Napoleon Dynamite

OK, I have seen a lot of negative reviews on this movie. It made me leery of even seeing it. I work at a video store so I get to see movies before their street release date. There were a few naysayers at work, but I rented it anyway. This was a rental well spent. This is the first movie I have seen in some time that doesn't have swear words or sex in any form so it is OK for any age. If you are or ever were just a little bit geeky, Napoleon is the hero for you. This movie is much funnier to a gen-x'er. There are a lot of things that you won't "get" if you weren't a part of the 80's. All in all, I think that it is a great way to spend an evening. I am looking forward to seeing more from this writer/director.

The love/hate reactions I've seen do not surprise me at all. This movie is very different, it's own style... and it is PURE GENIUS. But it's definitely not for everyone... you have to back off and understand the mood and general feel of the movie before you have the context to find the actions of the characters funny. Then you will "get it". And what is this context I'm referring to? This movie explores the very essence of boredom and mediocrity as you follow the daily life of a dorky guy doing uninteresting things in a small, unexciting town. Napolean's constant, open-mouth, blank stare says, "I'm only tolerating this monotonous existence because I've got nothing better to do." It took me about 15 minutes into the movie and then I GOT it. The movie has no real plot because it isn't about an interesting story, it's about the real life that exists BETWEEN the interesting stories. Ever call up your bud because you're bored, then talk about what you're not doing, then decide to get together and be bored together, and spend the remainder of the evening trying to think of something to do to no avail? This movie is about this very type of thing... a tribute to the ordinary every-day stuff that you have no reason or desire to remember... like eating reheated leftover Hamburger Helper, or that old shirt you wear when you're working that you're not afraid to get dirty, or some magazine you flipped through to pass the time in the dentist's waiting room.

I constantly found myself saying, "This all seems too strangely familiar. I knew a guy like that. I've done stuff like that. I've been to a store like that. I've been in a house like that." This isn't the kind of movie to make you suddenly laugh out loud, it's a movie that will first make you chuckle, and then chuckle some more, and pretty soon you can't stop laughing as scenes and characters continuously remind you about the absurdity of watching random, stupid pointlessness. Why would something boring be interesting to watch? You'll just have to see it to understand.

Napoleon Dynamite is a king among nerds, a slack-jawed, mouth-breathing high school student who suffers the slings and arrows of perpetual ridicule, yet who gives as good as he gets when the treatment gets too rough. Luckily, Napoleon is far from alone in his nerddom. He has an older brother who wears buttoned-up short sleeve dress shirts and black-rimmed glasses, and whose social contact is limited mainly to people he meets in internet chat rooms. Napoleon's Uncle Rick is what might be called a "muscular nerd," a used-up, middle aged football player who dreams of his glory days in 1982 when he was just one play away from a career in the NFL and a life of fame and fortune, and who now spends his time hawking Tupperware products, selling miracle breast enhancement devices, and investing in time travel machines he finds in catalogues. Napoleon also befriends the school's newest nerd, a transfer student named Pedro, and tries to start up a romance with the shy and awkward Deb, who sheepishly goes door to door drumming up business for her studio that specializes in "glamour" photo shots for a decidedly unglamorous clientele.

Set in a small town in rural Idaho, "Napoleon Dynamite" is a quirky regional comedy that achieved phenomenal mainstream success at the American box office. Its appeal is in its low-keyed, understated look at a group of people that more of us probably identify with than we would like to acknowledge. This is a movie for anyone who has ever felt unattractive or unpopular, who just never quite "fit in" with the people who really counted, especially in those dark ages known as the "teen years." One can't help liking and rooting for these bizarre and eccentric individuals who are really just looking for the same love and acceptance that we all are.

Director Jared Hess, along with co-writer Jerusha Hess, never feels the need to exaggerate or overstate the comedy. It would have been easy for them to have turned this into another "Revenge of the Nerds," placing their characters in over-the-top predicaments and situations to appease audience expectations. Instead, they let the story develop subtly and gradually, making the film feel more attuned to real life in the process. It may seem like a contradiction in terms, but the writers achieve their humor through a kind of understated hyperbole that allows us to laugh with the characters rather than at them. These nerds may be nerds to the core, but they reflect the longings and doubts common to all of us at one time or another. As a result, "Napoleon Dynamite" is warm and humanistic where it could easily have been cruel and condescending.

The filmmakers are helped immeasurably by a wonderfully talented cast, all of whom play their parts perfectly. Joe Heder as Napoleon, Aaron Ruell as his brother, Kip, Efren Ramirez as Pedro, and Tina Majorino as Deb all deliver their lines in a flat, emotionless, singsong monotone that perfectly captures the defense mechanism each of them has set up as a shield against a brutal, uncomprehending world. Yet, Napoleon and his fellow nerds never settle for victim status, as each finds a way to assert his individuality and carve out a little piece of happiness for himself. As an actor, only Jon Gries as Napoleon's Uncle Rico gets to break through the somnambulist haze and go for the fences in his delivery.

"Napoleon Dynamite" is clearly not the kind of movie that every audience will appreciate, but those movie watchers with a taste for the offbeat and quirky will have a fun time with it.

Napoleon Dynamite (Jon Heder) is the typical sad-sack, luckless loser that has permeated high schools for seemingly centuries. He has no friends, he's picked on by bullies, he has a somewhat-odd home life ... but through it all, he's sure things will be just plain okay in the end.

Napoleon and his older brother Kip (Aaron Ruell) live with their grandmother, but at the beginning of the film she tells them she needs to take off for a couple days. Enter their Uncle Rico (Jon Gries), a self-starter who's living in 1982 (when the coach of his high school football team declined to put him in as quarterback, thus altering Rico's life forever). Some of the funniest scenes in the film involve Napoleon's often-combative relationship with Uncle Rico; Rico is also bound and determined to return to those halcyon days of his youth via a time machine he's seen advertised on the Internet, and he enlists Kip to help him raise the funds.

Napoleon befriends the new kid in school, Pedro (Efren Ramirez), who has a sweet bike, can talk to girls, and has an actual mustache. But like Napoleon, Pedro is a misfit. Both sometimes hang out with yet another taciturn student, Deb (Tina Majorino, all grown up from Waterworld), who secretly (it seems) likes Napoleon. But there isn't a lot of focus on their relationship, because Napoleon himself is fairly oblivious to how people perceive him. This isn't a story about young love or lust, it's a story about a misfit refusing to fit - while fitting in with others like him.

Jon Heder is perfectly cast as the gawky, dorky Napoleon; he resembles Butt-Head in countenance, although certainly not in temperament or intelligence. Mouth agape and with an awkward gait, Napoleon is about as odd a duck as you'd find in high school, and yet he still manages to survive with his dignity intact. He's a good egg, although he seems to overreact at times: "What are you gonna do today, Napoleon? Napoleon: Whatever I feel like I wanna do.....GOSH!" Still, his delivery is perfect. You can readily picture a Napoleon in any high school.

I think where the film ultimately succeeds, aside from the casting of Heder, is that it doesn't fall into the traps of predictability and stereotyping. Sure, it's a high school movie, and there are snobby pretty girls and arrogant jocks, but not much time is devoted to them. Sure, there's a big dance, but it doesn't necessarily turn out the way you'd expect it to. What you're left with, then, isn't a typical coming-of-age story, but rather a unique take on a rather mundane - albeit life-altering - time in a boy's life.

It seems based on many of the comments on this site that certain folks may be expecting a bit too much from a movie such as 'Napoleon Dynamite.'

This ain't art cinema, folks. It's absurdist comedy. Don't go to see this film looking for deep meaning or well-constructed plot--the vague semblance of a plot is as artificial as they come, and seems inserted mostly to give the film structure and to permit the audience a somewhat 'happy' ending.

NO, Napoleon Dynamite isn't about changing the world--it's live action 'South Park' (Preston, Idaho, where the film is set, actually bears a strong resemblance to the real South Park, Colorado). It's a highly ironic, self-mocking, merciless run of sight gags and one liners with no apparent purpose other than to get laughs at the expense of its main characters, especially the eponymous Napoleon, a fit stand-in for everyone who's ever felt like a socially inept outcast trapped in the hell of high school.

This movie isn't for everybody, but if you don't see glimpses of your own childhood in the various awkwardnesses and failures of the main characters, you're in denial. Don't see Napoleon Dynamite if you're expecting sensitivity--go see it if you're pissed off at the world and just need to laugh. I saw it for the first time last night, and I'm still busting into spontaneous laughter whenever one of Napoleon's silly one-liners or blank-faced dead-pan non-sequitirs comes to mind.