La vérité nue

I saw the movie today at the 2nd showing of the Toronto International Film Festival.... The movie will be released in Canada in the way that I had seen it today, uncensored and uncut.

The scene in question isn't explicit at all, well the part that the MPAA is crying about that implies that one of the characters as being homosexual, there's no full frontal male nudity, a lot of female nudity from Alison Lohman, Rachael Blanchard, and Kristin Adams there is some interaction between Lohman and Adams but it is done tastefully..

So again, if it doesn't get played in your market and you can get to Canada go see the movie....

Hugely entertaining film + Bad critics + Tasteful love scenes.

I was very entertained. There wasn't a single boring minute in "Where the Truth Lies". I almost believed some newspaper critics' reviews and was prepared to be at least a little bit disappointed either with the actors (critics said were miscast), the sex scenes (critics said were explicit) or the ending. I was sitting there and waiting for a disappointment but it never came. It is a superb murder mystery with at least 3 top notch twists and in the end I was completely satisfied.

In my opinion, (and I know a thing or two about this) the love scene between "Alice" and Alison is one of the most beautiful ones ever performed (on the screen). I mean the (tastefully made) oral sex scene. ("Alice" stops for a moment, looks up at Alison with a trace of a smile ... the moonlight illuminates Alice's slightly wet mouth and chin... she looks down and continues. I haven't seen in any other film a more gorgeous pose than that of Alison during this exercise. Americans can make love as beautifully as Europeans and this film is the only proof so far. It even surpasses the straight love scene with Luisa Ranieri in Antonioni's "Eros"). The film is not about sex, though it is wonderfully choreographed. The most impressive thing here is certainly the story.

(P.S. Critics really did a disservice to us. Some of these same guys, I remember, used unbelievable superlatives while reviewing poor horror movies. One begins to question their motives).

Warning: vague, minor spoilers. Not really, but hey better safe than sorry.

Here is a movie so delightful, messy, strange, sexy, and all together not quite there; that it makes me glad that films like it are still being made.

Egoyan soaks the film with a shining visual flare, and the characters leap off screen demanding to be fantastic. With such flamboyant settings, people, and actions, casting is absolutely critical. This is where Kevin Bacon and Colin Firth are invaluable and perfect. They are so famous, so flamboyant on their own and so well known that we are drawn into this story right along with Karen. And let's face it, they are all sexuality, with evil and lies boiling just beneath the surface. This is that rare kind of film that does justice to a phrase like that which is usually written on the cover but not delivered in the movie.These men carry their own persona into the film, and deliver just the right amount of insanity and insecurity. Watch Bacon's Lanny yell at a waiter for bringing lobster to the Jewish Lanny. Watch Firth's Vince stumble away from Lanny and Maureen reeling with rejection and sexual confusion. Watch Lanny lean over and kiss Vince's cheek while they perform high. The movie could have been all style and intrigue and little substance; but since Egoyan is directing, the sexual scenes are handled deeply, the drugs are films in full glory, and poignancy creeps in through cracks of the story.

Alison Lohman, who was SO good in the vastly underrated "Matchstick Men" has a good part here as a young journalist still somewhat infatuated with Lanny and Vince's famous duo. For me, her performance is the only one that never really takes off and leaves the screen, but I still went along with her character Karen, and it is not a serious or terribly noticeable flaw, simply a slight mismatching of actress to character; all though perhaps I find Karen a bit weaker and smarter than the other characters and no actress could have changed that.

Some quotes are a bit "bookish" and take us out of the movie for a moment, but even them I found working excellently. Bacon's voice-over in particular drips with confident malevolence. He has a speech on what he sees in Maureen's eyes in a key moment, that at first seems ridiculous and distant, but had me coming back and appreciating it more and more.

Overall, if you like the looks of the film/story/trailer/or even cover, it certainly delivers, and you will love it. The combination of drugs, mystery, lies, murder, fame, bisexuality, more drugs, more sex, and above all, Egoyan's flashy but confident directing, is stunning.

Not perfect, but a wild ride about manipulation, consequences, fame, and sex.

Egoyan immediately sets the noir tone of 'Where The Truth Lies' by revealing so much yet cleverly not telling anything. The film gets straight to the point right from the start as we are introduced to a Jerry Lewis Dean Martin type entertainment duo, a haunting image of a corpse in a bathtub and a determined young lady wanting to write about her idols. The slick editing allows the film to maintain its steady track. Egoyan finely contrasts the 50s and 70s. The wonderful mise en scene, flashy lighting and score bring out a 50's feel. While the score brings out a lot of mysteriousness of the 70s (the sex and drugs phase). The camera-work deserves mention. Most of the scenes of the 50's scenes were effectively done with long shots, while a lot of the 70's scenes were shot with quick snaps.

Then there's the unusual cast that includes Kevin Bacon, Alison Lohman and Colin Firth. Bacon gives an energetic performance as the younger Lanny Morris of the 50s and he brings a 'lost' maturity as the 70's Morris. While a majority have stated Lohman as being miscast, I found her to have the right combination of naivety, sex appeal and vulnerability as Karen. The actress certainly holds her own in the presence of the more accomplished actors and bravely carries the film. Firth is remarkable and he completely sheds his Darcy image and gives a more restrained (and sometimes explosive, where required) performance as Vince Collins. Rachel Blanchard demonstrates the right kind of deceitful innocence and enigma.

Some have stated the sex scenes to be of a 'cold' nature. However, I didn't see it that way. Sexuality is an integral part of the film and it is hinted that each character sees it differently. Bacon's Morris pays a lot of attention to his sexual partner's eyes and after-sex behaviour. I can't reveal much about the other characters without spilling out spoilers but their views differ. There's the frighteningly erotic love scene between Alice and Karen followed by a distraught look on Lohman's face. The last sex-scene was particularly disturbing as this is the scene that brings out their alternative side.

However, the revelation in the end was a bit of a letdown. Not because of the twist which is clever enough but the motivation behind it would have worked better had more background information been provided. Where The Truth Lies' mainly works because of Egoyan's unique presentation and storytelling, the visual flair, the performances, the score and the stunning combination of all the themes ie, sex, drugs, sexuality, murder, fame (sounds a bit clichéd but it is shown differently).

Oh, what a difference bad casting decision can make. " Where the truth lies" had such a great potential. Two very strong leading actors, Kevin Bacon and Colin Firth, intriguing story, creative director, but... The catastrophic acting of Alison Lohman sabotaged the whole thing. The utter lack of artistic presence, wobbly, girlish voice, completely at odds with the part. There are thousands of talented young actresses, and why in the world would you cast her. There was no saving this movie after that bad decision. Two leading protagonists were doing their very best, lovely camera work brought us back to the times long gone. But to no avail.What a shame.