La mémoire du tueur

Only a handful of Belgian movies haven't given me the feeling that they were produced locally and with a limited budget. This is one of them, not surprisingly because it was done with a larger budget than usual (but still quite small by Hollywood standards). I feel it has everything in place to rival any Hollywood production. The most important asset of the movie however is veteran actor Jan Decleir, a man who was already indirectly nominated a few times for the Oscars via the foreign movies section. Jan Decleir is brilliant and outclasses everyone else on the set (as he often does). The rest of the cast consists of good and not so good actors (some come from terrible Flemish soap series), but somehow everyone seems to rise above him/herself on this occasion and everyone deliver a decent performance. The photography, camera-work, everything's done quite professionally. The difference with many Hollywood action movies is the fact that the plot is quite good. The fact that the main character has Alzheimer's and that he has to use his ever shrinking mental capabilities to finish his quest, is an original twist. People will compare Alzheimer's to Memento, because of the main character's memory loss. But Memento was conceived to challenge viewers, to baffle them, to be perceived as intelligent and artistic. By contrast this movie is more down to Earth, more realistic and in the end simply something completely different. It's nothing more than an original cop-movie, good entertainment and certainly something I'd recommend, even to non Belgian or non-Dutch speaking viewers. Plans are underway for a Hollywood remake of this movie, so it must be other people have recognized its potential too. One word of caution though. Many people say the movie is a bit too long. That's a sentiment I share. At the end the plot loses a bit of its strength. But overall i'd label 'De zaak Alzheimer' a good movie.

I saw this film at the 2004 Toronto International Film Festival. Although based on a novel, this stylish police thriller's main conceit ("hit-man has Alzheimer's") could have been lifted from a Hollywood film executive's idea of "high concept". Except that it would have made a forgettable Hollywood picture. Instead, director Van Looy sets this story in his native Belgium. Police detectives Vincke and Verstuyft are like a modern day Starsky and Hutch, without the bad haircuts. Who knew that Antwerp even had police, never mind such cool ones? Their job is to track down the man who's killed several high-profile politicians and a young child prostitute.

Reminding me a lot of Terence Stamp in The Limey, veteran actor Jan Decleir portrays aging hitman Angelo Ledda, whose refusal to kill the young girl leads him to seek revenge on the people who want her dead. His deterioration is a cause for sympathy as well as a plot device. He must complete his "mission" before he forgets his reasons for carrying it out. He also plays a cat and mouse game with the police who are trying to solve the killings, staying one step ahead until he can no longer think clearly.

Van Looy admitted his fondness for "police thrillers with a soul" and especially for the work of Michael Mann, and the influence of Mann is everywhere. If you like Mann, you'll like this film. Well-developed characters, moody cinematography and fine acting didn't completely save this film, though. I thought the plot was a little too straightforward, and the film itself was about 20 minutes too long, with a couple of false endings that could have been re-cut. I think I would have given a shorter version of this film an 8, but even if it was a slightly derivative cop film, it was a slightly derivative cop film IN FLEMISH, which has to count for something!

(7/10)

Having just watched Liam Neeson as the assassin with Alzheimer's and a conscince, I took a shot at the film upon it was based. The orignal is similar as far as the basic story goes but has a few differences, including a vastly different ending.

Jan Declair is excellent as the killer although Liam has more of a screen presence in the American movie.

The hitman is hired to off a series of bad men involved in a prostitution ring. Some of those involved are at the highest levels of society and corruption is rampant within the legal system.

The killer makes a decision not to kill a twelve year-old girl he has ben paid to hit.

The action is almost constant and I recommend both films.

It takes a lot of guts to make a Belgian "policier". It's like making an American western without John Wayne, or a French flick without Jean Gabin or Alain Delon.

New times, new directors, new actors... Director Van Looy found his actors. Not only are they good, they are outstanding. Much will be said about the three main actors: Jan Decleir, Koen De Bauw and Werner De Smedt, but look closely at the supporting roles. Hilde De Baerdemaeker is one of the coming Belgian ladies... read my lips!

The script is based on a book by author Jef Geeraerts but for once the adaptation is better.

The dialogues are tongue in cheek, and for fans of "NYPD Blue" or "Homicide" this movie is a real treat. When the lights come on in the theater you want to look at your TV guide and check when the next episode is due...

The camera is nervous, it follows the action closely and the music is very well chosen. Also, without being chauvinistic, it's wonderful to see all the action take place in one of the largest European cities: Antwerp.

One of the best Belgian movies yet? Yes. A nice build up of characters, situations, drama. It's not easy, but it has been done.

Director Van Looy found his real commitment, a police thriller. You can compare this movie with "Memento" (the memory loss) or "Se7en" (the dualism between the two investigators) but better yet to "The Insider". Watch it: you will find out why.

If, like me, you don't know what country "Flemish cinema" refers to, then read on. Yeah, I'm one of those dimwits like Joey on Friends when they tell him Dutch people live in the Netherlands, and he says "no, that's where Peter Pan came from." Suffice it to say this was the first Belgian film I've ever seen, and I was really impressed. It's stylish, polished, has a lush musical score, and features a lot of actors who seem really human. Even the minor roles were well played.

I'm not usually a fan of crime thrillers, but this one drew me in with its interesting premise: a hero who's losing his memory. In that respect, reminded me of the excellent Tom Tykwer film "Winter Sleepers" (1997), except this film is driven by a faster, more action-oriented plot and pace.

There's a lot going on here. Just when you think it's over, a new drama comes into the mix, making it unpredictable until the end. The director effectively used a lot of suspense tricks which will make you say "aha, you got me!" For example (though this was not used in this movie), a cat might jump out at the perfect moment to give your heart a little leap. In hindsight it's silly, but you can't deny it works. So bear in mind, this is definitely a movie for people who enjoy being taken for a ride. In the same vein, I think the director intentionally uses some standard clichés, almost in a playful way. If you approach this movie with the idea of having a fun time, you won't be disappointed.

Final note: I think it helps to be a little familiar with Belgian culture, which I'm not. I could tell the characters switch languages between different variations of Dutch/Flemish, French, and snippets of English, and I think that's significant. Some of the settings are breathtaking, and I found myself saying "wow, that place is cool! I wonder where that is". In all, this is a film that Belgium can be very proud of, and I hope to see more like it in the future.