Criminal

American remake of the 2000 Argentinian film "Nine Queens" features John C. Reilly in a superlative performance as a sometimes-successful Los Angeles con-man who partners with a Spanish grifter he meets one morning trying to swindle waitresses in a casino; they become involved in a scheme to dupe an Irish billionaire out of 750 Gs with a rare (and counterfeit) bill of foreign currency. Director Gregory Jacobs, who also co-wrote the script with Sam Lowry (the pen name of Steven Soderbergh), wisely allows Reilly lots of room to go into his maniacal arias, which is a good thing since little else in "Criminal" quite measures up to him (certainly not that generic title!). Although the colorful supporting cast is excellent, Reilly is the spark plug to the entire picture--a fact which makes the final curtain something of a let-down. Since this house-of-cards scenario is filled with cross and double-cross, it's difficult to fault the general plotting (it's a writer's conceit, after all); however, the impetus of this story--how it all gets set into motion--is questionable by the denouement. Still, an engrossing and enjoyable film with a high-wire acting job from Reilly, which might have received a great deal more acclaim had the overall results been stronger. **1/2 from ****

This first scene of this film contained more action than the rest of this rather tedious, bland remake of a recent Argentine film (which I have not seen.) There was virtually no chemistry between the two leads, Reilly and Luna. Sad sack Reilly, despite a decent performance, was miscast as the professional con man and Gyllenhaal was wasted in a minor role as Reilly's sister. Luna gave the best performance in the film as the young protégé. Scottish actor Peter Mullan played the "mark," a streetsmart "Irish" billionaire whose accent slipped from Scot to Irish every other line! By the time the surprise ending rolled around I didn't care who were the good guys, who were bad guys nor the motivations of either. The screenplay, although illogical and far-fetched, included a few good lines but I don't know if they were translated from the original film or written especially for this remake. Luckily, I saw this film at a screening and didn't have to shell out $10 for a ticket!

I saw the film and loved it. The ending totally threw me. As I drove home I had to rethink the entire film. Every assumptions I had while watching it was wrong. It was a total surprize. Diego is soooo naturally talented; I hope the rest of the world discover him eventually. The rest of the cast was great too. I think the critics who didn't like it were wasting their times comparing it frame for frame with the original film. It would have been nice if they reviewed the film for the millions who've never heard of the original rather than for themselves. I have never seen Nine Queens and I'm glad I didn't because I probably would have been doing the same thing and ruined the experience. I didn't have any preconceived expectations and enjoyed it immensely. Can't wait to see what Diego does next.

After sitting through the world premiere of "Criminal", I spent the whole movie trying to remember where I had seen this script before, and then the credits mention that it was adapted from the script of a great British film called "Nine Queens", which was out only a few years ago.

Except for exchanging a postage stamp for a rare currency bill, there is no originality in this adapted screenplay. Similar to the remake of "Psycho", if you are going to film a scene-for-scene remake, then why do it?

I can only hope that this movie causes people to seek out the original "Nine Queens", so that it gets the recognition it deserves in America.

It's truly sad that the first film from someone who has worked for years as an assistant director couldn't be something more innovative, original, or unique.

One question that always pop in my mind whenever Hollywood tries to remake a foreign film that was successful is: Why? In most cases, the end result is disastrous; it never compares with the original movie and why spend money in something that has already been done, better.

The movie in question here is the Argentine surprise film of last year, "9 Queens". In it, Fabian Belinsky, its director, was able to give us an original story, a caper, that was well executed and brilliantly acted; it was a pleasure to watch.

Not to put this movie down, but it suffers in comparison. Gregory Jacobs, the director, has adapted the story to present day Los Angeles and the story hasn't changed at all. The memory of the other movie was still vivid in our minds, so there was no surprise with this one.

The acting is good in general. John C. Reilly makes the con man Richard Gaddis perfectly slimy. Diego Luna brings a nice balance to his role, and Maggie Gillenhaal is excellent as the long suffering sister.

If you haven't seen the original, this version works fine.