Zig Zag, l'étalon zébré

If you strongly dislike films that are predictable, clichéd or derivative, and you're not showing Racing Stripes to kids, you should avoid this movie. Well, at least looking at things somewhat pessimistically. Ideally, you should sort out the conceptual errors you're making and see the movie, because it is a very good film. The Cult of Originality had it wrong. Artworks aren't inherently more valuable just because they're unprecedented, and they're not inherently less valuable just because they're engaging in a well-established form, or "template", to put it in more modern terms.

Stripes is a zebra who is orphaned at the beginning of the film when a traveling circus accidentally leaves him behind during a storm. Nolan Walsh (Bruce Greenwood) finds him and brings him back to his Kentucky farm (actually South Africa doubling as Kentucky). Walsh, a recent widower, has a teenaged daughter, Channing (Hayden Panettiere), who works at the local horse track for a mean, snooty and rich boss lady, Clara Dalrymple (Wendie Malick). The horse track is the heart of the town. The farm next door to the Walsh's breeds racehorses, and in fact, Walsh used to breed and train racehorses, too, for Clara, and it's implied that Walsh's wife, a former champion jockey, died in a horse-racing accident.

Meanwhile, Stripes is trying to adjust to life on the Walsh farm, which means assimilating with a motley crew of animals. All of the animals can talk to each other, "Mister Ed" (1961)-style, but in the more traditional filmic instantiation of talking animals, they can't talk to humans, although it is implied that they can at least slightly understand human speech. Stripes knows he looks different, but he figures he's a horse, like the racehorses next door, because that's what he looks closest to. Their teasing because he looks different merely creates a stronger desire for him to fit in and even best them, which naturally means a growing desire to race.

Any older cinephile could probably fill in the basic developments of the plot, up to and including the ending, given the premises above. The important consideration is not whether Racing Stripes is unprecedented, but how well it does what it sets out to do. The formulaic aspects of the plot, as with all artworks that engage with some traditional "formula", enhance Racing Stripes rather than detracting from it by (a) filling in a deep milieu of shared meaning, signifiers and so on, and (b) underscoring the ways in which Racing Stripes makes its variations on the form. It's a good film both because it executes the basics of the form so well and because the variations are well done, creative and entertaining. That's if you're an adult, at least. For younger audiences, it's a great film because it's establishing the form in their minds. The form exists as a template because it's a very effective, classic plot rooted in a particular kind of cultural mythology. But this instantiation is simply a funny, inspirational story featuring a talking zebra.

Filmic visual manipulation has come a long way in the 40 years since "Mister Ed". Mister Ed, the original talking horse, was made to "speak" by putting something in his mouth that he would then try to remove. In Racing Stripes, the animal speech is all done through cgi--actually computer animation/manipulation of cinematographic images of the animals' mouths, and it looks incredibly realistic. Like most movies of this sort, Racing Stripes is a pleasure to watch simply for its animal stunts. I suppose one can never get too old or intellectual to enjoy a dancing monkey, so to speak. There are a few instances of animal "stunts" being too dangerous for the animals--such as Stripes' wipeout, so these are animated with cgi, too, and they're integrated very well.

There are also two completely cgi-animated characters--flies named Buzz and Scuzz. These are the most consistently comic characters, although as flies, a lot of their visual humor, at least, hinges on jokes about things like garbage, discarded food, manure, and so on.

The animals are voiced by an all-star cast. Director Frederik Du Chau, in his first live-action film (and only his second film), does an excellent job creating performances from the animals that match the public personalities of the voices. Stripes is Frankie Muniz, and has his innocent precociousness. Dustin Hoffman is an older, small horse named Tucker who provides advice and inspiration, a bit like a cynical Buddha. Snoop Dogg is the family hound, naturally enough, and tends to lie on the porch, chilling out and making sarcastic remarks. Joe Pantoliano is Goose--he made a wrong turn in New Jersey and is now comically trying to pass himself off as a gangster. The flies are David Spade and Steve Harvey, with Spade doing his infamous manic-but-mellow naivety. The human cast is good, too, but they're really ancillary to the animals. Older cinephiles will especially delight in seeing M. Emmet Walsh as a rumpled "track-rat".

As a film primarily targeted at kids and younger teens (although it's certainly not enjoyable only to them--I'm middle-aged and have no kids), Racing Stripes has a couple "moral of the story" subtexts, and as usual, they're themes that not only kids can benefit from internalizing. The primary theme is acceptance of difference. Stripes is unlike any being the other animals have encountered, and naturally he is teased, made fun of, ostracized and even physically abused because of it. The gist of the plot is a demonstration that difference isn't negative. This is often interpreted as a racial theme, but it's really more general than that, applying to all kinds of differences. The other main theme, acceptance of loss and confrontation of the resultant depression, fear and anger, arrives via Walsh.

Cute, funny, heartwarming and a subtly surreal fantasy, Racing Stripes is a great example of why predictability just doesn't matter when it comes to making a good film.

This is a movie that touches all the right spots. It has Stripes striving for an unattainable goal, Channing striving for her own life, the loyalty and help of friends and the tragedy of a love lost. Just remember this isn't trying to be real life "gritty" drama. It's entertainment and my wife and I were satisfyingly entertained. If I had any complaints it would be with the inclusion of Snoop Dogg's character. It was a waste of screen time and I wish I could have gotten a better feel for the hate of the stallion Trenton. It's a formulaic movie but it follows the formula well with a new twist, likable and hate able characters.

Is Racing Stripes a masterpiece? No, though I wasn't expecting it to be. Is it an abomination? Again, no. If anything, in my view it is just above average. It does have a predictable story, the characters are stereotypical, some of the script is a little cloying and unfocused and the film is too short. Conversely, Racing Stripes doesn't try to be any more than it already is. It is an inoffensive and charming film, which is what it promised, and I think it worked in that aspect. Some of it is sweet and fun, the film moves quickly, the soundtrack is infectious and the scenery and photography are gorgeous. Also the live action animation is great, and the acting while not award worthy is decent with Frankie Muniz particularly surprisingly good. Overall, it is a good movie, not great, but I was expecting worse. 6/10 Bethay Cox

A baby zebra (voice of Frankie Muniz) is accidentally left behind by a traveling circus and is found by a thoroughbred horse trainer, Nolan Walsh (Bruce Greenwood). Nolan takes the zebra home, and his teenage daughter Channing (Hayden Panettiere) wants to keep him as a pet. She names the baby zebra Stripes. The farm is located near the racetrack and the zebra grows up believing that he is a racehorse. Stripes has a dream of racing the other horses at the track, and to get into shape, Stripes races the mailman in his truck. All the farm animals help Stripes and Channing achieve their racing dream. This is a cute movie made in the same framework as the movie 'Babe', where all the animals speak to each other. The horseflies Scuzz and Buzz (voices of David Spade and Steve Harvey) had some of the funniest scenes. This is a light hearted film that your children will like. Don't take the script too seriously or you will miss the fun. (Warner Brothers Pictures, Run time 1:34, Rated PG) (4/10)

Yes, it's stereotypical, and no, it doesn't reach or even approach the experience of Babe, but it is a fun flick, and one I feel is worth a matinée ticket if you're at all intrigued. I have to give kudos to the filmmakers for using real zebra sounds and vocalizations for Stripes; little details like that can make or break a talking animal film for the viewers who actually know a bit about the animals featured in a film...and hey, is it really too much to ask for a zebra to make zebra noises? There is some amount of potty humor, especially concerning the flies and the Jersey gangster pelican Goose, but it wasn't as much as I had assumed from earlier reviews.

There certainly are better movies out there, but the kids will enjoy this one, and the kid in me did. It was predictable, but comfortingly so, and sometimes it's nice to just sit back, suspend disbelief, and have a non-taxing movie experience where talking, wisecracking animals deliver lessons in life, like how being different isn't a bad thing, real winners are those with the heart to try, and success is often due to the support of those around you. And I do have to admit that one scene near the end brought tears to my eyes, much to my own surprise.