Zatoichi

The story of the blind swordsman Zatoichi should be well known to most aficionados of Japanese cinema. I was thrilled when i heard that Takeshi Kitano (of all people) would be making a re-make of the classic series. And i was not disappointed.

The blind masseur/swordsman Zatoichi stumbles upon a lone widow when he comes walking in the countryside. He helps her carry a basket and she tells him of her problems while he is invited to stay with her. The local town is plagued by a war between different criminal factions and the protection rates are constantly going up. Soon two geishas also arrive in town with their own agenda, linked to one of the warring gangs.

Zatoichi is a beautiful film in my opinion. Everything from photography and scenery to music is exceptionally well tuned to the mood of the film. Also the action sequences are very well made, the fencing well choreographed and nicely shot. What distracted me somewhat though is the use of liquid animation for the blood. There is almost no usual fake blood in this movie, rather it's liquid animation-blood spraying when people are stabbed. This looks odd, but it's still a minor distraction.

Zatoichi feels both like a nice tribute to 60's and 70's samurai-films as well as a fresh take on the genre. Both modern and classic, which is one of the finest compliments i feel you can give a movie like this one. I enjoyed it very much and i rate it 7/10.

Zatoichi is the updated version of cult Japanese show some decades back.Here a blind swordsman goes to a small town controlled by a ruthless gang and abuses the people there. There he meets many characters like the siblings on a mission, a samurai who is hired by the gang, as well as an unlucky gambler who befriends the blind swordsman.

This is the first ever Takeshi Kitano film I have ever seen and I got to say it turned out to be a rather pleasant surprise. Prior to this I have heard so much about Kitano's work and was really expecting to see a really good film. Add to that every samurai film I see normally gets compared to Kurosawa's works like Rashomon, and Ran which of course are tough acts to follow. I thought the film was well made in many aspects. The cinematography was really beautiful and well made. The costumes like most period films were finely crafted and were beautiful. The scoring was also very good.

I always find it rather hard to laugh in a film that is non-English. I guess I always believed that humour doesn't always transcend different cultures. What may be funny for one may seem rather dull in another. This film however debunks that thought. I found myself laughing over a lot of scenes in the film. Even in scenes where you do not think there could be a funny moment Kitano is able to deliver one just to break the tension a little.

The fight scenes in this film were also well planned and I though it was done realistically but not necessarily done to shock the audiences with bucket loads of blood and mangled body parts. It was effective but not too disturbing.

I also thought that the overall story of the film was good. I was particularly interested with the story of the siblings and it's eventual resolution at the end of the movie.

Takeshi Kitano's Zatoichi is a great film which now ranks as one of my and hopefully it will be to other people. I'm already anticipating the next film from this great film and will also look for some of his earlier works.

This is a strange one, a drama/comedy/action film with absurdist overtones. In Japan, Zatoichi is a cult character who was the subject of 26 feature films between 1963 and 1989. Now director "Beat" Takeshi – best known for Hana Bi – introduces Zatoichi to a new generation. Takeshi also stars as Zatoichi, the elderly masseur and dice gambler whose hearing is so acute he can detect which side a die has fallen. He's a master swordsman, too – one slice and you're diced.

Supporting characters include two beautiful geishas avenging their parents' death, a farmer and her drunkard nephew, the gangsters running the town and a masterless samurai (an impressive performance from Tadanobu Asano).

The Blind Swordsman is great fun, although it could do with a tighter structure. And I was shocked by the spectacular tap-dancing finale – in traditional Japanese dress and shoes! ***½/***** stars.

Zatoichi is a good humoured blind man who travels making his living from being a masseur. He arrives in a small village, keeping secret his ability as a swordsman. The village is split with rival gangs, one of whom hires a troubled but talented samurai to wipe the others out. Meanwhile two beautiful geisha sisters are more than they appear. Into the middle of the impending bloody conflict walks Zatoichi.

One of the good things about Kill Bill may well be that it brings a wider audience to the martial arts genre from the Far East on a bigger scale. If that is the case then this is one of the films that they will likely come to first in the cinema, as it is about to have a full UK release. I was able to see this as part of the Birmingham Screen Festival 2004, so I was in a full audience that was ready and willing to be entertained and this may have helped me enjoy it more than a half full cinema of people who have just drifted in. With or without this atmosphere I found this to be an enjoyable, stylish, funny and violent film - but not without flaws.

The biggest flaw is the plot sadly. At it's heart it is a good story, but the manner of delivery really hamstrings it's ability to engage and grip. I have read that it was meant to be a homage/spoof of operas, and my very astute (and beautiful!) friend told me that the way of having lots of minor characters to almost cover costume changes for the main actors is a musical thing and that the film reminded her of that. While I accept that may be the reason for the way the film is, it doesn't change the fact that it didn't work for me. The films starts with difficulty - it is hard to follow with so many characters and gangs of which we are given no history to work with. This continues for much of the film, with minor characters coming and going, partly contributing to the overall story but also breaking up the flow with subplots that are never really explained or understood.

This trend continues, with the film never getting a real tension or pace to it. The conclusion of the film is a bit of a letdown - although I may have been conditioned to expect `the big showdown' in this genre. It still works pretty well but I just had a pretty big problem with the way the story flowed (or didn't). This is not to downplay how much I did enjoy it. The film has a great thread surrounding Osei where he acts as a comic relief - all his stuff is very funny and it really helps to break the tension; it's just the things like the bodyguard's subplot - nothing explained yet quite a lot of weight put on him. While it does lack pace, tension and punch, it still works well enough to hold the action together.

The fights are bloody, stylish and enjoyable although I fear that those weaned on Kill Bill's excess will not accept it as gory enough. The use of CGI blood may be a problem as well - personally I found it to compliment the otherworldly effect of the film by being almost more pronounced than `real' blood would be. The fights are enjoyable, although they are perhaps a little too brief - certainly some of the more important fights were over way too quickly and without ceremony. Generally though, the film looks amazing. Each shot is framed really well and, where the characters are still or set against a big background, many of the shots would look great on a poster. The sets are fantastic and really capture the sense of period and place. As director, Takeshi really has done well even if he could have done with a bit more help on the action front.

The cast are roundly superb even where the are let down by the material a little bit in terms of their characters. Takeshi plays his character with an easy going humour that contrasts nicely with his sudden, violent movements at key moments. Easily the standout performance though is from Taka, who brings so much to the film with his likeable, comic fool. He is very funny throughout the film and his lack of background is not a problem as none of his strands call upon that like the others do. Asano's bodyguard is interesting but sadly poorly served by the material. The two sisters are OK but again their performances are overshadowed by the fact that their sections of the film are not as strong as need be - the slightly corny CGI ending involving them is only corny because I didn't have sufficient buy in to their characters to care that much. The various villains fail to impose themselves on the film but enough is done by Takeshi and Taka to keep the audience engaged.

Overall I did really enjoy this film. It was visually very stylish, funny, engaging and enjoyable. It has flaws with the structure, the plotting in regards characters and suffers from a lack of real excitement or consistent tension but it is still more than worth seeing.

Zatoichi is definitely one of my favourite films and I consider it one of Kitano's best if not his best in terms of his acting and directing. I have the majority of Kitano's films and I was over joyed to hear that he was starring and directing Zatoichi and I was not disappointed when i saw it. Everything about the film is exceptional although a big disappointment for me was the fact that CGI blood was used which does look a bit fake in some scenes. That is the only criticism I can think of. The film is very violent but like Kill Bill it is comic violence. I was also pleased to see Tadanobu Asano(Kakihara from Ichi the Killer)who was very good and he also plays a reasonably similar role in Gohatto(also starring Kitano). Fans of Kitano and Japanese cinema should watch this as well as fans of the Zatoichi franchise.

Near flawless film!!

9.5/10