Ultraviolet

Personally, I love Milla. Even in this, she's still Milla. She's hot, she's fit and she handles the 'tough' role well. I hold the director responsible for bringing it all together. Personally, I didn't 'dislike' this movie. It reminds me of Doom. With the right budget, the right director and time, it could have been the best film of the year. Otherwise, it will leave you feeling like something's been left out. What I liked was the fact I went for a cheesy, mass-action, campy, comic-book/video game movie. I expected fighting, explosions, gratuitous scenes with some nudity and a minimal plot. No, this isn't plot intensive like Silent Hill. (Again, an underlying feature that could have been better handled). So, if you're like me, and you enjoy seeing Milla do her thang, faceless soldiers being under mass slaughter and needless, gratuitous violence, then this is the film for you. Of course, I look for this type of movie only once per year. Just as a break from everything else. The quota has been filled!

It is a little difficult to imagine why this film was released in its current form. It has some potential, the action sequences look a little mundane as we have seen it all before but they are quick and effective. The story is quirky enough to be interesting and some of the backdrops look good.

The problem is, Ultraviolet neither makes sense nor holds together as a film. Huge chunks of action and story seem to have been lost on the cutting room floor. The film is left overloaded with the expensive bits that had already been paid for. Lots of sweeping city-scapes and shots of Mila walking down corridors don't make a film.

It reminds me of other Japanese live action Manga smash-ups (See Kasshern etc). The problem is that Japanese films have every right not to make sense and be completely over the top, as it is what they do best. Unfortunately, due to a westernised need for slight reality, Hollywood have attempted same thing and ended up with a cheap looking film with a poor script stuck together with a bunch of crap one liners.

Kurt Wimmer who wrote and directed Equilibrium, which imho is a great movie, failed miserably to repeat his former success. The idea's behind the movie had visible potential but unfortunately the execution was extremely poor. Bad acting, a confusing and altogether nonsensical story line, and most of all bad writing really killed this one for me. This movie seemed more like a commercial for CGI than anything else. The CGI however was excellent (except for the last scene, I guess they ran out of money)and probably the most interesting part of the movie. The action which is why I saw the movie suffered from repetition: from the characters, to the setups (Violet is being attacked when she is out-numbered), to the moves, unnecessary sword fighting when they have guns with bullets, unnecessarily repetitive situations (big circle everyone attacks at once and violet wins with ease no challenging battle), and a lack of depth. Kurt really missed the mark, better luck next time.

The opening few minutes of Kurt Wimmer's Ultraviolet is a rip roaring, pulse pounding set up of action sequences and chases. Then the film calms down for a little breather until the next amazing fight sequence.

Following a holocaust some humans have become Hemophages, a sub-species with enhanced physical abilities. Violet, must protect a nine-year-old boy who has been marked for death by the human government.

In the wake of 2005's disappointing Aeon Flux, underrated Kurt Wimmer director of Equilibrium (2002) writer of The Recruit (2003) and Salt (2010) set about creating an up-to-the-minute Sci-fi.However, after shooting wrapped Kurt left after being pressured to deliver less emotional PG-13 rated film. In turn, Ultraviolet was completely re-edited by the studio and apparently this marred the finished product significantly.

Acting wise, William Fichtner puts in an unusual performance, Sebastien Andrieu and Nick Chinlund both seem unsure what's going on. With an abundance of forgettable bad guys, Milla Jovovich excellently plays Violet who has enhanced speed, incredible stamina and acute intelligence. Her character at first seems very one dimensional as she plays her usual Resident Evil kick-ass self. But even in the short running time her character develops, you're given glimpses into here past, as she bonds with 'Six' played well by Cameron Bright.

There's great effects, stunts and a thumping score. A lot of reviews have criticised the CGI usage, however, it's stylised, hyper-real and sleek. It's not meant to be faithful representation of a real world. Holograms, swords, a new invented language, gun-fighting and martial arts. It's science fiction entertainment, set in the 21st century, nothing more, nothing less.

It's fast, it's fun - Ultraviolet is an pleasing sci-fi action but possibly could have been so much more if Wimmer was allowed to deliver his cut.

After having been given repeated warnings about how bad this film is, I went ahead and watched a borrowed copy. About thirty minutes into the film I had reached a decision: I was enjoying it. While certainly not Oscar-winning material, most people apparently were expecting some kind of cinematic masterpiece rather than what they got, an over-the-top comic book-like action set piece with a modicum of plot to tie together the action sequences.

The gunkata sequences, closer to Wimmer's original idea of the form, do not approach the stark and yet orgiastic death-art of Equilibrium, but they're fun all the same. The movie is full of neat, if improbable, gadgetry, from gravity manipulators to disposable paper cell phones. Nick Chinlund chews a satisfactory amount of scenery without stuffing himself down the viewer's throat. Milla Jovovich herself manages to use a two-dimensional role to display probably the most range I've ever seen her give outside of "The Messenger", and she was certainly much more attractive in this movie than in any of the others I've ever watched her in. All these things contribute to what amounted to a popcorn bowl of a film: not something you'd eat for every meal, but a nice snack for a change of pace when you don't want something too substantial.

The problem seems to be that most people can't just shut off their brains and enjoy a romp once in a while. Would this film ever seriously contend for Best Anything? No. But it certainly does not deserve the almost universal slagging it has gotten since its release. Ignore what you've heard, don't expect too much, and you might just find yourself being entertained for an hour and a half.