Une prostituée adolescente croise le chemin d'un jeune homme obsédé par les enlèvements extraterrestres. Ils découvrent ensemble une vérité horrible et libératrice.Une prostituée adolescente croise le chemin d'un jeune homme obsédé par les enlèvements extraterrestres. Ils découvrent ensemble une vérité horrible et libératrice.Une prostituée adolescente croise le chemin d'un jeune homme obsédé par les enlèvements extraterrestres. Ils découvrent ensemble une vérité horrible et libératrice.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 5 victoires et 9 nominations au total
- Deborah (age 12)
- (as Rachael Kraft)
- Eric
- (as Jeff Licon)
Avis à la une
In his new film Greg Araki uses a prudent ploy to snag and reel you in: having the visuals effusively speak and the screenplay divulge the least amount of information necessary to keep the story evolving. Words can only reveal so much, while Araki's images display an almost unbearable amount of visceral material, exploiting vibrant color, alluring texture, dark and light, the brooding and harrowing eyes of Joseph Gordon-Levitt, and the handsome modesty of Brady Corbet.
The film resonates on a level of rawness unseen and unfelt since Cuesta's "L.I.E." or Solondz's "Storytelling." The film is jarringly penetrative and pervasive: the visuals in your mind play over repeatedly and the disconcerting but intellectually uplifting feeling "Mysterious Skin" infuses lies active long after you leave the theater. The film is not easy to digest. Seeing that there is pervasive sexual exposure between adults, as well as between adults and kids (though discreetly handled), this film will repulse many viewers. This film also had to be made.
Neil (Gordon-Levitt) and Brian's (Corbet) story starts in the early 1980s when they are only eight-years-old. Neil's little league baseball coach initiates a sexual relationship, of which (most likely to the consternation of several audience members) Neil actually recounts a rosy-colored remembrance: he enjoyed it. Brian that same year describes how his perpetual and mysterious string of blackouts and bloody noses began one rainy night after a baseball game.
The story moves forward to when Neil and Brian are at adolescence's conclusion. We discover that Neil has grown up to be both gay and a hustler, while asexual Brian's free time is taken up seeking the source of and resolution to his insoluble physical ailments. Brian soon deduces that aliens abducted him and meets a fellow abductee, Avalyn (Mary Lynn Rajskub), with whom he finds ephemeral solace.
Neil and Brian's story act in parallel, moving forward and backward over time, but never disjointedly. Neil eventually moves to New York, while his pining friend Eric (Jeff Licon) actually befriends Brian and an endearing friendship ensues. Neil's (unappeasable) pursuit of everlasting male love ends in the most unlikely of places: back home. Brian's pursuit of the truth leads him to, predictably, Neil. Araki exquisitely handles the ending (not divulged here) with the appropriate effusion of tendered emotion by the two main actors (warning: though the film's trailer subtlety gives away the finish).
I cannot give enough plaudits to the two male leads. A long way from "3rd Rock", Joe's sensuous flirtations and dynamic eyes mate well with Brady's tranquil, naive, yet profound, disposition. Brady's last scene with his character's father, as well as the climax, demonstrates his aptitude and assured longevity as an actor (beyond "Thunderbirds").
"Mysterious Skin" evidences many matches made-in-heaven: from film and director to material and actor to music and film. The film is entirely amoral, but not immoral. It is also a difficult film to watch. Many will cast it aside as tripe and trash (along with other morally relative films), but those fortunate enough to engage themselves in the movie's discussion will revel in it long after the credits' close.
A familiar, likable cast are taken deep into dark territory. I enjoyed all the performances and believed the characters, even though I had seen all the actors before on TV. The music is just wonderful - from the guy behind The Cocteau Twins - it adds to the dreamlike/nightmarish quality of the film. It's unusual enough to add to the uniqueness of this film - it really is ground-breaking - and Robin Guthrie's music/The Cocteau Twins haven't been used before in movies (though you may have recognised Liz Fraser's vocals in the last Lord of the Rings soundtrack).
This film impressed me the most in 2004 - I hope everyone gets a chance to see it!
"Mysterious Skin" is the story of two boys Brian (Brady Corbet) and Neil (Joseph Gordon Levitt). Brian can't remember what happened to him when he was younger but he knows something bad happened. Neil on the other hand remembers every second of what happened and has let that take control of his life. The story continues to show Brian as a nerdy kid trying to find out what happened to him and Neil turns into a hustler. But in the end the horrifying truth comes out and their lives are changed forever.
When this film ended, I just stood there and said wow that was really messed up and I felt depressed. The story is so raw and graphic. I don't think I saw anything this graphic since I first saw "Irreversible" a few years back. The movie feels so real and the events that occur to these two kids seem so common in today's society. I think it really hits home and that's why this film works so well.
The lead performances by Brady Corbet and Joseph Gordon Levitt are terrific. Both are extremely believable and well acted. It's nice how they each played a character so different from one another. After watching Levitt in this film, "Manic" and "Latter Days," I am pretty convinced that the guy is one hell of an actor although he needs to stick to the independent films. And the same thing goes for Brady Corbet who starred in my favorite film two years back called "Thirteen." Also I feel it's necessary to comment on Michelle Trachtenberg here who played Neil's partner in crime Wendy. I really don't like Mrs. Trachtenberg probably because I saw her in the god-awful "Euro Trip" and in "Buffy" however in this movie she was pretty good. I think she played the supporting role well.
Gregg Araki was both the writer and director on the film. I must say the man knows how to make a graphic and disturbing film. The movie at times is hard to watch because of how disturbing some of the scenes are. I haven't seen any of Mr. Araki's other films but I have been reading online and have heard that this is his masterpiece. I can't really say that I liked the film because this isn't a movie you come out of and say oh yea that was wonderful! You kind of come out of the theater saying man that was really f*cked up, kind of like the movie "Thirteen" although this movie is much more graphic. It's a great work of art as far as film goes and tells a deep and disturbing story well. The thing like I mentioned above that makes the film work is that this type of stuff happens in the world today which again is why "Thirteen" worked. It's shocking and disturbing but it's only that way because it feels and seems real.
In the end, I think it's a really good movie with powerful performances and a great story. The movie is not for the weak hearted. I myself felt a bit disturbed by the film. The subject matter isn't very happy and neither is the story. The film is extremely graphic and raw. Some of the more disturbing scenes seem to run on for a long time which means that the film is working on its audience. I can't really pick a target audience for this film but if you like movies that are real and raw then you should check this out. This is a great movie that I think many would not be able to handle but for the few who can I think it really delivers.
MovieManMenzel's final rating for "Mysterious Skin" is a 9/10.
The film like this requires very good performances from all cast members and it's got them from everybody but Gordon-Levitt is simply the shining star and I'll make sure from now on to check out all his new movies.
Le saviez-vous
- AnecdotesGregg Araki said in an NPR interview that he shot all of the scenes with the child actors in such a way that they did not know the sexual context of their abuse scenes, and only during editing did he make the movie appear to show children being abused or witnessing abuse.
- Citations
[last lines]
Neil: [narration voice-over] And as we sat there listening to the carolers, I wanted to tell Brian it was over now and everything would be okay. But that was a lie, plus, I couldn't speak anyway. I wish there was some way for us to go back and undo the past. But there wasn't. There was nothing we could do. So I just stayed silent and trying to telepathically communicate how sorry I was about what had happened. And I thought of all the grief and sadness and fucked up suffering in the world, and it made me want to escape. I wished with all my heart that we could just leave this world behind. Rise like two angels in the night and magically... disappear.
- Crédits fousThe movie title is displayed at the start of the film (at 0:01:56) spaced out as M-YS-TERIOUS S-K-I-N.
- Versions alternativesThe 2005 film reviews generally list a 99 minute run-time. The British Board of Film Classification, bbfc.co.uk, rated the uncut 105m 19s film as 18 on 5/20/2005. The 3/20/2006 "Unrated Director's Edition" Strand Releasing DVD has a 104m 59s run-time, but its case lists a 99m length; it is also anamorphic 853x479 pixels format (1.78:1 aspect) but the case lists Letterboxed. The Internet Movie Database technical specifications list a 107 min Sundance Channel Library Print, but on Sundance.com Sundance TV lists a 105 minutes run-time.
- Bandes originalesGolden Hair
Written by Syd Barrett
Performed by Slowdive
Courtesy of SINE a division of Sony Music Entertainment (UK) Limited
Used by permission of BMG Music Publishing International o/b/o Lupus Music Company Ltd.
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Piel misteriosa
- Lieux de tournage
- 5500 Atlas St, Los Angeles, Californie, États-Unis(Trick or Treat house)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 713 240 $US
- Week-end de sortie aux États-Unis et au Canada
- 17 425 $US
- 8 mai 2005
- Montant brut mondial
- 1 532 932 $US
- Durée
- 1h 45min(105 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1