NOTE IMDb
5,8/10
58 k
MA NOTE
Film inspiré de l'histoire vraie de deux plongeurs accidentellement laissés seuls dans des eaux infestées de requins après le départ de leur bateau.Film inspiré de l'histoire vraie de deux plongeurs accidentellement laissés seuls dans des eaux infestées de requins après le départ de leur bateau.Film inspiré de l'histoire vraie de deux plongeurs accidentellement laissés seuls dans des eaux infestées de requins après le départ de leur bateau.
- Récompenses
- 2 victoires et 6 nominations au total
Michael E. Williamson
- Davis
- (as Michael Williamson)
Cristina Zenato
- Linda
- (as Cristina Zenaro)
John Charles
- Junior
- (as Jon Charles)
Steve Lemme
- Scuba Diver
- (non crédité)
Avis à la une
As I walked out of the theater today, I felt so small and fragile, not to mention I couldn't pronounce a word because I was still very impressed by what I had just seen. This is a film that sets a great example of what movie making should be today. First because it was done without special effects or computers, second because it was very nicely done in terms of lighting, camera, acting and directing and third because it made me feel exactly what the characters were feeling the whole time. I was on my car and still I was left without words. As I drove, I was complaining about how somebody's negligence can have such consequences in other people's lives and reflecting on how arrogant and cocky we get even when we are completely out of our domain, thinking we know better. I am very fund of sharks and I love to see them on film, on TV and as close as an aquarium that has them can let you see them. I just finished reading a book about the USS Indianapolis and believe me there are terrifying stories for you to imagine about survivor's experiences with the sharks, but for the very first time someone made me feel like I was really among them myself and also someone made me feel very scared of them. I was changing positions over and over on my seat during the movie because I was really feeling uneasy and frightened at times. So come and see Open Water and let this movie remind you how fragile life is and how human we are. Live the experience of helplessness, terror and impotence towards what you cant see or solve as if you were really there and your life depended on it. Congratulations to the whole crew.
It really doesn't surprise me that some people don't like this film. After all to truly enjoy Open Water one must open their mind and think. In this day and age that hardly ever happens anymore. Most filmmakers just decide to blow things up and hope that it's enough to entertain their audiences. Society in general has become numb what with the plots just laid out in front of us never questioning or asking us to use our imaginations. Open Water is a film that asks its viewers to place themselves at the heart of the movie; to feel the desperation, the hopelessness and the absolute terrifying ordeal. And for a change the movie is shot in a way that allows the viewer to feel as if truly there. Is it Jaws? No and its not meant to be. Maybe that's where the confusion lays. Open Water is a suspenseful film, excellent at that. If you're someone who actually enjoys figuring out the movie for yourself instead of being told in the first five minutes this is the film for you. Score: A.
First of all congratulations to Chris Kentis for spotting this topic and writing and directing the film. Now you can tell after praising the film maker up front the rest of this review is going to be quite critical! This film unnerved me, it made me feel uncomfortable as well and that's the problem - it should have frightened the absolute living daylights out of me! Because I rate being deserted at sea in shark-infested waters right up there in the scary-stakes with being buried alive. Now I respect Mr Kentis and his collaborators decision to tell the story in a very minimalist way, I guess they considered this story was powerful enough on its own not to require a heavy hand, and I could have agreed with them pre production. But now having seen it I don't think it was. I'm not saying they needed full on John Williams score and masses of special effects but perhaps varying the camera angles a bit more would have worked better.
Most of the story is told with the camera in an elevated position looking down on the protagonists, i.e a boat! This means I am divorced from any threat or the action. Couldn't we have got down to eye level more allowing us to feel we were more apart of the story? It was our toes about be chomped off? I'm afraid in the drama stakes this movie never got anymore dramatic than the average TV docu-drama and that's a real shame for after coming up with this concept and creating a half decent script Mr Kentis has missed an opportunity to create a classic.
Most of the story is told with the camera in an elevated position looking down on the protagonists, i.e a boat! This means I am divorced from any threat or the action. Couldn't we have got down to eye level more allowing us to feel we were more apart of the story? It was our toes about be chomped off? I'm afraid in the drama stakes this movie never got anymore dramatic than the average TV docu-drama and that's a real shame for after coming up with this concept and creating a half decent script Mr Kentis has missed an opportunity to create a classic.
Open Water might be a bit too low budget for many audience members.
But this is a prime example of how budget should not hold back a brilliant concept.
This is as realistic as it comes, from the scene in the hotel room where the couple lounge around completely nude (like people do in real life!), to the anxiety and horror of being in the Open Water, alone.
This might very well be an underrated masterpiece that has spawned numerous awful sequels.
But this is a prime example of how budget should not hold back a brilliant concept.
This is as realistic as it comes, from the scene in the hotel room where the couple lounge around completely nude (like people do in real life!), to the anxiety and horror of being in the Open Water, alone.
This might very well be an underrated masterpiece that has spawned numerous awful sequels.
Hyper-busy couple, Susan (Blanchard Ryan) and Daniel (Daniel Kintner) finally take a break from their hectic lives to go on a scuba-diving holiday. At first, all is well. Then, their charter boat leaves without them, leaving the pair stranded in the middle of the ocean!
Small, bothersome marine life soon give way to schools of hungry sharks.
OPEN WATER, like the somewhat similar movie LONG WEEKEND, is about a bickering couple at the mercy of nature. The shark footage is very effective, while the vastness of the ocean adds a definite sense of desolation and probable doom.
This is a solid, low-budget thriller...
Small, bothersome marine life soon give way to schools of hungry sharks.
OPEN WATER, like the somewhat similar movie LONG WEEKEND, is about a bickering couple at the mercy of nature. The shark footage is very effective, while the vastness of the ocean adds a definite sense of desolation and probable doom.
This is a solid, low-budget thriller...
Le saviez-vous
- AnecdotesThe sharks used in this film were Caribbean Reef Sharks. The cast wore chain mesh under their diving suits for protection and though none of them was bitten by the sharks, Blanchard Ryan (Susan) was nipped by a barracuda on the first day of filming. In the movie, after Susan is bitten, her boyfriend says, "It was probably a barracuda seeing what you taste like."
- GaffesWhen Susan asks, "Where's the boat?", they are in the shadow of the camera boat.
- Crédits fousAs the credits roll, a fisherman guts a dead shark. As he sorts through the contents of its stomach, he finds Susan and Daniel's yellow camera.
- Versions alternativesThe version shown on Indian cable networks remove the nude scene of Blanchard Ryan and mute all profanities.
- ConnexionsFeatured in 30 Even Scarier Movie Moments (2006)
- Bandes originalesIsa Lei
Performed by the Pupils of the Adi Cokabau
Courtesy of Shanachie Entertainment Corp
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- How long is Open Water?Alimenté par Alexa
Détails
Box-office
- Budget
- 500 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 30 610 863 $US
- Week-end de sortie aux États-Unis et au Canada
- 1 100 943 $US
- 8 août 2004
- Montant brut mondial
- 54 683 487 $US
- Durée1 heure 19 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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What is the Japanese language plot outline for Open water - En eaux profondes (2003)?
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