En 1925, un joueur de football américain professionnel entreprenant convainc un héros du football universitaire américain presque trop bon pour être vrai de jouer pour son équipe et d'empêch... Tout lireEn 1925, un joueur de football américain professionnel entreprenant convainc un héros du football universitaire américain presque trop bon pour être vrai de jouer pour son équipe et d'empêcher la ligue de s'effondrer.En 1925, un joueur de football américain professionnel entreprenant convainc un héros du football universitaire américain presque trop bon pour être vrai de jouer pour son équipe et d'empêcher la ligue de s'effondrer.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 3 nominations au total
- Princeton Reporter
- (as David DeVries)
- Princeton Reporter
- (as Craig Harper)
Avis à la une
(My Comment) George Clooney not only starred in this slapstick comedy, he also directed it. The movie may not win any awards, but it is enjoyable to watch. Since the movie took place in 1925, the writers took us back to that time, and slapstick was the rule. If you let yourself go and get into the movie, you will actually get the feel of that era. George is very talented, but I don't think he has a flair for comedy. Renee Zellweger and George share a chemistry together that works well for this movie. You may think this is a chick flick, but you would be somewhat wrong. The love angle doesn't really get going until the end. You will love the way they play pro football with very few rules, especially, the last game that is played in the mud. This is a cute movie, and I know they had a lot of fun making it, because it shows. (Universal Pictures, Run Time 1:54, Rated PG-13)(7/10)
The movie follows the story of the Duluth Bulldogs, a professional American football team, and its most well-known player, Dodge Connelly. Luck is not always on the Bulldogs' side, as can be interpreted from the outcome of the first game you watch them play, but trickery and cheating is. Dodge becomes infamous for cheating almost every game and leading his team to victory because of it. It was okay then, though. There were no rules to American football early on, and cheating was what made the game interesting. That's one of the main themes of the movie.
After the introduction comes Lexie Littleton (played by Renée Zellweger), a quick-witted reporter for the Chicago Tribune who doesn't like her co-workers too much. After calling them "dimwitted" or something similar for the fortieth time, Lexie is assigned by her boss to a story on Carter "The Bullet" Rutherford (played by John Krasinski), a war hero with a more than embellished story. When she is promised the assistant editor's desk if she brings back some dirt on The Bullet and exposes his fake war story, Lexie sets out on quite the adventure, meeting Dodge and the rest of the Bulldogs along the way.
I know that all of this probably sounds generic to the average moviegoer, but it's actually a quite fresh and fun movie. With any other actor and actress at the forefront at the movie, it may have come off as generic and boring, but Clooney and Zellweger have enough chemistry and enough quirks to make the movie fun. There are also some absolutely classic lines and scenes. It's just a fun movie. Don't expect too much depth, because there really isn't any. This movie is more than enough to quench the thirst of any moviegoer who asks for nothing more than an hour and a half of simple humour and slapstick antics.
The historical accuracy is there. Some scenes are featured in a speakeasy, with a female African-American jazz singer performing. Basically everything you see is typical of the time period. Actually, anyone watching the movie might get a little shock when they hear that coffee is only 10 cents a cup at a diner Dodge stops at early on in the movie. However, on the other hand, some major plot areas are not at all historically accurate, especially relating to the football commissioner, since there was no football commissioner for the NFL until 1941. However, this is perhaps looking too deeply into a fun, casual movie.
The main criticism I have of this movie is that some of the scenes just go on too long, especially the punching scene which was featured in the previews. After they punch each other in the face for the tenth time and finish it off with a bad joke from The Bullet, you already are hoping that one of them will bash the other's skull in by accident or something just so that the scene can end. To offset that, however, there were some very quick and humorous scenes, like the scene in which Dodge first meets Lexie in the hotel and tries to hide his face by reading an issue of a women's magazine.
Overall, Leatherheads is worth it for the entertainment value. The story isn't fantastic, but the acting is enough to make up for it, even if you only pay attention to Dodge's witty exchanges with Lexie. If you don't go in expecting too much, you will leave satisfied, refreshed, and entertained, and that's really all the movie aimed for.
Set in the 1920's George is 'Dodge' Connelly a football player on the field and a ladies man off it, and this is before the big money and rules changes that took into form for the game. Clooney's team the Duluth Bulldogs are a scrapper bunch at play yet the team is tough and gritty, and off the field George's Dodge character is full of drink and has eyes for a dame. Enter Lexie Littleton(Renee Zellweger)who's an elegant and sexy snap news lady of a reporter as she's a little lady in red from her nifty wardrobe. While the Bulldogs team and other foes have gone bankrupt and many move on to other traits of work like mining and labor, a plan then develops to invest in and start an organized league with the help of a famous recruit for the Bulldogs that being college ivy league stud and apparent war hero Carter Rutherford(John Krasinski). Along the way then the film blends with plenty of slapstick laughs and comic gridiron action from strange and crazy tackles to muddy fields to catchy flirtation one liners and romance that is seen in a chastely and sexy way. And the big surprise is the truth about the apparent battlefield story is revealed.
Overall this isn't a great movie, but it's OK as the slapstick and laughs carry it, so if your expecting a historical serious and dramatic look at the early NFL you want get it here. Though the costumes and uniforms of the classic throwback way of no face mask, no chin gear, nor any rules make you feel just like your back watching a 1920's era game. The chemistry between Clooney and Zellweger is good as Renee is a bright treat to watch even though the laughs are good and the scenes are fun Clooney appears out of place here in a comedy work even though his performance is good, this screwball comedy scores for laughs and is flagged for drama and it's lack of focused attention on the history of the start of the NFL.
In terms of capturing the period, it does a great job – or at least it does a great job of continuing the nostalgic idea of the period. It does this with a cool jazz soundtrack, good costumes and the suggestion of the snappy dialogue that the screwball movies are known for. I say suggestion because of the places where the film doesn't have the zing that it needed is in the script. It does have its moments though and it is quite fun at times but mostly it feels like it is just falling short of where it should be. It has a couple of things that don't help this either. Firstly it is too long, maybe not for the plot (it doesn't "drag" per se) but certainly for the light tone. Secondly, the romance aspect of the plot doesn't really work, which is partly down to the casting of Zellweger.
Where Clooney fits the bill as a "too-cute by half" square-jawed matinée star, Zellweger cannot convincingly deliver her lines in a way that works. I think of Jennifer Jason Leigh in Hudsucker Proxy – she did an impression of an actress in a screwball comedy that was pretty good and looking at that shows up how ill-suited Zellweger is. I know people dislike her on principle but I am not one of them, I just thought she was pretty poor here. Krasinski is good in his role even if, to be frank, he didn't do anything that suggested he has more than the range of characterisation that he has already shown on The Office – and that should be of concern to his "people" since he will soon need to breakout of that show as it cannot run forever. The supporting cast has plenty of interesting and recognisable faces who do solid work.
Leatherheads is not a terrible comedy as some have suggested and it should not be criticised for being inconsequential or light. Sadly though it is not frothy, sparky or fun enough to be the film that it was clearly intended to be. OK there are specific issues with aspects of the plot and some (well, one) bit of casting but generally this bigger picture problem is what limits it to be an "OK" film but no better than that.
Le saviez-vous
- AnecdotesFor this role, John Krasinski had to change his usual hairstyle. This hair change was worked into a story on his television show, The Office (2005).
- GaffesIn the scene where they are leaving the commissioner's office, they get in an elevator and push a button to go to the ground floor. All elevators at that time had operators who controlled elevator movement. Push buttons did not come in to use until the 1950's.
- Citations
Carter Rutherford: Wait. Where were you two?
Jimmy 'Dodge' Connelly: Out.
Lexie Littleton: Nowhere.
Carter Rutherford: Did you *kiss* her?
Lexie Littleton: Now wait a minute.
Carter Rutherford: I want answers!
Jimmy 'Dodge' Connelly: Yeah, I kissed her! On the mouth, twice! And I liked it. A lot!
Carter Rutherford: Oh you did, did you?
Jimmy 'Dodge' Connelly: Yeah!
Lexie Littleton: Thanks.
Jimmy 'Dodge' Connelly: You're welcome.
- Crédits fousPhotographs showing the 'fates' of the main characters appear behind the credits.
- Bandes originalesTiger Rag
Written by Harry DeCosta (as Harry Da Costa), Henry Ragas (as H.W. Ragas), Nick LaRocca (as D.J. La Rocca), Larry Shields (as L. Shields), Tony Sbarbaro (as A. Sbarbaro), and Edwin B. Edwards (as E.B. Edwards)
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Leatherheads
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 58 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 31 373 938 $US
- Week-end de sortie aux États-Unis et au Canada
- 12 682 595 $US
- 6 avr. 2008
- Montant brut mondial
- 41 319 039 $US
- Durée1 heure 54 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1