NOTE IMDb
5,8/10
1,3 k
MA NOTE
Ajouter une intrigue dans votre langueSet in the 1930s, an American with a scandalous reputation on both sides of the Atlantic must do an about-face in order to win back the woman of his dreams.Set in the 1930s, an American with a scandalous reputation on both sides of the Atlantic must do an about-face in order to win back the woman of his dreams.Set in the 1930s, an American with a scandalous reputation on both sides of the Atlantic must do an about-face in order to win back the woman of his dreams.
- Réalisation
- Scénario
- Casting principal
Avis à la une
McKay's messy adaptation of 'Piccadilly Jim' is as a confused film. First of all, it can't decide which time it's set in. In the original novel the story was set in the 30s. However, from the costumes one moment one would assume it was set in the 30s, another moment in the 70s and sometimes in 2004. Perhaps it was McKay's intention to create an ambiguous period but what we are left with is more like something of a joke. His direction lacks focus. The story lacks coherency and consistency as much of it feels very rushed. Moreover, there are plenty of plot holes and bloopers. Anyone notice the skyscraper when Ann and Jim are in the balcony? Sam Rockwell makes the best of what he's given. Understandably, Frances O'Connor appears very uncomfortable in her role. The supporting cast, that includes Allison Janney, Tom Wilkinson, Tom Hollander and Brenda Blethyn suffer from poor characterization. Overall, 'Piccadilly Jim' is a missed opportunity and a waste of these talented actors.
The mix of contemporary references and modern scenery, in what was ostensibly a period piece, just makes this film annoying. On top of this, the movie proves that Frances O'Connor cannot act, and that surrounding her with good actors and actresses will only increase the pain she causes audiences. Sadly, I really wanted to like this movie, but could not do so -- I love P.G. Woodehouse's work, and it is all eminently adaptable to film. Yet, somehow, the makers if this fiasco failed in what should have been a simple and enjoyable endeavor. This could either have been a period piece, or a modern adaptation, yet it is neither -- instead it is a mish-mash of references best suited for some sort of high school dramatic review. Do not pay money to see this!
I have seen this twice, but I had not realised that it was a PG Wodehouse story, which would perhaps have made it bizarre. However, in my ignorance, I loved the clashing of modern music and wicked thievery of modern images into the 1930s. Loved the cast - I had not seen either of the two romantic leads before, but the supporting cast was a sea of faces well-known and well-loved. Perhaps it went on a teensy bit, but I thought it was well done, a thoroughly enjoyable whizz of a movie. It is entertainment you know, not a contender for a Nobel Peace Prize. Wodehouse was always meant to be fun, and this certainly fits the bill. Bouquets to the household staff for their instant sterilisation of the mansion in the opening scenes. Wonderful, wonderful Geoffrey Palmer, Brenda Blethyn and Tom Wilkinson .. indeed a good couple of hours all told.
There are not many actors whose appearance in a movie is reason enough for me to watch. Sam Rockwell is one of them.
His unique charm was perfectly suited to the quirky indie movies he's played in. It was inevitable that his shot at big time Hollywood would come. First George Clooney insisted on him for "Confessions of a Dangerous Mind" and then he co-starred with Nicholas Cage in "Matchstick Men". For a brief moment I feared we would loose Sam. But no, his next career choice was to be "Piccadilly Jim". If you've not heard of it, not to worry, it went most deservedly on the straight-to-video route.
The thing is the industry simply has little faith in Sam Rockwell. Just look at the Video and DVD art work of his movies. In "Lawn Dogs" (his finest film) he's barely off the screen, and yet the art work is dominated by Angie Harmon who barely has a minute of screen time. One can forgive "Confession of a Dangerous Mind" for such treatment when co-stars include Clooney and Julia Roberts but Angie Harmon ?! The art work of "Piccadilly Jim" is equally unfair. Rockwell has the title role and yet who should dominate the art work but Alison Janey, in a very minor part.
What makes Sam Rockwell such an appealing actor is the inability to pigeon hole him. But it would seem that the powers that be in the industry hold that against him.
"Piccadilly Jim" is a hugely misguided effort which backfires in all departments. Even the likes of Brenda Blethyn and Alison Janey fall short, while Frances O'Connor is completely out of her depth. Only Sam Rockwell, miscast as he might be, is, as always, terrific.
Steer clear of this one on all accounts. Search out Rockwell's earlier works and here's hoping he'll be more fortunate with future projects.
His unique charm was perfectly suited to the quirky indie movies he's played in. It was inevitable that his shot at big time Hollywood would come. First George Clooney insisted on him for "Confessions of a Dangerous Mind" and then he co-starred with Nicholas Cage in "Matchstick Men". For a brief moment I feared we would loose Sam. But no, his next career choice was to be "Piccadilly Jim". If you've not heard of it, not to worry, it went most deservedly on the straight-to-video route.
The thing is the industry simply has little faith in Sam Rockwell. Just look at the Video and DVD art work of his movies. In "Lawn Dogs" (his finest film) he's barely off the screen, and yet the art work is dominated by Angie Harmon who barely has a minute of screen time. One can forgive "Confession of a Dangerous Mind" for such treatment when co-stars include Clooney and Julia Roberts but Angie Harmon ?! The art work of "Piccadilly Jim" is equally unfair. Rockwell has the title role and yet who should dominate the art work but Alison Janey, in a very minor part.
What makes Sam Rockwell such an appealing actor is the inability to pigeon hole him. But it would seem that the powers that be in the industry hold that against him.
"Piccadilly Jim" is a hugely misguided effort which backfires in all departments. Even the likes of Brenda Blethyn and Alison Janey fall short, while Frances O'Connor is completely out of her depth. Only Sam Rockwell, miscast as he might be, is, as always, terrific.
Steer clear of this one on all accounts. Search out Rockwell's earlier works and here's hoping he'll be more fortunate with future projects.
I really wanted to enjoy this film as I am a fan of many of the actors involved. Unfortunately, the story didn't work for me. I have given this 7 stars because of the actors.
Le saviez-vous
- AnecdotesFirst film appearance of Sia. She appears briefly as a singer in a bar and, unusually, her entire face is clearly visible!
- Citations
Ann Chester: It's too bad you don't have any bad habits. We could have had ourselves a good time on that old boat.
- ConnexionsVersion of Piccadilly Jim (1919)
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Piccadilly Jim?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Джим з Пікаділлі
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 15 000 000 $US (estimé)
- Durée
- 1h 37min(97 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant