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The Pirates of Penzance

  • Téléfilm
  • 1980
  • Not Rated
  • 2h 2min
NOTE IMDb
7,9/10
484
MA NOTE
The Pirates of Penzance (1980)
ComédieMusical

Ajouter une intrigue dans votre langueA young man named Frederick leaves the zany band of pirates he was raised by to find true love and respectability, but when the Pirate King turns up to call on an old debt, Frederick must ch... Tout lireA young man named Frederick leaves the zany band of pirates he was raised by to find true love and respectability, but when the Pirate King turns up to call on an old debt, Frederick must choose between the girl he loves and his sense of duty.A young man named Frederick leaves the zany band of pirates he was raised by to find true love and respectability, but when the Pirate King turns up to call on an old debt, Frederick must choose between the girl he loves and his sense of duty.

  • Réalisation
    • Wilford Leach
    • Joshua White
  • Scénario
    • W.S. Gilbert
  • Casting principal
    • Kevin Kline
    • G. Eugene Moose
    • Rex Smith
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,9/10
    484
    MA NOTE
    • Réalisation
      • Wilford Leach
      • Joshua White
    • Scénario
      • W.S. Gilbert
    • Casting principal
      • Kevin Kline
      • G. Eugene Moose
      • Rex Smith
    • 15avis d'utilisateurs
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos2

    Voir l'affiche
    Voir l'affiche

    Rôles principaux29

    Modifier
    Kevin Kline
    Kevin Kline
    • The Pirate King
    G. Eugene Moose
    • Samuel - the Pirate King's lieutenant
    Rex Smith
    Rex Smith
    • Frederic
    Patricia Routledge
    Patricia Routledge
    • Ruth
    Linda Ronstadt
    Linda Ronstadt
    • Mabel Stanley
    Alice Playten
    Alice Playten
    • Edith Stanley
    Marcie Shaw
    • Kate Stanley
    Wendy Wolfe
    • Isabel Stanley
    Alix Korey
    • Soloist (Daughter)
    • (as Alexandra Korey)
    Robin Boudreau
    • Daughter
    Maria Guida
    • Daughter
    Nancy Heikin
    • Daughter
    Bonnie Simmons
    • Daughter
    George Rose
    George Rose
    • Major-General Stanley
    Tony Azito
    • The Sergeant
    Dean Badolato
    • Pirates and Police
    Mark Beudert
    • Pirates and Police
    Brian Bullard
    • Pirates and Police
    • Réalisation
      • Wilford Leach
      • Joshua White
    • Scénario
      • W.S. Gilbert
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs15

    7,9484
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    Avis à la une

    Blueghost

    Humorous melodrama

    I saw this production of "The Pirates of Penzance" in and around 1982 in San Francisco. The only member of the cast not accounted for was Kevin Kline, who I believe was off filming "Sofie's Choice" at the time. His role was assumed by James Belushi during Kline's absence, who did a superb job of portraying the Pirate King that year. I had a great time seeing this production, and seeing this preserved performance brings back warm and welcomed memories.

    This version of Pirates is exceptionally well acted, but, as the foreword on the DVD states, the print is limited by the technology at the time. I've seen the DVD on both high-res (definition) and on regular NTSC monitors, and, believe it or not, it actually looks better on older TV's (for which the technology of the recording was made). The result being that on a high definition TV set the hot-spots and washed out colors look even more distorted than they actually are on the master. Even so, on a regular television the image quality bounces from good to not-so-good, depending on the camera being used. The center camera (number 2 camera?) wasn't properly white balanced, and the washed out brights show, giving a real unprofessional look to the TV production. In fact, during the performance, the operator tries to stop down the camera, but the only result is sloppy camera work, forever preserved on DVD. Whoever coordinated this thing clearly didn't do their homework.

    The same goes for the audio. For some reason the high fidelity of today's top of the line audio systems, for all their bells and whistles to enhance music and general audio, just don't deliver a clear sound of the performance. For some strange reason (probably because contemporary audio components try to "create fidelity" in source material where there is none) the regular old TV speaker delivers a clearer sound. Note; it's not a higher quality sound, but sound where both lyrics and dialogue are easily understood. On a digital stereo or home theatre the cast sounds very muffled by all the tonal enhancements, making the songs sound unintelligible. If you must view it on your home theatre system, then do yourself a favor and grab a book of lyrics. Otherwise you'll be left high and dry when the songs roll around.

    But, if you can get by all the video and audio shortcomings (a lot to ask for) you should have a good time watching one the most memorable productions of Gillbert and Sullivan's Light Opera (or operetta, whichever term you prefer). Linda Ronstadt as Mabel plays the innocent young waif, who falls for the young dashing Frederick, played by Rex Smith. The performances are perfectly melodramatic, with a couple of contemporary nuances to make them really stand out for modern audiences. Each set of characters delivers an excellent performance; the daughters, the police troop/pirate-band, and of course the leads.

    There're two mis cued gags, but the fact that they weren't laughed at is more the fault of the audience than the actors: Ronstadt's vocal competition with the local birds, portrayed by a flautist, seemed to fly over the head of the audience. And Tony Azito (the Police Sargeant) failed to get a laugh on his "...most perplexing" line, again probably because the audience's mind was on something else, or they didn't understand the context of the reference.

    As you may know this particular production was so popular that a film was made, using most of the original cast. That is save for Patricia Rutledge of "Keeping up Appearances" and "Hetty Wainthropp Investigates" fame, who was replaced by Angela Lansbury (God knows why... most likely because Lansbury was probably a name the American public could identify with, and hence haul in more movie goers for more box office dollars). The film, from what little I saw of it, did little to enhance or give credit to the stage performance. The stage production was popular for a reason. The film bombed for similar reasons.

    Part of the reason for that is because plays, particularly ones like "The Pirates of Penzance," really need an audience that can appreciate good theatre. That, and the era of the musical was dead back in the 70's and 80's (one or two exceptions). "The Pirates of Penzance," and specifically this production, was a smash hit on the theatre circuit. It was a thing that really couldn't be reproduced in a cinematic venue.

    Fortunately the good folks at Kutlur Video have put together what is probably the only surviving TV broadcast version of this light opera, onto VHS and DVD. If light opera isn't your thing, then you may want to scope out the "teen-sexploitation" comedy version, starring Kristy McNichol, entitled "The Pirate Movie." That version lacks both music and charm of, what was then, THE NUMBER ONE stage production to see. "The Pirate Movie" is okay, but is more or less an attempt to cash in on teenage dollars (and cheaply, I might add).

    Unfortunately the DVD of this legendary production of "The Pirates of Pezance" is priced around thirty smackers. A bit pricey for a reprint of a twenty-year-old 3/4" broadcast master, but, if you're like me and saw the original 1980's production, the performances more than worth the money.
    8NJMoon

    PIRATES in the Park

    Let's straighten out a few points in previous comments first. This is the video of the original stage production, which started at the Delacourte (outdoor) theatre in New York's Central Park (it was free!) and then moved to Broadway (indoors) with a slightly different cast and then was made into a proper film - again with minor cast changes.

    Patricia Routledge originated the role of Ruth but was replaced on Broadway by Estelle Parsons. In the film, the role of Ruth was taken by Angela Lansbury. This was the only principal role recast in any incarnation of the Park/Video, original Broadway, or film version. I don't know why Routledge and Parsons were replaced.

    The smaller character of Samuel was also re-cast on Broadway (Stephen Hanan took over). Oddly, when the film was made, the original Broadway cast recorded in a New York studio singing the soundtrack, but finances prevented those playing the smaller roles from actually going to England to do the filming. English actors played Kate, Edith, Isabel and Samuel, lip synching to the original Broadway cast.

    This 1980 video isn't quite as technically bad as some claim. The percussionist is practically a major character and a love duet between Frederic and Mabel turns into a trio with the conductor in the middle. But all in all it is certainly watchable. It is unfortunate that a jet passes over the park just when the singers launch into the a capella "Hail Poetry", but the sound is not all that bad. I had to jack up the volume on my home theatre a bit to compensate.

    Having seen the original cast live on Broadway, I was happy to finally see Routledge in the role of Ruth. She does a bit of ad libbing here and there but is very good. PIRATES was her last New York musical after appearing in a string of flops including a disastrous 1976 musical called 1600 PENNSYLVANIA AVENUE where she played all the first ladies. After PIRATES she returned to England and...well, the rest is television history. The Samuel in this video is much more operatic than his Broadway replacement Hanan. The incredible George Rose is in top form here while the later film version is better for the other principals, who had three years to perfect their roles.

    This video also gives us the complete Act One. The film version fades out before Ruth's final plea to Frederic. Other differences (vocally and visually) between the Park (this video) and Broadway/Film are minimal. If you are a G&S purist, this Wilford Leach version is not for you. But it has become the standard interpretation of PIRATES in stage productions everywhere.
    4chrisw-3

    The DVD quality is awful

    This is a very bad recording of a very good performance.

    The show was obviously professionally shot, and the credits list a multi-channel sound recording crew. But the sound on this is in mono and has very audible "time code" noise, a high-pitched audio signal that was used to link the videotape to a simultaneously recorded audiotape. Given the vintage of the shoot, it was probably shot on 1" videotape and 2", 24-track audiotape. As few video productions facilities still have 1" playback equipment, and judging by the video quality, this was made from a 3/4" "safety" copy.

    Why? The suppliers cheaped out. They didn't spend the time or energy to find the original tapes, or if they had them, to transfer them, or to do a mix-down of the 24-track master audio.

    It is possible to make an excellent DVD from this material. The DVD currently available is not it.
    7Red-125

    Kline and Ronstadt, but not much else

    The Pirates of Penzance (1980 TV Movie) was directed by Wilford Leach and Joshua White.

    Pirates with Kevin Kline as The Pirate King and Linda Ronstadt has to be great, right? Wrong.

    This was a recording of a live performance in the Delacorte Theater in Central Park. Whoever filmed appears to have been an amateur--the definition and colors are terrible.

    The stage is small and the mini-orchestra is smaller. The CD reminded me of a high school production filmed by a proud parent. Sort of a historical record rather than an musical treat.

    The movie has an excellent IMDb rating of 8.0. Apparently, people were willing to overlook the dismal production values. Kline and Ronstadt really are great. On that basis I rated it 7. If you're a real Gilbert & Sullivan fan, you'll probably want to see it. If G&S isn't your thing, pick a different operetta or a different production of this one.
    10bevo-13678

    Song

    I like the bit about the model of the modern major general.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Taped live at Delacorte Theater, Central Park, New York, Summer 1980.
    • Connexions
      Featured in Linda Ronstadt: The Sound of My Voice (2019)

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    Détails

    Modifier
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Lieux de tournage
      • Delacorte Theater, Manhattan, Ville de New York, New York, États-Unis(live recording)
    • Société de production
      • New York Shakespeare Festival
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 2 minutes
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.33 : 1

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