Tristan & Yseult

I did not expect to like this film; the reviews were lackluster, and many seemed to think the leads were mediocre at best. I found the performances riveting and highly engaging. While I do not know the actual historical story, I found the storyline highly captivating.

I thought James Franco played Tristan brilliantly - broken hearted but not brooding, he seemed to only come to life during battle before meeting Isolde, and then afterward only in their stolen moments together. Many of the reviews I've read seem to think that he played the role flatly, but I thought the subtlety of expression in his eyes and body language was impressive. Confident as a warrior, but almost innocent in intimacy, I thought he walked the thin line between adult and youth effectively.

Sophia Myles captured the fire, vulnerability and desire of Isolde with fervor - and that's not easy to do. Myles delivered her lines subtly, tinting words with emotional depth -scorn, joy, passion, frustration, disappointment - that was understated and yet passionate. She, too, managed to portray a delicate balance between the innocence of idealistic youth and the realities of a woman who found her self in an unenviable position.

Rufus Sewell was fantastic. As king, he had to walk the thin line between diplomacy and his own frustrations; as a man, he came alive when with Isolde, and so her betrayal was all that more heartbreaking, a scene which he played with focus and power.

I thought the fight scenes were very well done, except for the excess of cut shots, jumping from person to person, which moved the action almost too quickly, occasionally resulting in a jagged flow of action. Overall, however, the battle scenes were very well done.

The costumes were incredible - not period realistic (especially Isolde's wedding gown) but they were beautiful and overall well designed to intimate the period but still have some glitz. The locations shots were awe-inspiring.

I LOVED these characters very shortly after they each came on screen. I rarely feel such a strong connection to characters, especially of period pieces, but each of the leads played their roles with finesse. I deeply cared about these people, seeing hope and joy rise in their eyes, only to see events quickly turn that joy to sorrow, and hope to forceful determination. Their moments of happiness are so brief, their heartbreak so complete that I found myself profoundly moved by their experiences. As deeply invested as I became with these characters, I nearly sobbed at the end of the movie. A 5-hankie tear jerker.

I eagerly await the release of the DVD, and expect to enjoy this film many times over.

In response to comments disparaging this film for neglecting to use music from the opera-- that hardly seems relevant. This story was written long before Wagner's work existed, and it would be foolish to demand that his music be a part of the film. It seems to be of greater significance that the film neglects certain elements of the original texts, although as an entirely different art form, the film has every right to take its liberties. It is unfair to credit or discredit any film based on its relationship to other works of art. It is important to appreciate and discredit this film within the context of the art form in which it functions.

One of the great love stories from the medieval courtly romances, "Tristan and Isolde" has received many different treatments from medieval poets such as Gottfried of Strasbourg to the haunting opera by the nineteenth-century German composer Ricard Wagner. In each of the versions of the story, there are new and different plot details in this tragic love story.

In Kevin Reynolds' film adaptation, the most intriguing new twist from the traditional story is the way in which Tristan and Isolde meet. In this version, Tristan is given up for dead following a battle in Cornwall and washes ashore in Ireland in a boat only to be discovered by Isolde. She then uses her magical herbs to cure him. In Gottfried's medieval tale, the two young people drink a love potion from a goblet of wine. In this film, the young people fall instantly in love without any need of an elixir.

In two touching performances, the young lovers are played by James Franco and Sophia Myles. Their on-screen chemistry is electric, and their scenes together are filmed effectively by Reynolds in beautiful location settings. The film also explores themes of medieval chivalry and honor. Rufus Sewell delivers an excellent performance as King Mark caught in the love triangle that recalls the famous story of King Arthur, Lancelot, and Guineviere.

There are also great action sequences in "Tristan and Isolde," including battles, tournaments, and medieval siege warfare. But the most memorable scenes are the intimate moments with Tristan and Isolde. Their fateful meeting and the unfolding of their relationship make this film worthwhile for audiences both familiar with the legend and for those being introduced to this timeless love story for the first time.

Tristan (James Franco) was orphaned as a boy. Irish warriors interrupted a dinner in Cornwall, which his parents were attending, and killed many, including the lad's father and mother. Brave Uncle Marke (Rufus Sewell) saved his nephew, losing a hand in the process. Now, Tristan is grown and a fine swordsman himself. Yet, the Irish and the clans of Britain are still at odds. In another skirmish, after a valiant fight, Tristan is wounded by a poisonous sword. Thinking him dead, his grieving uncle and other men put him in a boat and release him to the waves. This is the burial ceremony of the times. But, by a twist of fate, the boat crosses the sea and lands in Ireland. Spying the vessel is beautiful Isolde (Sophia Miles), the daughter of the king. Realizing the man is alive but gravely, sickened, this beautiful princess and her lady in waiting nurse Tristan back to health in a secret cove. Before long, Isolde is deeply in love with her patient, although she gives him a false name for herself, and he is in love with her. But, danger lurks, due to his heritage. Just as the Irish are about to discover the secrets, Isolde releases Tristan in his boat, telling him their love can never be. Both are shattered inside. When Tristan arrives back in Cornwall, his uncle is overjoyed. Before long, the Irish king offers his daughter to the knight who can defeat all others in a tournament. Tristan vows to win a wife for the never married Marke. Sure enough, Tristan wins the contest. But, horror indeed when the lady's veil is lifted and it is his dear love. No matter, Isolde must marry Marke, for all parties are bound by honor. Yet, can Tristan really forget his love for Isolde or can she truly love her husband? In addition, if they give into their past feelings, what will be the consequences in the near future? This timeless tale of a love triangle is a legend that came before King Arthur himself. One could probably say it influenced the later story. As such, it is just as beautiful and tragic. Franco, Sewell, and Miles are a most lovely and talented threesome while the lesser actors are equally well chosen. The sets and costumes, which depict a time long ago, are wonderful to behold while the script and direction fulfill the story's telling well. Yes, there is some violence but it is muted; even so, those who shiver at sword fights and such should be advised accordingly. Nevertheless, this is a stellar two hours of entertainment.

There are love stories,and then there are love stories that pack a powerful punch.Tristan and Isolde indeed falls in the latter category. I must confess to not being an avid watcher of romance films,and was expecting not to enjoy much,if any of this film at all.I came away pleasantly surprised,as this film has a power that is hard not to acknowledge.It is two love stories in one.An English warrior is torn between the love of a woman from a country with which they are at war, and the man to which he owes his very life.The problem is,his two loves are sworn to one another,though not by the lady's choosing.The story is told well,and the film beautifully done.As of this writing,it is still in theaters and is worthy of the admission price,not to mention a worthwhile future rental.