in the huge franchise that is HP that the pressure to perform must be enormous. Couple that with the screenplay's stilted dialogue, and being surrounded by what must have been a huge crew with them all staring at you, it's hardly a surprise that a few cracks were shown. Still, you'd have thought the editing might have been able to get around it.

These cringes aside, I enjoyed the film. Also, a huge congrats to all those involved in the hard work that obviously went into the post production too.