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IMDbPro

Printemps, été, automne, hiver... et printemps

Titre original : Bom yeoreum gaeul gyeoul geurigo bom
  • 2003
  • Tous publics
  • 1h 43min
NOTE IMDb
8,0/10
89 k
MA NOTE
POPULARITÉ
4 859
52
Printemps, été, automne, hiver... et printemps (2003)
HV
Lire trailer2:05
8 Videos
79 photos
Le passage à l'âge adulteDrameRomance

Un garçon est élevé par un moine bouddhiste sur un temple flottant isolé où les années passent comme les saisons.Un garçon est élevé par un moine bouddhiste sur un temple flottant isolé où les années passent comme les saisons.Un garçon est élevé par un moine bouddhiste sur un temple flottant isolé où les années passent comme les saisons.

  • Réalisation
    • Kim Ki-duk
  • Scénario
    • Kim Ki-duk
  • Casting principal
    • Kim Ki-duk
    • Oh Yeong-su
    • Jong-ho Kim
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    8,0/10
    89 k
    MA NOTE
    POPULARITÉ
    4 859
    52
    • Réalisation
      • Kim Ki-duk
    • Scénario
      • Kim Ki-duk
    • Casting principal
      • Kim Ki-duk
      • Oh Yeong-su
      • Jong-ho Kim
    • 234avis d'utilisateurs
    • 81avis des critiques
    • 85Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 15 victoires et 9 nominations au total

    Vidéos8

    Spring, Summer, Fall, Winter...and Spring
    Trailer 2:05
    Spring, Summer, Fall, Winter...and Spring
    Spring, Summer, Fall, Winter...and Spring
    Trailer 2:00
    Spring, Summer, Fall, Winter...and Spring
    Spring, Summer, Fall, Winter...and Spring
    Trailer 2:00
    Spring, Summer, Fall, Winter...and Spring
    Spring, Summer, Fall, Winter And Spring Scene: You Never Usually Pray At This Hour
    Clip 2:36
    Spring, Summer, Fall, Winter And Spring Scene: You Never Usually Pray At This Hour
    Spring, Summer, Fall, Winter And Spring Scene: Boy Monk & Girl Are Separated
    Clip 1:34
    Spring, Summer, Fall, Winter And Spring Scene: Boy Monk & Girl Are Separated
    Spring, Summer, Fall, Winter And Spring Scene: Little Boy Monk & His Master
    Clip 1:31
    Spring, Summer, Fall, Winter And Spring Scene: Little Boy Monk & His Master
    Spring, Summer, Fall, Winter And Spring Scene: Have You Led A Happy Life Up Till Now?
    Clip 2:11
    Spring, Summer, Fall, Winter And Spring Scene: Have You Led A Happy Life Up Till Now?

    Photos78

    Voir l'affiche
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    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche

    Rôles principaux11

    Modifier
    Kim Ki-duk
    Kim Ki-duk
    • Adult Monk
    Oh Yeong-su
    Oh Yeong-su
    • Old Monk
    • (as Young-soo Oh)
    Jong-ho Kim
    Jong-ho Kim
    • Child Monk
    Kim Young-min
    Kim Young-min
    • Young Adult Monk
    Seo Jae-kyeong
    • Boy Monk
    • (as Jae-kyeong Seo)
    Yeo-jin Ha
    • The Girl
    Kim Jeong-yeong
    Kim Jeong-yeong
    • The Girl's Mother
    Ji Dae-han
    • Detective Ji
    • (as Dae-han Ji)
    Choi Min
    Choi Min
    • Detective Choi
    Park Ji-ah
    Park Ji-ah
    • The Baby's Mother
    Min-Young Song
    • The Baby
    • Réalisation
      • Kim Ki-duk
    • Scénario
      • Kim Ki-duk
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs234

    8,089.4K
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    Avis à la une

    grahamers

    Perfect Simplicity

    Perfect Simplicity

    My review of this film should end with those two words. However, the 10 line minimum requirement that IMDb requires of all reviews belies the differences between my world and the world shown to me in Spring, Summer, Fall, Winter…and Spring. I understand why IMDb does not want 1000's of (apparently) useless two-word reviews in their database. However, I would hope that they could make an exception for this film.

    Perfect: The film is as close to perfect as a film could get. No shot is presented to us, nor a line of dialog uttered that does not make us ponder and understand at the same time. The film is also beautiful. (Like the previous reviewer, I am a fan of Asian cinema and never tire of the stunning ability of Asian directors to capture beauty on film.) This film exceeds most other Asian films I have seen in the cinematography regard. However, its beauty is surprisingly deceptive. Like most great films, it surpasses the 'cinematography' level of beauty and delves into the beauty of existence through its story. For example, the Old Monk has a different pet during each 'season' of his life. This is not discussed by the characters nor shoved in our face by the director – as would have been done if Hollywood had done this film. It is merely background we experience and come to understand. Two days after viewing the film, I am still finding new reflections in my mind that encompass the cinematography, the literal story and the underlying context of the film.

    Simplicity: This film approaches a level of cinematic Haiku. While I don't recall the entire dialog with any specificity, I am sure you could print the script on one page of paper. The amazing part is that while you are watching the film, you don't notice this. Every shot moves the story along. The simplicity of life as shown by the story is reflected in the simplicity of the film. After the film ended, I had a strong urge to move away from civilization and live – or die – in peace with nature. I enjoy (and have come to be too dependent upon) modern inventions, so I will stay at home. However, this film will remain in my heart. It does exactly what good story-telling is supposed to do: Take us completely out of our world and put us in another. There is no wonder that this film was selected for so many film festivals.
    8jotix100

    The five seasons

    This is a hypnotic film to watch. The beauty of it lays in the simplicity in which it has been told. Director Ki-duk Kim's images feel like paintings by great masters.

    This story about Karma and Buddist beliefs could have used a bit of trimming to make it more appealing, since at times it is too static. This is a film to stay away for those interested in fast action or special effects. No one is going to find them here. What the viewer will get is a feeling of well being and inner peace. The director seems to be teaching us a lesson in how anyone can achieve nirvana through self examination, meditation and doing good no matter to whom. Also, how cruelty, be it against a harmless animal, or a human being, will haunt those who transgress throughout life.

    The acting blends in with the serene beauty of the temple in the middle of the lake, as we watch one season following another, as seen by the amazing cinematography by Dong-hyeon Baek.
    film-critic

    When she finds peace in her soul, her body will return to health.

    The circle of life is everlasting. We, as busy humans, sometimes miss the opportunity to see it in full effect. The modern day conveniences of life and the hustle and bustle of work sometimes fog our eyes to the constantly moving world. Thankfully we have films like Spring, Summer, Fall, Winter … and Spring, to help guide us back to our roots. Through each season, director Ki-duk Kim shows us the journey of one young boy as he learns life through the hands and mind of an older monk. Through events that are beyond his control, this young boy learns about love, lust, jealousy, hatred, and eventually rage. He makes choices that ultimately effect his life causing turmoil and distress, yet somehow continually finds his way back to the floating house on the lake where his journey began. It is during his final visit home he learns of his final journey in life. As a new soul is handed to him, he embarks on a final journey using his master's lesson, to pay homage to the life he has lead.

    When I watched this film the first story that came to mind was that told by Trina Paulus in 'Hope for the Flowers'. It is the story of two caterpillars that embark on a journey into butterflies. Along the way they experience a full range of emotions that are attached to life and death. In the end, they become two of the most beautiful creatures in the world. This is how I viewed this entire film. I felt as if I was watching a young caterpillar (the young boy) experience life and journey along the path to become the beautiful butterfly. The beauty of the scenes and the simplicity of this story not drenched in words only kept this image vibrant. The spiritual themes of this film are present, but not bold. They are not hitting you in the face and forcing you to understand, but instead showing you and demonstrating the power of those willing to believe. This is a quiet film that leaves much up to our imagination. We never leave the valley that surrounds the lake, we never know what year is currently going on outside of the forest, and we are meant to understand that this story could take place anytime. Kim gives us themes that can be used to express any period of time and is especially poignant in today's terror filled world.

    I loved everything about this film. From the simplicity of the opening doors to introduce each scene to the stunning and hypnotic ending that makes you believe in the human spirit. If you walk away with anything from this film, I hope it is hope. Hope for everything on this planet, and especially a hope for our fellow man. Mistakes are made to learn by. Take these errors and accept them to move closer to the world you have always dreamed about. Be that young boy that is able to transform into the man he desires.

    See this movie, and feel a warmth like no other. This is quite possibly one of the best films of the year. Amazing!

    Grade: **** out of ****
    9Quinoa1984

    a Buddhist meditation on life and death, and what surrounds us

    I remember when I saw this film on screen last year, I was struck by the rhythm director Kim Ki-Duk used in the film. It's deliberate, too deliberate for most I'd suppose. But like a reading good piece of philosophy, the filmmaker allows the viewer to get as much as they may find in the work. The story is more of a fable than a really conventional narrative- a baby is delivered to the steps of a Buddhist house on a lake, where the boy is raised by a master. He grows up, and falls temptation to the desires of the world. He decides to leave, only to return and find himself again. In the end, as winter comes, things come full circle. Each of the 'seasons' of the film are handled delicately, with the kind of simplicity that may appeal even more to children (the segment of the first 'spring' with the child transcends religion and goes into the basic stance of nature). The scenes of finding lust in 'summer' is not terribly graphic, but it puts the point on what is right and wrong in the customs and traditions of the religion. Then in 'Autumn', there are harsher lessons to be learned, and this also contains the best acting from the old master and the young, angry pupil. And 'Winter' becomes the most meditative of them all, with next to no dialog. Indeed that may be the turn off to most viewers- to say that the film isn't supported by dialog is an under-statement. And its not necessarily documentary realism. What I sensed from the film, and what stuck with me for a few days afterward, was the spiritual attitude behind the style, the confidence that the rhythm had a connection with the subject matter. It's one of the most soulful films to come out of the Eastern world in some time. It's less a traditional drama than a unique experience, for better or worse, really more for the better.
    9dromasca

    not only cinema, but art

    This film is a good example why cinema is called an art - this is not just another movie, but a real piece of art. The pleasure of seeing it belongs to the aesthetics, and it transcends beyond the action and beyond what only happens on screen, or what the characters say and do.

    It is both a simple and complex story - the story of a life, catching all seasons of development of man: innocence of childhood - so quickly lost unfortunately, mistakes of the young age, tragedies of maturity , and wisdom coming with the old age.

    The film is filmed at one location of a cut-breathing beauty. Beauty of nature is being maximized by the art of the camera. The soundtrack has little dialog, but the expressiveness of the actors makes the dialog useless. You feel the drama, you do not need to hear the words, and the music says more than words.

    There are a lot of symbols in this movie, and I probably lost most of them because they belong to the Budhist culture. There are however many other symbols that speak to the European spectator - the cycles of life, the rhythms of nature, the magic figure 4, like the number of seasons of the year, or like the number of parts in classic symphony, the unity of space as in Greek tragedy, and time - one life instead of one day, all give to this creation a wonderful symmetry and equilibrium.

    Worth seeing, this is a film that will make the delight of anybody who believes like I do that cinema is an art.

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The inscription on the floor is "The Heart Sutra", one of the most important Sutra of Mahayana Buddhism, written in literary Chinese.
    • Gaffes
      When the young monk finishes inscribing the Heart Sutra on the floor and falls down exhausted, the inscriptions below him change between shots (even though he is lying motionless). In one shot, the inscriptions he is lying on have been painted; and as he wakes up, the paint is gone.
    • Citations

      Old Monk: Didn't you know beforehand how the world of men is? Sometimes we have to let go of the things we like. What you like, others will also like."

    • Versions alternatives
      The local Korean version of this film is approximately 90 seconds longer than the International release; a sequence was removed near the end of the film (at about the 100-minute point). This is reflected in the DVD releases, as the Tartan R2 (UK) release and the Columbia/Tristar R1 (USA) release use the International cut of the film, while the Bitwin R3 (Korean) DVD uses the original cut.
    • Connexions
      Featured in Arirang (2011)
    • Bandes originales
      Jeongseon Arirang
      Traditional

      Performed by Kim Young Im

    Meilleurs choix

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    FAQ22

    • How long is Spring, Summer, Fall, Winter... and Spring?Alimenté par Alexa
    • What is the Korean song played while the monk is climbing the mountain?
    • What does the song mean that is played while the child monk ties a stone to the fish and the snake?
    • What are the differences between the International Version and the Original Version?

    Détails

    Modifier
    • Date de sortie
      • 14 avril 2004 (France)
    • Pays d’origine
      • Corée du Sud
      • Allemagne
    • Site officiel
      • Sony Picture Classics (United States)
    • Langue
      • Coréen
    • Aussi connu sous le nom de
      • Spring, Summer, Fall, Winter... and Spring
    • Lieux de tournage
      • Jusanji Pond, Cheongsong County, North Gyeongsang Province, Corée du Sud(Monk's Dwelling)
    • Sociétés de production
      • Korea Pictures
      • LJ Film
      • Pandora Filmproduktion
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 2 380 788 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 42 561 $US
      • 4 avr. 2004
    • Montant brut mondial
      • 8 842 902 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 43min(103 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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