Une femme coréenne

This is less of a movie than a very extended soap opera. An apparently conscientious young Korean attorney has an affair while his sexually frustrated wife goes looking elsewhere for fulfillment. Apparently he's lousy in bed since both of his women seem to spend an inordinate amount of time in post-coital masturbation. Meanwhile his mother finds love elsewhere as his father lies dieing while his young and tasty assistant yearns for the day when she can make his triangle a square. Altogether it provides a fascinating insight into Korean society, that being - they're just like Americans - or maybe, more specifically, just like Manhattanites - those in Sex and the City, for example.

If this movie has anything deeper to say than "get it while you can" it keeps it well hidden. The tragedy which brings the attorney's marriage - and the movie - to its inevitable conclusion seems to have nothing to do with the plot other than to provide it with a convenient resolution. Still its refreshing to see sexual relationships, marital and otherwise, portrayed in such a frank and nonjudgmental manner. Pity that the film continued about 45 minutes beyond the point that I stopped caring.

This South Korean film dealing with the traumas of a fading marriage is deftly written, acted and shot. It deals with universal issues related to certain life stages with courage and sincerity, the characters are superbly drawn, the plot subtly moves and leaves the viewer with deep feelings and thoughts only such well-crafted and memorable films can.

Right, well the concept idea behind the 2003 South Korean drama "Baramnan Gajok" (aka "A Good Lawyer's Wife") from writer and director Im Sang-soo sounded interesting. And thus, I sat down to watch the movie here in 2023, as I happened to stumble upon it by random chance.

But what seemed interesting in the synopsis was a snooze-fest of epic proportions. It was a sluggish narrative that offered nothing interesting to the audience. And running at 104 minutes, it is a massive struggle to sit through "Baramnan Gajok".

The character gallery was mundane and you don't care one bit about any of the character on the screen as they prance through the irrelevant narrative. I am sure that the actors and actresses on the cast list were talented, but they virtually had nothing to work with here.

"Baramnan Gajok" was a swing and a miss, and it is not something I would recommend for fans of the South Korean cinema to sit down and watch. Some of us suffered through this, literally, so you don't have to.

My rating of "Baramnan Gajok" lands on a two out of ten stars.

First, although A Good Lawyer's wife is billed as a comedy-drama, it is not. There's little humor to be found in this story of the end of a desolate marriage. Sexually abandoned by her cheating and emotionally indifferent husband, a housewife takes a casual interest in a 16 year old neighbor boy, whose raging hormones give her the passionate interest of a male, something that has disappeared in her marriage. This leads to teenage rituals involving kissing and groping. After a family tragedy, events lead to the culmination of this relationship and a starting point for a new and better life for her.

Beautifully written, acted and directed, the loose ends only add to the film's allure. Not for all tastes. Be warned this is an adult film with graphic nudity and frank dialog throughout, but very rewarding for the mature viewer.

Im Sang-soo has long been considered a notable figure in the Korean New Wave, ever since his 1998 debut with Girls' Night Out.

However, based on the films I've seen, I've never quite understood why he's regarded as one of the greats in Korean cinema. The Attorney's Wife is yet another example.

This drama about a marriage in crisis leans heavily on erotic tension and benefits from solid performances by its two leads, but beyond that, it fails to leave a lasting impression.

Competent but far from essential, it lacks the depth or uniqueness that might elevate it above similar works.

My rating: ***