Haasil

A brilliant narrative of student politics and the ecosystem around it. A very captivating story till the last minute. Movie gradually evolves and touches many different aspects of life, numerous to point down. Namely caste, patriarchy, mainstream political, muscle power, betrayl, friendship and more.

Tigmanshu Dhulia is a brilliant director and writer which is suitably portrayed in the movie.

Actings were almost flawless, which casts most of the gonna be established artists in the movie scene.

A well made worth-it movie.

This movie is special for me as during our undergrad days, we were asked to learn each and every dialogue of this movie in ragging. I still remember 80% of the dialogue. Movie shows underbelly of College elections and how it impacts the students. One off of the best work of Irfan Khan.

Pros: Great script awesome acting well directed

Cons: Couple of unnecessary songs.

Haasil is not just a film-it's an authentic portrayal of Northern India's socio-political landscape, marking a powerful directorial debut for Tigmanshu Dhulia. Set in Allahabad (Uttar Pradesh), the film masterfully blends love, politics, deceit, and the harsh realities of student politics, offering a gripping narrative rooted in the region's culture.

The story follows Aniruddha (Jimmy Shergill) and Niharika (Hrishitaa Bhatt), two college students who fall in love. However, their peaceful lives take a dangerous turn when Aniruddha gets entangled with Ranvijay Singh (Irrfan Khan), a charismatic yet ruthless student leader locked in a power struggle with his rival, Gauri Shankar (Ashutosh Rana). As the battle for political dominance intensifies, Aniruddha finds himself in deep trouble, threatening his love and future.

Irrfan Khan delivers an electrifying performance, embodying Ranvijay with raw intensity and flawless dialogue delivery in Allahabad's local dialect. His transformation into the character is seamless, making him one of the most memorable antagonists in Indian cinema. Jimmy Shergill shines in a role that allows him to showcase his acting prowess beyond conventional romantic leads. Hrishitaa Bhatt convincingly portrays a conservative college girl, making her character highly relatable to many North Indian audiences. Ashutosh Rana, despite limited screen time, leaves a lasting impact, while veteran actor Sharat Saxena is perfectly cast as a concerned father grappling with societal norms.

One of the film's biggest strengths is its authentic dialogue, which captures the raw essence of Allahabad's linguistic and cultural nuances. The supporting cast adds further depth, making every scene feel genuine and immersive. The film's pacing is impeccable, transitioning from a simple love story to a gripping political thriller with remarkable finesse.

Tigmanshu Dhulia proves that compelling cinema isn't dependent on star power but on strong storytelling, well-researched characters, and an unfiltered look at regional politics. Haasil is a must-watch, particularly for those who appreciate films driven by realistic characters and intense narratives rather than commercial glamour.

Highly recommended for lovers of raw, powerful, and socially relevant Indian cinema.

We, who live in metros, away from the rest of India need to be reminded sometimes that there lies a larger India outside the metros. We, who criticize politicians and call politics 'dirty' and never vote out of laziness and apathy yet disguising it brilliantly as our only act of protest against the corrupt system, need to be reminded that politics does run the country. And if we don't, someone else less worthy will take the reins in their hands. We, who watch films to escape from our otherwise dreary, tiresome, collapsed lives need to be reminded that possibly film can mean more than a sneak preview into the lives and lifestyles of the rich and famous.

Haasil, does all that. And more. Now while the film is not without its problems, lets begin by saying, it's a refreshing, thought provoking change from the regular onslaught of dancing on European alpine valleys; zipping on Mercedes Benz; parties - poolside in the lush greenery of palatial mansions and of course, designer clothes on designer bodies.

Set in a university in Allahabad, Uttar Pradesh, where the Director Tigmanshu Dhulia himself studied, the film revolves around two rival political gangs in a college. One headed by college veteran and students' union president Gauri Shankar (Ashutosh Rana), and the other by an aspiring politician Ranvijay Singh (Irfan Khan), encounter each other constantly in corridors of the university, the labyrinths that control student political power. While Aniruddh (Jimmy Shergill) and Niharika (Hrishitaa Bhat), both students of the college, fall in a simple and 'looks real on screen' kind of love creating a parallel narrative in the film, the plot thickens, as Aniruddh, after turning a deaf ear to the warnings of his friends and lover, gets slowly sucked into the world of Ranvijay's politics. He blindly places his faith in Ranvijay, who uses him to win votes from the `a-political' students. One thing leads to another and before he can realize what is happening, Aniruddh finds himself neck deep in the game of power politics which leads back to the rooms of ministers and the state.

Let's take a look at what I like and what I don't in Haasil.

I like:

1. The story, though not original, is a refreshing change. 2. The editing is neat and the narrative flows on perfectly. 3. The extremely real life dialogues give it a sense of being rooted 4. It has no stars, just characters. The actors perform these characters well. Irfan Khan as an upcoming, ambitious, brash, fearless student leader and yet nervous of his appeal to the other sex is brilliant. One wonders what's it with Bollywood, which can't nurture such talent! Jimmy Shergill, as a young boy from a middle class family of a small town finally gets to do in this film what he has never got a chance to do before, act. Hrishita Bhatt as his coy yet strong-minded girl friend is promising. Tinnu Anand as Jimmy's father needs a special mention. He performs the role of a father constantly aware of the growing gap between him and his son attempting to bridge it, yet not quite succeeding is believable. Ashutosh Rana as the president of the student association fails to impress beyond the stereotype he is being made to perform lately. 5. The film makes 'love' watchable again on screen. It is sensitively handled, looks believable and does not pretend to be anything other than it is; i.e. two college mates being attracted to each other and falling in love! Jimmy's impulsive kiss on Hrishita's cheek followed by a nervous 'sorry I'm really sorry'; the scented letter that makes her go into a bout of sneezing; the newspaperman turned love-letter delivery boy; the cycle and the ricksaw; the arguments in the old dilapidated movie hall where they meet secretly; all seem out of real life 'falling in love'. 6. The music scores are good and worthy of an ear though failing to make a lasting impression. Yet, it complements the film well. 7. The Director's involvement with the film, his personal experience with student politics in a small town is evident in the film. Even his understanding of the town of Allahabad, with its huge population of out-of-Bengal Bengalis, who have lived there now for ages and have managed to mingle with the locals yet keeping their festivals and customs alive prove that he has studies the city. 8. It is small budget. It cost just Rs 4 crore and it is doing pretty well inspite of the lack in advertising and promotions moneys. I guess word of mouth still works.

I did not like:

1. It gives in to the stereotypes and conventions of a mainstream Hindi film time and again. We could have done with fewer songs for instance, or less number of change of clothes for the heroin. 2. Irfan's character, its gray edges came out beautifully in the first half till the director decided to make him the ultimate villain and willfully simplified his emotions midway giving him no chance to redeem himself.

3. The introduction of the mosque, the `good Samaritan' Muslim friend and the song in the mosque ending with Jimmy's verdict on how friendly Muslims truly are inspite of popular belief, seems tokenistic and banal. If anything, it seems to be working against the very purpose it was meant for. And that I guess is the problem. When one tries to achieve a purpose in a sequence with no links to the main story it looks imposed, banal.

this is one of those rare movies... which makes you feel good from the inside... it makes you feel.. that there are still some directors in India.. who make movies with Jigar.. not the K3G Panzy with a Z stuff.... this is one of those movies.. wherein.. you would not want to go to your grave.. without having watched it.

Rajput vs. Pandits.. at its best...

more than anything.. the dialogs and their delivery is something to be applauded...the way the story unfolds.. the power of student politics... the beating of the CM with Chappals.. by the youth leader.. it is very very gratifying...

best dialog: Jaan SE Na Mar Dena.. Magar Itna Marna.. Ita Marna.. Ki Tumhaari Jaan Ko Lage Ki Tumhe Jan Hai...

Rana / Khan / Murad / support cast... classic... could have easily.. done without the love pair....jimmy/Bhatt... :-)

i am surprised... Dhulia.. has not directed... anything post.. Charas... feed us dude..

Ranvijayaaaaa.... nice.