Hum Tum
- 2004
- Tous publics
- 2h 23min
NOTE IMDb
7,0/10
16 k
MA NOTE
Ajouter une intrigue dans votre langueA novel look at the eternal battle of the sexes and the trials and tribulations of Karan and Rhea and their attempts to understand each other.A novel look at the eternal battle of the sexes and the trials and tribulations of Karan and Rhea and their attempts to understand each other.A novel look at the eternal battle of the sexes and the trials and tribulations of Karan and Rhea and their attempts to understand each other.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 18 victoires et 33 nominations au total
Kirron Kher
- Parminder 'Bobby' Prakash
- (as Kiron Kher)
Shenaz Treasury
- Shalini
- (as Shenaz Treasurywala)
Avis à la une
Hum Tum literally means Me and You.
At a book review for the new little cartoon, Hum Tum, journalists ask Karan Kapoor (Saif Ali Khan)if his story is hidden in the story that he wrote. Someone asks him what his story is, and Karan agrees to tell them. He begins where he first met a girl named Riya (Rani Mukherjee) on a New York destined flight. They meet and on a long layaway in Amsterdam, they can agree on one thing. They loathe each other. Riya thinks that she will never see Karan again, but she is wrong. When she is to wed Sameer, she sees Karan again. Karan was the wedding planner's (Rati Agnihotri) son. They still loathe each other, but Karan starts feeling a pull towards her. They have a couple of other quirky meetings that may either end in love or misery for them both.
As the main story is going on, Karan's cartoons take life and basically form a subplot. Hum and Tum are, ironically, each of the cartoon characters' names. Hum is the boy, and Tum is the girl. At first, they aren't friends, and as Karan's story goes on, theirs goes on in a similar way. Will Hum and Tum ever get together and form the celebrated Hum Tum? Or will they also never ever fall in love?
This movie is a very cute, clean romance between two people. It is not one of the regular Bollywood formulas, there is no parental interventions, and it just shows that love may develop over time. The romance that develops between Riya and Karan is strong, that even after viewing the movie, the watcher feels that they have been given something different from regular romantic movies. I recommend this film highly for anyone who even thinks of watching a Bollywood movie. Yes, there are cartoons, but they in no way detract from the movie.
At a book review for the new little cartoon, Hum Tum, journalists ask Karan Kapoor (Saif Ali Khan)if his story is hidden in the story that he wrote. Someone asks him what his story is, and Karan agrees to tell them. He begins where he first met a girl named Riya (Rani Mukherjee) on a New York destined flight. They meet and on a long layaway in Amsterdam, they can agree on one thing. They loathe each other. Riya thinks that she will never see Karan again, but she is wrong. When she is to wed Sameer, she sees Karan again. Karan was the wedding planner's (Rati Agnihotri) son. They still loathe each other, but Karan starts feeling a pull towards her. They have a couple of other quirky meetings that may either end in love or misery for them both.
As the main story is going on, Karan's cartoons take life and basically form a subplot. Hum and Tum are, ironically, each of the cartoon characters' names. Hum is the boy, and Tum is the girl. At first, they aren't friends, and as Karan's story goes on, theirs goes on in a similar way. Will Hum and Tum ever get together and form the celebrated Hum Tum? Or will they also never ever fall in love?
This movie is a very cute, clean romance between two people. It is not one of the regular Bollywood formulas, there is no parental interventions, and it just shows that love may develop over time. The romance that develops between Riya and Karan is strong, that even after viewing the movie, the watcher feels that they have been given something different from regular romantic movies. I recommend this film highly for anyone who even thinks of watching a Bollywood movie. Yes, there are cartoons, but they in no way detract from the movie.
I enjoyed Hum Tum. To no one's surprise, Saif and Rani did a superb job. I don't think anyone has better comic timing than Saif. He's a natural actor. Rani has always worked really hard. Songs were great. I especially liked the Mere Dil Vich Hum Tum track and the title song. Like all other Yash Raj films, this movie has a very fresh feeling. I was rather delighted to see all the guest appearances. I was completely unaware of that. I really am not a fan of Rishi Kapoor. I don't know why, but I find him really irritating. He just doesn't seem that convincing to me. The cartoons got really irritating. It's weird, in the middle of a real-people movie, to all of a sudden start watching cartoon characters. Thankfully, the cartoons died down a bit in the second half. It's also a bit annoying how the film spans over nine years. Every half hour it says "3 years later," "1 year later," "4 years later." Being a Yash Raj film, my expectations for this movie were super-duper high, but I still liked it. It's a fun-filled romantic comedy.
on the surface, everyone's condemning it for its 'inspired' storyline. but then, even Shakespeare picked up stories from the common database. i am not comparing it to his work.. you could point a finger at its not so original storyline, but credit is due where it is due. the movie is refreshing in the treatment it gives the girl-guy thing. it incorporates a cartoon strip = animation smoothly. and, not only does the movie manage to stay restrained almost throughout without following the general "second half" drag, it also deals with more than just the "cover story" or theme.
at its base is this endearingly constant bickering and loving relationship between karan and rhea. but go a little deeper and you see the sub plots of the rishi kapoor-rati agnihotri marriage-that-didn't-work, and the lonely kirron kher. kunal kohli deals with the theme of loneliness, and puts his point forward subtly in their stories. no one can live alone. and finding a way to make relationships work - is in our hands after all - as rati says towards the end - god might not give us a second chance, but we have to find it for ourselves.
the movie is realistic enough - contrary to what some of the obtuse commentors have posted already. and definitely a complete whole structure. minor glitches notwithstanding, it's a delightfully entertaining and heartwarming movie.
at its base is this endearingly constant bickering and loving relationship between karan and rhea. but go a little deeper and you see the sub plots of the rishi kapoor-rati agnihotri marriage-that-didn't-work, and the lonely kirron kher. kunal kohli deals with the theme of loneliness, and puts his point forward subtly in their stories. no one can live alone. and finding a way to make relationships work - is in our hands after all - as rati says towards the end - god might not give us a second chance, but we have to find it for ourselves.
the movie is realistic enough - contrary to what some of the obtuse commentors have posted already. and definitely a complete whole structure. minor glitches notwithstanding, it's a delightfully entertaining and heartwarming movie.
Hum Tum follows the encounters of two people who run into each other on several occasions under circumstances ranging from friendly to hostile to loving. Along many years and countless run-ins, the two despise each other, befriend each other, and fall in love with each other.
The storyline is a bit formulaic and quite predictable, and it drag on and on in some parts. And the jumping "three years later" "six years later" is a bit much, it's also quite plausible that they meet at different places, after a long time and at right time like that.
The acting is fantastic; Saif Ali Khan and Rani Mukhurjee did a solid job in the lead roles, they brought both energy and charisma in their performance. They portray the different lifes their characters find themselves in a convincing manner. The supporting characters are okay, Kirron Kher did a good as the goofy but supportive mother of Rhea, Rishi Kapoor as the somewhat estranged father is well-acted but I'm not a fan of the character, there's something off about him and I find him somewhat unlikable.
The soundtrack is amazing, very catchy songs, especially the one with the film's title - Hum Tum. the production design is top-notch, some exotic locations and beautiful sceneries, some rain and snow here and there to add more dramatic effect.
The cinematography is excellent; some good camera angles and panning during tense or emotional moments like the scene where after they fight in the bar, the camera tilts downward and slowly moves back as she walks out of his life, and creating distance between them, both figuratively and literally.
The animation that comes in unannounced at times is frustrating, and I'm not sure why they even spent money on it. The character design is awful, they look like something straight out of Ben 10. I'd have preferred if they left it out but still it was fun.
All in all, Hum Tum is a beautiful, emotional charged love story, with some likable performances and good production value. I had a good time watching it.
The storyline is a bit formulaic and quite predictable, and it drag on and on in some parts. And the jumping "three years later" "six years later" is a bit much, it's also quite plausible that they meet at different places, after a long time and at right time like that.
The acting is fantastic; Saif Ali Khan and Rani Mukhurjee did a solid job in the lead roles, they brought both energy and charisma in their performance. They portray the different lifes their characters find themselves in a convincing manner. The supporting characters are okay, Kirron Kher did a good as the goofy but supportive mother of Rhea, Rishi Kapoor as the somewhat estranged father is well-acted but I'm not a fan of the character, there's something off about him and I find him somewhat unlikable.
The soundtrack is amazing, very catchy songs, especially the one with the film's title - Hum Tum. the production design is top-notch, some exotic locations and beautiful sceneries, some rain and snow here and there to add more dramatic effect.
The cinematography is excellent; some good camera angles and panning during tense or emotional moments like the scene where after they fight in the bar, the camera tilts downward and slowly moves back as she walks out of his life, and creating distance between them, both figuratively and literally.
The animation that comes in unannounced at times is frustrating, and I'm not sure why they even spent money on it. The character design is awful, they look like something straight out of Ben 10. I'd have preferred if they left it out but still it was fun.
All in all, Hum Tum is a beautiful, emotional charged love story, with some likable performances and good production value. I had a good time watching it.
Hum Tum is an extremely modern and lighthearted romantic comedy. It is very well directed, beautifully shot, and is interesting and entertaining. Kunal Kohli makes a very good job in depicting the world of young Indians who travel the world and live their individual lives with passion and independence. The portrayal of relationships between the characters in the film, particularly that of the main lead, Karan and Riya, is handled with a mind-blowing mix of comedy and emotional drama. The film moves at a steady pace, the animated characters of 'Hum' and 'Tum' are really fun, the music is suitably racy, the cinematography and editing are excellent, and the entire concept of following the hate-to-love relationship of two young people for a period of several years across many different countries, is refreshing and convincingly done.
Having mentioned its light mood and refreshing tone, Hum Tum, above all, has true heart and soul, and there's actual depth beneath its comic tone and pretty visuals. It's not a fluffy rom-com which is just enjoyable, it is actually an affecting human story. Part of what makes it so good is the freshness of the narrative, which is mostly conversational. The conversations between the two leads are first quite confrontational but later become interestingly philosophical and intellectual and, in time, emotional. As the story develops, you find yourself increasingly engrossed in the proceedings and familiar with the characters, liking them and wishing for a good resolution to their story. Karan, the male lead, is a particularly interesting character of a spoiled man who is always well-meaning and has his heart in the right place, but actually grows as a person throughout the film.
The film leans on a truly electrifying chemistry between the two leads, Saif Ali Khan and Rani Mukherjee. Mukherjee is very appealing and natural and performs brilliantly throughout the film, but it is Saif Ali Khan who steals the show big time. Playing a trendy, humorous, carefree yet gracious womaniser, Khan seems to be tailor-made for the role of Karan, which gives him ample scope to showcase his superb comic-timing but also capture the human beneath the mischief and register his personal growth. He completely inhabits the part, performing with natural ease, infusing it with the right amount of depth, wit and energy, and consistently appearing so real and effortless that it can be rightly concluded that no one else would have been able to do it as well as he did. This is an exceptional, unforgettable performance and, indeed, one of the greatest comic-dramatic acts I can think of.
In support, Rishi Kapoor is very enjoyable in one of his finest and funniest performances. Kirron Kher is outstanding and simply hilarious in an all-out comic part as the loud and loving mother. Rati Agnihotri is as beautiful as ever in a smaller part, and Jimmy Shergill and Isha Koppitar provide great support. The soundtrack, as already mentioned, perfectly suits the film's mood; the title song is particularly beautiful in both melody and screen visualisation. Please note, Hum Tum is definitely not a rip-off of When Harry Met Sally, as some people have suggested. There are some tiny similarities in the general concept but nothing more than just that, and it has pretty much a story of its own. Finally, Hum Tum is a lovely and memorable film. It is both very funny and moving, and is overall a heartwarming picture which can always be a great watch for the entire family.
Having mentioned its light mood and refreshing tone, Hum Tum, above all, has true heart and soul, and there's actual depth beneath its comic tone and pretty visuals. It's not a fluffy rom-com which is just enjoyable, it is actually an affecting human story. Part of what makes it so good is the freshness of the narrative, which is mostly conversational. The conversations between the two leads are first quite confrontational but later become interestingly philosophical and intellectual and, in time, emotional. As the story develops, you find yourself increasingly engrossed in the proceedings and familiar with the characters, liking them and wishing for a good resolution to their story. Karan, the male lead, is a particularly interesting character of a spoiled man who is always well-meaning and has his heart in the right place, but actually grows as a person throughout the film.
The film leans on a truly electrifying chemistry between the two leads, Saif Ali Khan and Rani Mukherjee. Mukherjee is very appealing and natural and performs brilliantly throughout the film, but it is Saif Ali Khan who steals the show big time. Playing a trendy, humorous, carefree yet gracious womaniser, Khan seems to be tailor-made for the role of Karan, which gives him ample scope to showcase his superb comic-timing but also capture the human beneath the mischief and register his personal growth. He completely inhabits the part, performing with natural ease, infusing it with the right amount of depth, wit and energy, and consistently appearing so real and effortless that it can be rightly concluded that no one else would have been able to do it as well as he did. This is an exceptional, unforgettable performance and, indeed, one of the greatest comic-dramatic acts I can think of.
In support, Rishi Kapoor is very enjoyable in one of his finest and funniest performances. Kirron Kher is outstanding and simply hilarious in an all-out comic part as the loud and loving mother. Rati Agnihotri is as beautiful as ever in a smaller part, and Jimmy Shergill and Isha Koppitar provide great support. The soundtrack, as already mentioned, perfectly suits the film's mood; the title song is particularly beautiful in both melody and screen visualisation. Please note, Hum Tum is definitely not a rip-off of When Harry Met Sally, as some people have suggested. There are some tiny similarities in the general concept but nothing more than just that, and it has pretty much a story of its own. Finally, Hum Tum is a lovely and memorable film. It is both very funny and moving, and is overall a heartwarming picture which can always be a great watch for the entire family.
Le saviez-vous
- AnecdotesWhen Rishi Kapoor meets Kirron Kher, she says her nickname is Bobby. He says, "Why don't I call you Dimple?" The eponymous female lead in Bobby (1973), was played by Dimple Kapadia.
- GaffesDutch scenery, license plates etc. in Paris scenes (the whole Paris section is actually filmed in Amsterdam).
- Citations
Rhea Prakash: Say it.
Karan Kapoor: What?
Rhea Prakash: What you've never said to me before.
Karan Kapoor: That I love the kids and Tommy more than you?
- Versions alternativesThe brief scene showing Karan and Rhea in bed after spending the night together was deleted from some theatrical prints in India.
- ConnexionsFeatured in 50th Filmfare Awards (2005)
- Bandes originalesLadki Kyon
Written by Prasoon Joshi
Composed by Jatin Pandit (as Jatin) - Lalit Pandit (as Lalit)
Performed by Shaan and Alka Yagnik
Courtesy of Saregama HMV
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- How long is Hum Tum?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Me and You
- Lieux de tournage
- Amsterdam, Pays-Bas(Amsterdam)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 796 641 $US
- Week-end de sortie aux États-Unis et au Canada
- 275 882 $US
- 30 mai 2004
- Montant brut mondial
- 1 878 842 $US
- Durée2 heures 23 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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