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Maqbool, le parrain de Bombay

Titre original : Maqbool
  • 2003
  • 2h 12min
NOTE IMDb
8,0/10
13 k
MA NOTE
Maqbool, le parrain de Bombay (2003)
The intrigue of the Shakespearean tragedy 'Macbeth' is transposed to the Mumbai underworld.
Lire trailer3:22
1 Video
25 photos
CrimeDramaThriller

L'intrigue de la tragédie de Shakespeare « Macbeth » est transposée dans le milieu de la pègre de Mumbai.L'intrigue de la tragédie de Shakespeare « Macbeth » est transposée dans le milieu de la pègre de Mumbai.L'intrigue de la tragédie de Shakespeare « Macbeth » est transposée dans le milieu de la pègre de Mumbai.

  • Réalisation
    • Vishal Bhardwaj
  • Scénario
    • Abbas Tyrewala
    • Vishal Bhardwaj
    • William Shakespeare
  • Casting principal
    • Irrfan Khan
    • Tabu
    • Pankaj Kapur
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    8,0/10
    13 k
    MA NOTE
    • Réalisation
      • Vishal Bhardwaj
    • Scénario
      • Abbas Tyrewala
      • Vishal Bhardwaj
      • William Shakespeare
    • Casting principal
      • Irrfan Khan
      • Tabu
      • Pankaj Kapur
    • 47avis d'utilisateurs
    • 19avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 10 victoires et 19 nominations au total

    Vidéos1

    Maqbool (2003) Trailer
    Trailer 3:22
    Maqbool (2003) Trailer

    Photos25

    Voir l'affiche
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    Rôles principaux41

    Modifier
    Irrfan Khan
    Irrfan Khan
    • Maqbool
    • (as Irrfan)
    Tabu
    Tabu
    • Nimmi
    Pankaj Kapur
    Pankaj Kapur
    • Jahangir Khan (Abbaji)
    • (as Pankaj Kapoor)
    Naseeruddin Shah
    Naseeruddin Shah
    • Inspector Purohit
    Om Puri
    Om Puri
    • Inspector Pandit
    Piyush Mishra
    Piyush Mishra
    • Kaka
    Masumeh Makhija
    Masumeh Makhija
    • Sameera (Abbaji's Daughter)
    Ajay Gehi
    Ajay Gehi
    • Guddu (Kaka's son)
    Abbas Tyrewala
    Abbas Tyrewala
    • Sadik Chikna
    Deepak Dobriyal
    Deepak Dobriyal
    • Thapa
    Gyanchand Rikki
    • Mughal
    Manav Kaushik
    Manav Kaushik
    • Asif
    Ankur Vikal
    Ankur Vikal
    • Riyaz Boti
    Pubali Sanyal
    • Boti's wife
    Raj
    • Boti's son
    Murli Sharma
    Murli Sharma
    • Devsare
    Firdous Irani
    • Usman
    • (as Firdaus Irani)
    Vivek Mushran
    Vivek Mushran
    • Tavde
    • (as Vivek Mishra)
    • Réalisation
      • Vishal Bhardwaj
    • Scénario
      • Abbas Tyrewala
      • Vishal Bhardwaj
      • William Shakespeare
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs47

    8,012.8K
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    Avis à la une

    10bn0809

    Cinematic Poetry

    Here is a movie that makes you sit up and take notice of a brilliant director, who entered the film stream as music director. Vishal's progress as a director is astounding!

    The film is adapted from Shakeaspere's "Macbeth", using Mumbai underworld as the backdrop. Charecterizations are brillaint, with the witches in Macbeth, being metamorphosed into two corrupt cops.

    The screenplay, cinematography, sound design are dialogues are brilliant. The performances from all the 5 key players, Irrfan, Tabu, Pankaj Kapur, and the two cops, Naseer and Om Puri are out of the world. Music is imaginative with captive visualizations.

    Credit for the entire movie should go to Vishal, for his outstanding conceptualization and execution. A special word, for cinematographer Hemant Chaturvedi. His final shot of Irrfan falling on the ground in the hospital, with a slow motion of a pigeon, followed by a changing color from normal light to serene green, followed by the fall with a tilted camera is worth going miles for! Bravo!
    8luvkush2k

    Irfan is the next superstar

    Irfan shines and shines. Tabu, Pankaj Kapoor are excellent, as are Naseerudin and Om Puri, but when Maqbool (Irfan) is on screen, he overshadows all. Yes even Pankaj (one of the finest actors of India). Vishal Bharadwaj has made an excellent adaptation. Why, oh why doesn't someone drag Sanjay Leela Bhansali to see this film. Anyone who has seen Irfan in 'The Warrior" or Haasil will certify that Irfan's utterly unconventional looks acts as a force multiplier, rather than a drag. He is a great talent, and Indian filmmakers would do well to use him much more than he is being used. Another victory for Bobby Bedi, one wonders why everyone in the industry seems to hate the man. He has already given us Bandit Queen and Maqbool. What more does a man have to do? Oh that's right, "Indian public wants films like Black and KKKG" (actual quote by a BB basher). Another word on Tabu, why don't more filmmakers give her real roles. But not Bhandarkar please. Page 3 has destroyed all faith in him.
    8andyganja

    Macbeth comes to Mumbai

    Vishal Bhardwaj has proven Rudyard Kipling wrong. West does meet East.

    I just came back after watching Maqbool directed by Vishal Bhardwaj (remember Makdee or the music director of Maachis?).

    And i am stunned. In this brilliant film, Macbeth meets Mumbai with such ease that i didn't think it would be possible.

    It is an adaptation of Shakespeare's MACBETH. Only Duncan is the king of underworld (Abbaji - Pankaj Kapoor). Macbeth is Mian Maqbool (Irfan Khan). Lady Macbeth is Nimmi (Tabu). Macduff is Kaka (Piyush Mishra)

    And the kingdom is present-day Mumbai.

    Around them are India's best acting talents: Naseeruddin Shah, Om Puri, and Ajay Gehi.

    This film is slightly different from Macbeth though. Macbeth is driven by his love for the throne. Maqbool is driven by his love for Nimmi.

    He murders Abbaji and declares himself the leader of the gang. The underworld is in a state of shock and everyone suspects Maqbool. But no one dares raise a voice against him. Maqbool then goes on to murder his close friend Kaka to gain absolute power.

    He is led (or misled) in his endeavour by two corrupt cops. (Om Puri and Naseeruddin Shah). They essay the role of the three witches in Macbeth.

    The performances are of a high order. Pankaj Kapur delivers his career-best performance. Followed closely by Tabu. In fact it is a photo finish.

    Vishal Bhardwaj is a great storyteller. He imbues the film with a number of sparkling sequences and dialogues. Bhardwaj and writer Abbas Tyrewala do not resort to gimmicks and instead have been as realistic as possible. The guilt pangs that Nimmi and Maqbool suffer after Abbaji's murder is one phase that takes the film to a different high altogether.

    In the end, all i can say is, Maqbool has the potential to be a landmark film in Bollywood. In spite of its shabby marketing.
    ozzyrocks86

    Brilliant

    I just watched this film and I must say I was stunned. A modern day adaptation of Macbeth, director Vishal Bharadwaj takes full advantage of his hugely talented cast, and full kudos to his direction. He is one to look out for! Performance-wise, Om Puri and Nasseruddin Shah are good, Tabu is great, and Irfan Khan is mind-blowing. But it is Pankaj Kapur who steals the show. He's such an amazing performer. Overall, Maqbool is a class act. Watch it right now!
    7I_Ailurophile

    A splendid, unique interpretation of a classic, though sadly and direly uneven

    I'll say this much, no one could possibly accuse filmmaker Vishal Bhardwaj and co-writer Abbas Tyrewala of not being ambitious and daring. In one fell swoop they endeavored to tell an Indian story with some portion of the recognizable framework of a classic of English literature, and to shape the very familiar characters, scene writing, and plot of that classic of English literature into a discretely Indian film. Any filmmaker who seeks to adapt William Shakespeare faces the challenge of establishing their own unique vision while retaining the core substance of the source material; Bhardwaj and Tyrewala gave themselves an even greater challenge in transplanting the tale to a completely different setting - geographically, temporally, culturally - and necessarily altering the characters and dialogue, and in turn the scenes and narrative, in a manner that's sensible for the new rendition. The essence of 'Macbeth' remains in a saga of prophecy, ambition, conspiracy, and murder, but now in the criminal underworld of Mumbai rather than the heaths of Scotland. Can the result be satisfying for both fans of Indian cinema, and fans of The Bard? I think the answer is "yes," overall, but mileage will vary significantly from one viewer to the next, and to be honest, in some important ways 'Maqbool' is a rather rough ride.

    No matter one's frame of reference I think there are definite, distinct issues that place major upper limits on what the movie could have been. The idea of changing the comings and goings and fates of characters from how they present in the Scottish play is not at issue; this is the nature of adaptation. However, independent of any consideration of inspiration or context, I think the screenplay is deeply troubled in fundamental ways. Too much of the scene writing, characterizations, overall plot, and plot development feel direly scattered, unfocused, and confused. Relationships between characters are meagerly established, and it's often hard to get a beat on who they are supposed to be to one another, or even in the grand scheme of the story (including even this film's Lord and Lady Macbeth, Miyan and Nimmi); the thrust of the narrative seems to shift wildly and unpredictably, with little to no cohesiveness or coherence, and I begin to wonder if the pieces of the puzzle truly even fit together; plot development is so sideways, and pacing so limp, that by the time half the length has elapsed it doesn't really feel that the tale has meaningfully progressed from where it began. If we then stop to consider all this in comparison to any other cinematic interpretation of the play from which Bhardwaj and Tyrewala drew influence, one can't help but be confounded.

    'Maqbool' is well made in other regards, certainly. I love the music, both the original score and the specific songs that dot the length; the choreography is fantastic. The filming locations and art direction are equally lovely, not to mention the costume design, hair, and makeup. I don't necessarily agree that every choice here of editing or cinematography were the best ones, but I appreciate Aarif Sheikh and Hemant Chaturvedi's contributions nonetheless, as well as the stunts and effects that are employed. There is scarcely any more a one-to-one comportment between the performances, and the major scenes for actors, than there is between the narrative at large and 'Macbeth,' but still I don't think there's any arguing that the acting is strong, with Irrfan and Tabu naturally standing out in the chief roles - and they are hardly alone. Troubled as I believe the writing to be, I find no particular fault in Bhardwaj's direction as he ties all the various parts together. Truthfully, I think in total the title is surely better than not, and enjoyable; as much as I had my doubts, the narrative does gel more cogently in the second half, with the outcome of being compelling and satisfying. It's just so unfortunate that the writing is so messy in the first place, for if as much care had been applied to the storytelling as had been to every other facet, the finished product would have only benefited. As it stands, the favor we may bestow is heavily restricted after a point.

    All told I do like this, and I think it's worth watching, on its own merits and whatever one's impetus. Why, there are even some bits and pieces here, Bhardwaj and Tyrewala's own takes on some critical story ideas, that are kind of brilliant. It also struggles with notable weaknesses, however, and all the most severe of these stem strictly from the writing that desperately needed to be tightened. For as incredibly well done as the film is at its best I want to like it more than I do; for the problems that hound it for far too much of the length, maybe I'm being too kind. One way or another 'Maqbool' stands solidly on its own legs, and I'm pleased to give it a recommendation; would that the skill and intelligence this demonstrates in its best moments had been more evenly administered all around so that I could speak of the flick with more enthusiasm.

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    Histoire

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    Le saviez-vous

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    • Anecdotes
      Macbeth is Vishal Bhardwaj's favorite play. He wanted to make a movie for mature audiences after his debut with the children's movie Makdee (Shabana Azmi played the witch for free in that one), and chose his favorite dark-story.
    • Citations

      Inspector Pandit: Shakti ka santulan chahiye sansar mein. Aag ke liye paani ka dar hona chahiye.

    • Connexions
      Referenced in No Smoking (2007)

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    FAQ16

    • How long is Maqbool?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 30 janvier 2004 (Inde)
    • Pays d’origine
      • Inde
    • Sites officiels
      • Kaleidoscope Entertainment (India)
      • Watch Maqbool on Disney+ Hotstar
    • Langues
      • Hindi
      • Urdu
    • Aussi connu sous le nom de
      • Maqbool
    • Sociétés de production
      • Kaleidoscope Entertainment
      • NH Studioz
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

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    • Durée
      2 heures 12 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 1.78 : 1

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